Capturing Beauty
Was Larry Chazen invited to Christine’s sober birthday at Rocky Point? How about Robert Brevoort Buck. How about billionaire – Alan Fox? I will be placing the gruesome suicide on Drew Benton in the center of their Art Collection. Did these three men know Christine’s daughter was in an icebox for twenty days – and not bloodkin came foreward? I paid for everything. I am poor. Other poor people want to see an Art Movie where the Filthy Rich are brought low. I will give it to them – in order to boost a waning interest if Rosamond’s Art.
Here’s a Art Buffoon that says Drew Strozun in Christine Rosamond’s brother. This dude claims he can find very little on the net about Rosamond. I might add Strozun to my pile. Keeping money out of my hands has been the strategy for the rich and powerful. A billion movie-goers – can related! I need an agent – now!
John Presco
braskewitz@yahoo.com
5/5/2026
Aldo, Dent, Tharaldsen, and Benton
Paul Garfield Benton
by
John Presco
ALL RIGHTS RESERVED
“He was a third cousin of well-known regional artist Thomas Hart Benton.”
Garth Benton married my sister, Christine Rosamond Presco. It was a union of two artists. When Christine was tirteen, she dated Denny Dent, who later became a member of the Walker Avenue Group where I put my large canvases that I just drove up from Los Angeles along Highway 1 in 1965. In 1974, Rosamond took photographs of me in her studio. She has bonded with Aldo Luando. I suspect she wanted to do her first portrait of a male, and I was chosen.
Drew Struzan (/ˈstruːzən/; March 18, 1947 – October 13, 2025) was an American artist, illustrator, and cover designer. He was known for his more than 150 film posters, which include The Shawshank Redemption, Blade Runner, E.T. the Extra-Terrestrial, as well as films in the Indiana Jones, Back to the Future, Harry Potter, and Star Wars film series.[1] He also painted album covers, collectibles, and book covers.
3/20/2021
Sydney Morris and Brett Weston
Sydney Morris works for, or is a partner of Robert Buck, who put together the Buck Foundation employing his legal expertise. Morris destroys the estate of Brett Weston and Christine Rosamond Benton, two of Carmel’s most creative citizens. Jack London and George Serling founded this famous Bohemian Mecca. Ben Maddow wrote Edward Weston’s biography.
Here is a Buck Baby going after Gavin Newsom thinking they are saving Californians from becoming alcoholics or – whatever! The whole board ignores me – and my late sister.
John Presco
One of modern photography’s greatest pioneers, Edward Weston awakened his viewers to the sensuous qualities of organic forms. In this biography Ben Maddow draws heavily on Weston’s uncut journals and letters and on the reminiscences and written accounts of his closest friends and family to reveal the man behind the opaque formalism of the photographs.
Lawsuit Against Buck, Chazen, Pierrot, and Comstock | Rosamond Press
Governor Newsom: Don’t Let Your Wine Interests Trump Your Ethics – Alcohol Justice
So back to the pun in our title: Gov. Newsom, will your wine interests Trump your ethics? President Trump is under suspicion of violating the emoluments clause of the Constitution. Is the President financially gaining from the Trump Hotel on the Capital Mall by sucking in foreign visitor monies? While California’s constitution does not have an emoluments clause, the same conflicts of interest arise. If the 4 a.m. Bar Bill lands on Governor Newsom’s desk, he could gain financially from signing the bill, through wine sales and through the PlumpJack Squaw Valley Inn. Alcohol Justice must directly ask: Governor-elect Gavin Newsom – could you please completely divest from the wine industry and invest in public health? And please do not support any attempts to further gut alcohol regulations which have been deteriorating for decades in California while the body and injury counts rise.
READ MORE about the ongoing alcohol catastrophe in California.
Members of Gavin Newsom’s wine, restaurant, bar, resort and real estate partnerships since 1991:
Kevin & Bronwyn Brunner, John Burton, Casey and Michelle Cadwell, Bob and Barbara Callan, Frank Caufield, Donna Chazen, Lawrence Chazen, Joe & Victoria Cotchett, Michael & Hilary Decesare, Philip DeLimur, Don Dianda, Gretchen Dianda, Edward Everett, Richard Freemon, James Fuller, Stanlee Gatti, Robert Gerry, Andrew Getty, Ann Getty, Anna Getty, Chris Getty, Gordon Getty, Mark Getty, Peter Getty, Ronald Getty, Tara Getty, William “Billy” Getty, Robert Goldberg, Florianne Gordon, Stu Gordon, Gordon Goletto, David Goodman, Arthur Groza, Richard & Martha Guggenhime, Tony and Anthony Guilfoyle, Shelly Guyer, James & Shea Halligan, Bob & Jill Hamer, Erin Howard, Thomas Huntington, Isolep Enterprises (Paul and Nancy Pelosi family personal investment company), Peter Jacobi, Gaye Jenkins, Jeffrey Kanbar, Chad Kawai, David Lamonde, John Larson, Rob Lavoie, Leavitt/Weaver interior designers, Marc Leland, Maryon Davies Lewis, Anne McCutcheon, Chris McCutcheon, Ross McGowan, Rich McNally, Robert & Carole McNeil, Paul Mohun, Robert Mohun, Jeff Morin, Sara Moughan, Terry Moughan, Brian Mueth, Bob Naify, Marshall Naify, John Nees, Barbara Newsom, Brennan Newsom, Catherine & David Newsom, Gavin Newsom, Patrick Newsom,
Tessa Newsom, William Newsom, John O’Hara, Jack Owsley, Pacific Design, Matt Pelosi, Robynne Piggott, James Samuel Powers, Elizabeth Rice, Jeremy Scherer, Paul Scherer, Gary Schnitzer, Steve & Theresa Selover, Steve Siino, Trevor Traina, Chris Vietor, Francesca Vietor, Kenneth Weeman, Nicki West, Justin & Aridne Williams, Kevin Williams, Thomas & Kiyoko Woodhouse
“By September 2000, however, plans were underway for a biography of Decedent, which Petitioner hoped might create interest in her work. The book was published in 2002. Although the book did not spur the hoped-for interest in Decedent’s life and work, efforts continued to market the concept of a screenplay based upon Decedent’s life. Petitioner hoping that this might be brought to fruition, elected to keep the estate open. However, it is the Petitioner’s belief the likelihood of an increased interest in Decedents work is negligible, and the time has come to close the estate.”
“Pierrot later bought the business from the estate, royalties
from which go to Rosamond’s daughters, Drew now 11, and Shannon, 28.
Pierrot has a determined vision of where she wants the business to
go. A poster of Rosamond’s creation “Dunkin the Frog” will be
distributed to children in hospitals. T-shirts and tote bags will
also be produced featuring the whimsical character, Pierrot says. All
manner of upscale merchandising is contemplated using the images from
Rosamond’s paintings…bed linins, throw pillows and other elegant
household items.”
“As suggested by a review of the court documents and interviews with many of the principals in the court case, the dispute over Weston”s estate has been a grotesque, acrimonious soap opera, replete with insinuations and outright charges of deception, theft, financial manipulation, malfeasance and mismanagement.”
http://www.amazon.com/Rosamond-Complete-Catalogue-Raisonne-1947-1994/dp/0615359892
“Many of these pictures have not been in public viewing but rather have been copied from private owners. There are between 180 and 190 pictures at least to enjoy.”
http://www.oldsf.org/#ll:37.779049|-122.428520&m:37.77059|-122.39590|14
I don”t think of it in terms of money. I do it just for the love and excitement.”
-Brett Weston
It was 40 years ago on New Year”s Day that photographer Edward Weston died at his home on Wildcat Hill in the Carmel Highlands. Despite decades of struggle, during which he never earned more than a few hundred dollars for images that are now regarded as masterworks of 20th century photography, Weston came to be recognized as one of modern photography”s true geniuses.
In the five years since Brett Weston, Edward Weston”s second son, died at the age of 81 at his home on the Kona coast in Hawaii, he too has come to be regarded as a photographic genius in his own right, one whose singular vision and bold abstract landscapes anticipated and paralleled many of the major trends of 20th century art.
Unlike his father, however, Brett Weston achieved substantial wealth during his lifetime. Abetted by the art boom of the late ”70s and ”80s, and the growing recognition of photography as a legitimate art form, many of Weston”s better-known images sold for upwards of $5,000 apiece. In addition, Weston earned hundreds of thousands of dollars from numerous book contracts and the sale of reproductions of his images.
At the time of his passing, Weston left behind an estate valued at well over $2 million and an astonishing archive of some 30,000 photographs, spanning his entire, seven-decade career. Many of these images, all printed by Weston himself, have never been exhibited or reproduced. In order to assure both the value and integrity of his archive, Weston destroyed nearly 7,000 of his negatives-a bold act that defied art-world conventions and that continues to cause much debate and consternation among art historians.
As art historians seek to evaluate Weston”s legacy and influence on 20th-century art and photography, it is Weston”s archive that will form the basis for much of that assessment. In terms of photographic history, the archive is priceless. But in the real world, where everything has a price, the archive and Weston”s legacy have become bones of contention.
For the past year and a half, the county courthouse in Monterey has been the scene of a contentious and oftentimes bitter legal dispute over Brett Weston”s estate and the disposition of his photographic archive-one that could have far-reaching implications for the legacy of Weston”s artistic achievement.
At the center of the dispute is Weston”s long-time agent and friend, Carol Williams, owner and director of the Photography West Gallery in Carmel, and Carmel attorney Sidney Morris, executor for the Weston estate.
The point of contention between Williams and Morris has been the sale of Weston”s entire photographic archive to an Oklahoma banker and art collector named Christian Keesee, as well as the status of ongoing print sales, and a previous publishing contract between Weston and the Photography West Gallery.
At issue is whether the sale to Keesee, which was finalized and approved by the court last summer despite efforts by Williams to overturn the sale, violated Weston”s expressed interests for his archive, and whether the sale will have a negative impact on the value of Weston”s work and its assessment by art historians.
As suggested by a review of the court documents and interviews with many of the principals in the court case, the dispute over Weston”s estate has been a grotesque, acrimonious soap opera, replete with insinuations and outright charges of deception, theft, financial manipulation, malfeasance and mismanagement.
The path to understanding the convoluted and confusing path that led to the sale of Weston”s archive to Keesee, is littered by a host of self-serving half-truths, dissembling and dissimulation by former friends, lovers, acquaintances and art-world associates of Weston that make the parties” motives and the truth difficult to ascertain.
At the center of this legal miasma resides Brett Weston himself, a man who emerges from past interviews and conversations with friends and associates as an enigmatic and incongruous personality, a man whose intentions regarding his archive were never made clear and whose single-minded pursuit of his art often came at the expense of personal and professional relationships.
“I have spoken all my life through the camera. Photographs are the statements and legacy that I have left.”
-Brett Weston
In looking back at Brett Weston”s life and career as an artist, one is struck by the degree to which his art is inextricably linked to his relationships with women. Married and divorced four times, Weston engaged in countless personal relationships with women, many of whom assisted Weston professionally.
From March of 1959 to August of 1992, less than five months before his death, Weston left as many as 10 wills with 16 codicils, with many of the amendations representing changes in executors and beneficiaries.
According to Morris and former estate co-executor and Weston friend Bob Byers, there were 29 versions of estate plans for Weston during his lifetime, “the common theme being gifts to lady friends and family members and to ultimately take care of [Weston”s daughter and sole heir] Erica,” according to Morris.
For Josephus Daniels, a respected Carmel photography dealer who represents some of Weston”s work, there is knowing amusement in the complicated and messy estate Weston left behind.
“Brett was a very complex fellow yet simplistic in other ways,” says Daniels. “Brett”s world was very rigid and internalized and he had very specific ideas about the world of art and his relation to it.
“The whole family was a dysfunctional family, and Brett had difficult times with relationships,” adds Daniels. “I don”t know if Brett ever lost control [of his archive], but I don”t know if he ever had control of it either.”
Over the years, Weston also vacillated over the disposition of his negatives, with earlier wills stipulating the destruction of any remaining negatives and later wills approving the donation of some negatives to educational institutions. Prior to his death, Weston did donate approximately 12 negatives to the Center For Creative Photography in Tucson, Ariz., and gave another dozen to his brother, the noted photographer Cole Weston. In both cases, all the negatives were sufficiently damaged to prevent future printing. What negatives have survived include several hundred images taken in Hawaii during the latter part of Weston”s life. None of these images are believed to have been printed, and according to Morris, these negatives have been donated to the Center as part of the sale to Keesee with instructions that they may never be printed.
In his final codicil just months before his passing, Weston made one significant change in his will that bears significantly on the sale of his archive to Keesee. After writing numerous wills naming the San Francisco Museum of Modern art as the “remainder trust” beneficiary of his archive, Weston switched to the Center, reportedly through the importuning of Diane Nielsen, a photographer and personal friend who works for the Center, and who was named as a beneficiary of 25 prints in Weston”s will.
That change came as a surprise to some Weston associates who say Weston had a longstanding enmity against the Center over its refusal to purchase his works as it had done for other photographers of equal stature, and its insistence that Weston donate images to the Center instead.
Despite all the changes in Weston”s will over the years, the one constant and concern, all parties agree, was to see to it that his daughter Erica would be provided for.
Given the complex and complicated nature of Weston”s personal life and the uncertainties surrounding his wills, it is not too surprising that his archive should have been in similar disarray.
“In the four years the vault was in my possession, I could not deliver a single requested photograph because I didn”t have it or would have had to break up a portfolio,” says Morris, who says the archive, which was “poorly catalogued,” was twice appraised at around $1.2 million, not including the potential value from publishing and reproduction rights.
As Brett Weston”s primary dealer for the last 13 years of his life, Carol Williams seemed an obvious choice to purchase Weston”s archive. Besides earning Weston hundreds of thousands of dollars over the years, Williams helped broaden the appreciation of Weston”s work through her gallery”s publication of three beautifully produced and highly regarded monographs of Weston images. Those books were published prior to Weston”s death as part of a five-book deal, the remainder of which is currently being disputed by Morris on behalf of the Weston estate.
According to Williams, her personal and professional relationship with Weston gave her unique insight into the man and his art, and Williams remains a passionate and devoted believer in Weston and his artistic legacy. It was Williams” dream, and according to Williams, Brett”s desire as well, to see his work remain in Carmel. Williams says she intended, had she purchased the archive, to sell some of the collection in order to finance construction of a photography center or museum that would pay tribute to the entire Weston family, a family indelibly linked to the Carmel area.
According to Williams, she was approached by Morris in the fall of ”95 to discuss the purchase of the archive.
“Sidney told me it had been decided that the entire vault was going to be sold because Erica wanted money instead of prints,” says Williams.
“I was told by Sidney that Brett would have wanted me to have the [archive] and that he was prepared to do battle for me with Erica,” adds Williams. “What I got from Sidney was he didn”t want the liability and responsibility and management headaches of selling the archive individually.”
According to Morris, the estate had given consideration to managing Weston”s archive itself, but decided that such a time-consuming and complicated endeavor was not worth the potential financial risks and uncertainty.
“We had considered trying to manage the estate and running it as a business, but in view of what we had to deal with, in our opinion to run it as a business entity would have been long and arduous and maybe not successful,” says Morris. “Erica”s lawyers and my lawyers felt it would be in the best interests of the estate to dispose of substantially all of the collection.”
Prior to discussions with Williams, Morris approached the Center For Creative Photography as a possible buyer. As a research and educational institution housing more than 60,000 photographs, archives books and documents of such noted photographers as Edward Weston, Ansel Adams and Wynn Bullock, the Center seemed a likely choice.
“As Brett”s executor, I hoped I could find some way to create a photographic legacy with the Center after it seemed unlikely the trust could market its entire collection during Erica”s lifetime,” says Morris.
According to Morris, the Center declined to purchase the archive because of its unwillingness to take on the necessary financial obligations such a purchase would entail in terms of providing for Erica Weston and the estate.
“We did pursue in some detail letting the Center have it, but they didn”t want to be responsible for generating income [for Erica and the estate],” explains Morris.
Although the Center declined to purchase Weston”s archive, they were particularly interested in purchasing what is known as the 50th Anniversary Portfolio, a collection of 125 prints of Weston”s finest work spanning his entire career and assembled by noted photo-historians Beaumont and Nancy Newhall for an exhibit in Santa Fe, NM. in the 1970s.
Morris confirms that the Center did want to buy the 50th Anniversary Portfolio, worth an estimated $300,000, but the price that was offered was below market value and “prejudicial to the interest of the income beneficiary.”
As discussions between Morris and Williams proceeded, and a figure of $1.5 million was proposed for purchase of the estate, Williams says she thought the deal would be completed, pending the approval of the sale by Erica and the Center, which Williams says Morris sought as a “”courtesy”” to the Center. But such approvals, says Morris, were not forthcoming.
The response to the proposed sale to Williams, says Morris, was “strictly negative from Erica, and the Center was concerned about Carol personally and her business practices. They thought there would be a sale to another museum and they weren”t enamored with the idea,” says Morris, who insists that no deal was ever finalized between the estate and Williams.
According to Williams, however, “the Center”s attorney told me they never objected to my offer.” Williams adds that Erica told her that her [Erica”s] objections were based on incomplete information regarding the terms of a possible sale to Williams.
After repeated questioning, Morris conceded that the Center had no legal standing to object to the sale. Furthermore, the derogatory allusion to Williams” “business practices” begs the question why Morris would approach Williams in the first place if her business practices were in doubt, and why Weston himself placed such implicit trust in Williams over the years.
Williams says it was only after she was told by Morris that the Center was going to purchase the archive for a larger sum, only to later find out it was sold to Keesee under terms and conditions she felt Brett would have objected to, did she eventually sue to block the sale in May of ”97.
“I was told by Sidney I had it and in January [1997] he said the vault went to the Center for more money than I offered and that Erica was thrilled,” says Williams. “I thought it all went to the Center but it had to been sold to Keesee.”
Williams” suit was eventually denied by Judge William Curtis citing Williams” lack of standing. Curtis later sanctioned Williams $10,000 after she pursued the suit further.
Because the interpretation and recollection of the events surrounding the sale of Weston”s archive varies from person to person, it is difficult to ascertain what assurances, guarantees and/or promises were made to and by all the parties involved in the eventual sale of Weston”s archive to Keesee.
The most likely explanation may have to do with the financial liabilities and benefits of the archive to the estate, the powerful influence of the Center, which benefited substantially from the sale of the archive to Keesee, and the role of Erica”s attorney and advisor Jim Rust, a St. Louis attorney who ended up brokering the deal between the estate and Keesee.
(Both Erica Weston and Jim Rust, per Erica”s instructions, declined to be interviewed for this story. Terence Pitts, who serves as director for the Center For Creative Photography also declined to be interviewed despite the prominent role the Center played in the disposition of Weston”s archive. According to Pitts, there was nothing controversial about the sale of Weston”s archive.)
The sale to Keesee, with the help of his agent Jon Burris, who now serves as curator of the Brett Weston Archive, was completed in November, 1996 following final negotiations in Oklahoma City.
According to court documents, Keesee purchased the archive for the $1.5 million asking price, but only put $200,000 down, agreeing to pay off the additional $1.3 million balance in interest and principal in five years.
In turn, the estate paid a 10 percent commission to Burris and agreed to take out a $300,000 loan from Keesee”s bank. According to Morris, the deal was structured in such a way as to reduce the estate”s overall tax burden, with the bank loan allowing the estate to pay off some of its debts. By deferring payment in full, says Morris, Keesee was able to keep more cash on hand to help finance planned exhibitions and publications of Weston”s work.
In addition to the archive, Morris sold all reproduction rights to Keesee in an exclusive licensing agreement, giving Keesee the right to reproduce and publish Weston”s work for 25 years in exchange for 7 percent of the gross sales to the estate. It has been suggested by sources that those rights could be worth upwards of an additional $1 million.
One of Keesee”s first moves has been to license 1,500 of Weston”s images to Bill Gates” Corbis Corp. of Bellevue, Wash., for electronic reproduction. Keesee retains final approval for any uses by Corbis, which has a similar agreement with the Ansel Adams Trust. According to Morris, the estate has relinquished all control over how Weston”s images can be used or marketed.
As for the Center, it received the 50th Anniversary Portfolio from the estate, along with a donation from Keesee of somewhere between 1,000 and 2,000 prints not included in the sale, as well as several hundred negatives of Weston”s later Hawaii work. All of the items donated to the Center will provide tax benefits to Keesee and the estate. According to Morris, title to the Portfolio has yet to be transferred from the estate to the Center.
As far as Morris is concerned, the terms of the sale of the Weston archive represents the best outcome for both Weston”s estate, and for the legacy of Weston”s artistic achievement. Any supposed controversy over the sale, says Morris, is strictly in the mind of Williams, and that Brett never explicitly stated how he wanted his archive disposed of.
“I honestly feel the results achieved over the past four years are as good as could have been achieved for this estate,” says Morris. “We”ve done all we can do and I feel good about it. It has not been easy, but it”s my nature to know what I”m doing is right and doing the best job to get the estate closed.
“In my opinion the Center will have the definitive collection of Brett”s work and as far as everyone else is concerned they couldn”t be happier,” says Morris.
As a coda to the events surrounding the legal fight over the sale of Weston”s archive to Keesee, Williams herself was sued this past October by Morris on behalf of the estate over breach of contract for the remaining two books on Weston”s work, and for the return of 600 Weston photographs intended for those publications. She is also being sued for money Morris says is due the estate as a result of ongoing sales of Weston”s work by Williams at the Photography West Gallery.
Williams says she hadn”t gone forward on the other books because Morris told her the estate didn”t want any additional tax liabilities from any additional sales or promotions.
Morris denies Williams assertions, and says only that negotiations between the estate and Williams are ongoing and may be resolved in January.
“My feeling is she breached her contract for the other two books, and the estate issues have nothing to do with her failure to do the last two books,” says Morris.
“I love appreciation and an audience, we all do, but I don”t photograph for anybody but myself. In general mass audiences are tasteless, and I”d rather have an audience of say a thousand people who really love and understand and appreciate my work than 10 million. ”
-Brett Weston
As loathe as Weston may have been for a large, and largely uninformed audience, it appears as though his reputation will be greatly enlarged in the coming years. In the aftermath of the sale of the Weston archive to Keesee, two questions remain-whether this area lost an invaluable local treasure, and how Brett Weston and his tremendous artistic achievement will be assessed by art historians and the public at large.
Despite questions raised by Williams and Weston”s brother Cole over whether Brett would have approved a sale that included several hundred negatives and the licensing of the electronic publishing rights, based on steps taken so far, Keesee and Burris have shown great savvy and seem serious and forthright in their desire to build on Weston”s legacy in a positive way.
To date, Burris has mounted two shows of Weston”s work-one at the International Center of Photography in New York City of 76 images of New York cityscapes, and a 60-print retrospective in Guadalajara, Mexico- and is in the process of lining up exhibitions in galleries and museums in several European countries over the coming years. Negotiations have also begun, says Burris, with three major American publishers and one foreign publisher for a series of six books over the next five years that Burris says that will “totally reinterpret Brett”s career.”
“Our intention is to bring attention to the fact that not a lot of Brett”s work nor a broad enough range has been reproduced or exhibited,” says Burris, who has been an art dealer/curator for the past 25 years. “Looking at his immense archive that parallels the history of photography, it is amazing in scope and amazing from the standpoint of what was not shown and exhibited. We obviously feel there is great potential with the material and in terms of marketing we intend to bring Brett Weston”s name to greater prominence.”
As far as concerns that the sale to Keesee represents the loss of a valuable local treasure, Burris insists Weston”s value and representation goes beyond such parochial concerns.
“Brett was one of the great American landscape artists and it is unfair to relegate him just to the California school,” says Burris. “If you took a handful of the top six American photographers he is certainly one of them. The fact that any one artist could physically create an archive this wide-ranging is amazing in and of itself.
“Anything projected about what Brett may or may not have wanted is not clearly defined,” adds Burris. “I think, as with many artists, one of things that”s been said is there is some implication Brett might not have wanted his work to leave California and the idea of plans for a museum, but in all of our research we can find nothing to indicate this and I don”t think any of that is true. Had he wanted that specifically, he had people around him who could have helped him set that up but he didn”t do that. As with any artist whose work is on this level it belongs to the history of American photography regardless of where it is handled, as long as it is handled properly.”
As far as Williams is concerned, her feelings are decidedly mixed regarding the sale of Weston”s archive and tied deeply to her personal feeling for Brett as an artist and friend.
“I feel as far as Brett”s legacy is concerned the local area lost a tremendous archive, one of the most important artistic archives that exists in the history of photography ever created,” says Williams, “but I don”t think [the sale to Keesee] was the worst thing that could have happened.
“My concerns for Brett”s work is it”s never been organized or assembled. No scholars or public institutions have had an opportunity for study,” adds Williams. “My overwhelming response is sorrow about the irony of it. It seems so sad it was turned into this big commercial investment. Brett was a visual genius and had as sophisticated an eye as perhaps the most sophisticated 20th-century painters and abstractionists. That is his legacy.
“There needs to be a reevaluation of Brett”s artistic contribution, a chronological scholarly study of his work properly dated with comparative studies done to see who was influencing whom. That was the opportunity presented by the archive-scholarly research-and hopefully it won”t be lost.” cw
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One response to “Sydney Morris and Brett Weston”
Royal Rosamond PressJuly 4, 2021 at 3:19 amEditReblogged this on Rosamond Press and commented:John Detro did not live much longer after he wrote about a world famous woman artist. His roommate, a fellow writer, blames it on Detro’s addiction to nicotine. Did he sit as his desk all day filling his abolone tray ashtray with fowl-smelling ciggerette butts? Let’s not mention the stale smoke that got trapped inside whenever the fog rolled in. Can’t open the windows lest John catch a chill, he told he only got months to live. Not much time to finish that piece on Pynchon’s love of jazz, his masterpiece. As for his poetry. Detro proves there is such a thing as bad peotry. Who gives a rat’s ass if he took a pee long ago in a drunken stooper, while feeling sorry for himself. Not his brothers and sisters at the AA meeting. They heard too many sob stories he was wanting to turn into masterful poems, some that filled his lousy poetry book. The owners of the Monterey Pinecone were want to get his out of their hair when Jacci Belford called, and told them her boss just drowned. Get John our there, in the fresh breeze, where his cigarettes’ smoke can cause no home. But, he ain’t going to Rocky Point, where Rosamond was “killed” by a rogue wave. When you’ve written abut one rogue wave, you’ve written about them all. They come and go. They take their quota of lives. Ho-hum. Oh well. There’s not much else happening in…..Rogue Wave City. I Think His Name Is Greg
Posted on December 23, 2020 by Royal Rosamond Press
‘”I wonder if you can help me. Back in 1983, I met a man in Oakland
named, I believe, Greg.”Getting the name of John and Jesus right is part of the cosmology that created the Christian Religion. Not telling me I am a father is part of electing of The Messiah. Patrice Hanson walked into the Rosamond gallery re-opening with my sixteen year old daughter. My aunt Lillian told me Stacey Pierrot sent her a photograph of my offspring. Sydney Morris was taken by Stacey, he always alert to find THE SANE ONE when it comes to creative legacies – and hand it over to his chosen one without consulting a professional psychologist,My family was shocked to see my daughter and asked if she had contacted me. They were shocked to learn they had not, and were not really interested in doing so. The Pierrot Team suggested they should because we were negotiating about me contributing to Snyder’s LYING BIO. So, the back up history – to rewrite it. Patrice is pretending she does not completely know the father of her daughter is name “Greg” She does recall I told her my sister was named Rosamond. They told me Heather’s teacher googled Rosamond, and found Stacey and Sydney’s Casting Call. A movie deal was blessed by the law firm of Robert Brevoort Buck. What could go wrong with a movie deal? Ignore the tabloids at the checkout counter.Call me GregE-mail from Patrice“I¯ve been thinking about the apparent conflict in regard to the biography. Perhaps there is information I don¡¯t have but it seems to me that a biography written by the brother would be a very different book from a very different perspective than one written by an outsider and so there would be room for the creation of both of them.I know when I am really interested in someone or something, I like to get my hands on as many resources as possible to get information from a variety of points of view. So I don¡¯t see that it needs to be an either/or situation.But, as I said, perhaps there is something I don¡¯t know that you do. We can talk about it more. Tom Snyder seems like a really nice guy also. It seems he is supportive of you and he definitely played an important part in connecting you with Heather and that is important and not to be ignored.I¯m excited too. Maybe not as excited as you and Heather, but pretty excited. I do look forward to seeing you again. I¯m happy this is all out in the open now. It kind of lifts a weight off me that I wasn¯t really aware of but can notice now how much better it feels that you
know about your daughter.Love and blessings! PatriceFrom: Stacey Pierrot
Reply-To: stacey@r¡
To: jonpresco8@h¡, vpresco
Subject: [Fwd: Patrice Hanson at Bancroft House in Sonoma]
Date: Fri, 02 Mar 2001 09:02:43 -0800FRIENDS AND ADMIRERS OF ROSAMOND You¡¯ll be pleased to know that
Rosamond Publishing has commissioned the artist¡¯s biography: a
celebration of her life and legacy. We¡¯re working closely with the
author, Tom Snyder, to produce a handsome book dedicated to an
extraordinary life. Tom is a trained observer as well as
a storyteller intrigued by every turn in life¡¯s odyssey. If you have
any comments to share with Tom about your own response to Rosamond¡¯s
work, he¡¯d be happy to hear from you. His e-mail address is:Forwarded Message
From: Bancrofthouse
Date: Fri, 2 Mar 2001 11:25:39 EST
Subject: Patrice Hanson at Bancroft House in Sonoma
To: info@r¡I wonder if you can help me. Back in 1983, I met a man in Oakland
named, I believe, Greg. He told me that Rosamond was his sister and
that is the only thing I really know about him as a possible way of locating him. I need to find him for a very important reason. If you happen to know
if Rosamond had a brother by this name or any clues that I could follow to locate him, I would appreciate it very much. Thank you for any help you can
offer.Sincerely,
Patrice HansonNo Tide Pools | Rosamond PressThe Saga of Lily-Rose | Rosamond Press“This illness is very hard to treat because the paranoid person does not even trust the doctors. So, here I am, feeling heartbroken after many years of thinking I had this under control but I am grateful for these feelings. I see that they are healing for myself to do here and this sharing is my first step. Leave me a heart if you ever felt heartbroken over a family member with a mental illness.”“I have a lot of love and compassion for my dad, even though he has made me, my mom, and anyone who is close to me out to be a monster. I still have so much love and compassion for him.”
1/20/2025
Would David Lynch Have Made This Movie?
The truth is trying to EXIST! It is under severe attack. That I chose David to direct a series that looks for the truth – is very uncanny! I may have opened Drew’s urn at the moment Lynch is fleeing the fire.
JRP
“I want this series to have two directors, who will direct alternate shows. I want Bruce Springsteen to write new songs, and play a role in Quentin Tarantino’s version, and Bob Dylan to write songs, and act in David Lynch’s version“
Portent and David Lynch
Posted on January 19, 2025 by Royal Rosamond Press
“I saw the writing on the wall,” Lynch told People, explaining how his long-time practice of transcendental meditation helped him quit and to stay optimistic. Still, he admitted: “It’s tough living with emphysema. I can hardly walk across a room. It’s like you’re walking around with a plastic bag around your head.”
Consider the Trojan Horse. If only the Trojans had left it where it was – to rot!
The Imposter and The Holy Spirit
Posted on October 10, 2024 by Royal Rosamond Press
All the Earth is Mine is a painting by Greg Collins which was uploaded on January 14th, 2023.
Message To Chief of Police
Posted on September 21, 2024 by Royal Rosamond Press
TO: Police Chief of Bullhead City
C.O. Toby Cotter City Manager
FROM: John Presco
RE: Death of Drew Benton Case# 24-24263
DATE: September 20, 2024
Dear Sir: I am the uncle of Drew Taylor Rosamond Benton. While checking in on my relatives on Facebook, I found a post by Damien Bosley saying Drew had taken her life, and he is looking for members of her family. There are five members of our family in the area. I wonder why they are not responding, and in looking at family members on Facebook,
Views from Zabriskie Point
Ther Imposter and The Holy Spirit
A Series
by
John Presco
ALL RIGHTS RESERVED
When I opened my door Friday afternoon, there stood a Postman who looked just like Jesus. He was carrying a box that read:
“CREMATED REMAINS”
I thought about
THE RESRURRECTION
I went and got my camera. After I captured this spiritual image, I heard a voice, that said;
“Here’s that movie script you’ve been waiting for – Mr. Presco – from God! I just need your signature, and, it’s……all yours!”
I want this series to have two directors, who will direct alternate shows. I want Bruce Springsteen to write new songs, and play a role in Quentin Tarantino’s version, and Bob Dylan to write songs, and act in David Lynch’s version. Dylan may still be a follower of Jesus, and is a good artist. Lynch went to art school. Jesus has been the subject of many works of art. I would love to see David and Dylan take up where John Huston left off with his masterpiece ‘Wise Blood’. I want a movie about Jesus – with no Jesus! The fight that Jesus had over the Holy Spirit, via, St. Paul! I wantpsee Tarantino and Springsteen elude to the presence of a Holy Spirit – without any reference to Jesus! This movie is for atheists and doubters who made up the First Followers. Zabriskie Point is the location. The movie
THE LAST TEMPTATION OF JESUS CHRIST
Is an inspiration.
I want Johnny Depp to play the Great Art Imposter who claims the Holy Spirit of Mel Lyman has found a home in him, and, he is hard pressed to prove Mel is dead. Drew Benton and Mel are in the same family tree via his wife Jessie Benton. Johnny is stalked by Mr. Goosucker who claims Drew Benton is still alive. I would like Thomas Pynchon ton write a few shows. As many as he likes. Dylan and Bruce can tap into Lyman’s amazing musical history to create a powerful cult that will give the Trump cult a run for its money! I want Jesus Freaks to get adducted to this series.
In a ghost town, the world’s greatest philosopher has established an elite school for philosophers. They say the old wise man is over a hundred years old, and can prove – without a doubt – Jesus did not exist, and if he did, he would be an imposter.
Of all the people that came at me after Christine died, I owned love for Leah. It was something she said while I did my daughter’s portrait in the garden of the Bed and Breakfast owned by the heads of Sc
Return to Zabriskie Point
Posted on August 22, 2013 by Royal Rosamond Press
“Meanwhile Daria (Daria Halprin), “a sweet, pot-smoking post-teenybopper of decent inclinations,” is driving across the desert towards Phoenix in a 1950s era Buick automobile to meet her boss Lee, who may or may not also be her lover.”
When ‘Easy Rider’ came out, my kindred and friends said I look just like THE ACTOR, Dennis Hopper, who is some kind of hippie biker – only on film! Hopper marred THE ACTRESS, Daria Halprin, whose mother was a dancer and who runs a dance healing clinic called ‘Tamalpa Life/Art’ which may be near Mount Tamalpais where I camped with Rena – all alone. There was not one famous director to be seen. We took no direction. Rena’s beauty was not captured and put in a can. I got a real good close-up of her about sixteen hours a day. I can’t complain – really!
Daria starred in A MOVIE about radical hippies in revolt, called ‘Zabriskie Point’. It was an utter failure. I am an original hippie, who along with my hippie friends, did not go see this movie, because, it is a case of Art Imitating Life. We had no interest in paying money to go see FAKE PAID HIPSTERS imitating us, and, speak for us. We spent our extra money on drugs so we could alter our mind, get turned on – and have sex!
The other star of Zabriskie Point was a Mel Lyman devotee. Mark Frechette held up a bank with another Lyman Family member after he made his movie. He had real-life interests. Mel Lyman is my kindred who created a network of MUSicians, Actors, and Artists. He is in my family tree. He married Jessie Benton, a cousin of my ex-brother-in-law, Garth Benton who acted in movies, as did his first wife, Alli McBride.
If Rena had married me, then she would be kin to Mel Lyman, too. Rena was not an actress, but a young woman who experimented with drugs, went on a Road Trip to L.A. from Nebraska, then took another trip with me and two other hippies to Winnemucca in a 1950 Dodge. I flipped out in a town in the desert. What is going on out in the Mohave Desert while the cameras are rolling, went on between Rena and I in the wilds of California. We were – THE REAL DEAL!
Mel Lyman was kin to Philip Boileau whose women look like Darian, and my later Sister, Christine Rosamond Benton. This is quite a grouping of creative people, smitten by their Muse.
Most human being have come to believe nothing is real if it is not in the movies or on T.V. This is safe for them. They want real life filtered and scanned for any real danger, and any real sex. They also want money to empower them.
“Frechette was paid sixty thousand dollars for his work. He and Halprin took their cache of earnings to Fort Hill where it was turned over in full to The Lyman Family.”
Now, back to our very real home invasion in Roxbury that happened just down the street from Lyman Commune.
Jon Presco
Copyright 2013
On August 29, 1973, he and two members of the Fort Hill commune attempted to rob the New England Merchant’s Bank in the Fort Hill section of Roxbury, a poor neighborhood of Boston, Massachusetts. One of the members of the commune, Christopher “Herc” Thien, was killed by police and Frechette was arrested and sentenced to the minimum security state prison in Norfolk, Massachusetts. He died during an apparent weightlifting accident when a 150-pound bar fell on his neck, choking him to death. Prison officials did not suspect foul play; however, questions arose whether Frechette had been suffering from depression.[4] He was 27 years old.
http://www.youtube.com/watch?v=rxG4tHGOS_A
Zabriskie – The Musical
Posted on August 26, 2017by Royal Rosamond Press
“I say hello to Nancy and the artists. I think about the Chicano Artist Sanctuaries I am thinking of founding.”
I wrote the above two days ago. I am seeing into the future. Trump’s good squad own guns and see themselves as cowboys. He is supplying them with targets. Hippies were a favorite target of the Republican-right. We were ‘The Savage Indians’. We were hunted!
http://www.cnn.com/2017/08/26/politics/trump-arpaio/index.html
The pardon of Sheriff Joe checked so many boxes for what we know about how Trump views the world and operates that, in retrospect, it was utterly predictable.
This morning I awoke carrying a heavy load. I dreamed I was in a warehouse in New York choosing old props from a play that had failed, or, was never fully produced. Something went wrong. Now, I was the savior of this play. I heard someone say;
“This is an extremely difficult project. This guy gets his big break, and he’s going for this?”
I awoke with FAILURE staring me in the face. What is the play? I lie in bed half asleep and let my intuition look for the answer. Maybe it’s a musical? I thought about my friends in New York and ‘My Big Beautiful Blue Bicycle’ and my unfinished novel ‘The Gideon Computer’. I say hello to Nancy and the artists. I think about the Chicano Artist Sanctuaries I am thinking of founding. Then, I am looking at my next post I had in mind, and – BINGO!
In lest than an hour I am watching Darian Halsprin walking into a hole in the rocks where there is a waterfall in a grotto. it leads to a house designed by the famous architect – as a prop, that is going to be blown-up!
This movie was made in 1970, the year Rena and I went camping for fifty days in my 1950 Dodge. When Christine saw the painting I did of my muse in 1971, she took up art. Life imitates art. Life is a movie. Consider the real estate deal going on in the house.
Angela Davis is in this movie. My daughter’s mother had a son by a Black Panther, who knew Angela. It’s all here. It wrote itself, as if there is a God, and, Art is God.
Jon Presco
Copyright 2017
At the end of director Michelangelo Antonioni’s anti-capitalist, anti-life turkey of a film ‘Zabriskie Point,’ this house — designed by architect Paolo Soleri and (like several scenes in Antonioni’s film) based on the house in Alfred Hitchcock’s ‘North by Northwest,’ which was itself inspired by Frank Lloyd Wright’s desert houses — this house is ‘lovingly’ exploded in montage as the ‘climax’ of the film; destroyed in balletic slow motion with “a final destructive glee.”
As a director, Antonioni was for sure an accomplished artist. His films were honest demonstrations — of essentially anti-life themes. Antonioni’s original ending to this film, which was the perfect culmination of his film’s theme, was a shot of an airplane sky-writing the phrase “Fuck You, America,” which was cut by MGM president Louis F. Polk.
Never doubt that’s what he meant this replacement scene to say — “a series of slow-motion captures of capitalistic debris flying apart against a smoky blue background.” Never doubt that he meant it.
That’s why the house needed to be so good. Understand that, and you understand much of modern art. Think about it.
And from the siting of the house you can begin to appreciate what it means to “integrate architecture with your site.”
Christian Brevoort Zabriskie (October 16, 1864 – February 8, 1936) was an American businessman and former vice president of Pacific Coast Borax Company. Zabriskie Point on the northeasternmost flank of the Black Mountains east of Death Valley, located in Death Valley National Park is named after him.
| Maria Zabriskie (Brevoort) | |
| Birthdate: | April 10, 1779 (82) |
| Birthplace: | New Barbadoes, Bergen County, New Jersey |
| Death: | December 22, 1861 (82) Hackensack, Bergen County, New Jersey, United States |
| Immediate Family: | Daughter of Elias Brevoort and Maria Brevoort Wife of Jacob Christian Zabriskie Mother of Dr. Christian Brevoort Zabriskie; Elias Brevoort Zabriskie; Henry Brevoort Zabriskie; Maria Stoutenburgh Solomon and Col. James Cannon Zabriskie |
|---|---|
| Managed by: | Michael M.van Beuren © |
About Elias Brevoort
Seems to have started as a Loyalist <see list. Not to be confused with another Elias Brevoort now on the DAR list and served under Major Goetchius (NJ) ref: DAR# A104082 . His younger brother Henry remained “loyal” in the Out Ward of New York and preserved the family farm just north of Washington Square.
One Elias Brevoort was granted land in Digby, NS as a Loyalist refugee. Evidently, he returned to the US just as many other refugees did.
Big Bucks in ‘The Big Trees’
Posted on June 9, 2021 by Royal Rosamond Press
Ramblen Wild Jack Rodeo
Posted on May 29, 2021 by Royal Rosamond Press
Capturing Beauty
by
John Presco
Ramblen Jack Elliot played alot at the Jabberwocky. Edith Sedgwick grew up on a ranch in Santa Babrara and rode horses. She is depicted as – mentally ill. Harry, Meghan, and Orpra Winfrey took giant steps in removing the stigmatic chains that bind those who suffer.
The law firm of Robert Brevoort Buck, mishandled the artistic estate of Christine Rosamond Benton, and destroyed it. I do not know if Robert knows his family tree and history – like I do – but coming from this creative family, one is bid to produce high quality endeavors – especially when you have all the money in the world – and come from the most prestigious roots -ever! Did Andy Warhol know about Edie’s roots? How about Bob Dylan?
I’m slipping in the sculptor, Ron Boise, in with these.
Jessie Benton Lyman – Spacewoman | Rosamond Press
My mother did not know her prestigious roots that I uncovered, because she died before I could tell her. I was not told she was dying. I missed her by twelve hours. Rosemary had very little money and raised four children without any alimony payments. She made porno movies for Big Bones Remmer to keep us from going hungry. It is this KIND OF CONTRAST the world of art, and all our fans – WANT! Robert Buck deprived us of this. He created a Conflict of Interest by getting OUTSIDERS to tell our story. They wanted – MONEY! Money and Art do not mix well.
Rosemary Rosamond Rides and Shoots | Rosamond Press
When the son of Francis Duke Sedgwick confessed to his father he was in love with a man at school, The Duke flipped out. The Duke was a famous Cowboy Superman Stud Sculptor. Did John Wayne borrow his title? Edie flipped out when her brother – killed himself! Edie was an authentic Human Being. I honor her this Memorial Day Weekend. I play Ramblen Jack Elliot’s song to go with her Country Lady Blues.
Henry Brevoort built the Village in New York, and was a good friend of Washington Iriving.
Brevoort of the Village | Rosamond Press
John
William Ellery SEDGWICK / Constance Irving BREVOORT
(46) Ramblin’ Jack Elliott – If I Were A Carpenter – YouTube
Colonel Jim Eskew and his Wild West Show in Waverly, NY | 2 Talk Horses
Ramblin’ Jack Elliott – Wikipedia
Biographical note
The first members of the Brevoort family in America came from Holland prior to 1655 and soon thereafter settled in Bushwick, then a separate village that would eventually be annexed by the City of Brooklyn in 1855. After 20 years in Bushwick, the family purchased land in New York City (present-day Manhattan) where the family prospered. It wasn’t until 1845 that members of the Brevoort family moved back to Brooklyn.
Henry Brevoort (1747-1841) was a successful farmer whose lands lay just outside of the early city limits of New York. His estate consisted of 86 acres between 9th Street and 18th Street, bounded by Fifth Avenue on the west and the Bowery on the east, thus part of today’s West Village. The opening of Broadway up to 23rd Street forced New York City street commissioners to create a dog-leg bend at 10th Street, as Brevoort was determined to prevent the disruption of his estate. Brevoort and son Henry, Jr. prevented the opening of 11th Street between Broadway and the Bowery in the 1830s and 1840s to prevent the destruction of the old family farm house.
Henry Brevoort, Jr. (1782-1848) was widely respected for his adventurous travels and artistic interests. He accompanied Lewis and Clark on their expedition to the Pacific Northwest from 1803 to 1806 and spent a great deal of time in the North American wilderness working for John Jacob Astor’s American Fur Company. He was equally at home and well received in salons throughout Europe during his travels abroad. Henry Brevoort, Jr. was a close friend of Washington Irving and was primarily responsible (along with Irving’s brother Ebenezer) for the publication of the American edition of Irving’s The Sketch Book of Geoffrey Crayon, Gent..
James Carson Brevoort (1818-1887), Henry Jr.’s son, was educated in Europe during his parents’ travels. He graduated from Baron Fellenberg’s school in Hofwyl, Switzerland and then earned a degree in civil engineering from the Ecole Centrale des Arts et Manufactures in Paris. He served as Washington Irving’s private secretary following Irving’s appointment as United States Minister to Spain in 1842. Brevoort married Elizabeth Dorothea Lefferts in 1845 and moved to Brooklyn. There he managed the large land holdings of his father-in-law, Judge Leffert Lefferts. In Brooklyn, Brevoort gained renown for his scholarly interest and public service. He studied history, entomology, and ichthyology and also served for many years as a member of the Brooklyn Board of Education and the Board of Water Commissioners. Brevoort also helped to found the Long Island Historical Society (now the Brooklyn Historical Society) in 1863, served as its President for 10 years, and was a Director of the Society until his death.
James Carson Brevoort’s only child, Henry L. Brevoort (1849-1895), followed his father’s interest in engineering and became one of the country’s foremost patent and invention lawyers, with a client list that included Westinghouse, Western Union, and the New York and Brooklyn Bridge Company. He was also a founder in 1890 of the Brevoort Savings Bank in Brooklyn.
Henry Brevoort (1747 – 1841) – Genealogy (geni.com)
Guide to the Brevoort family papers 1977.285 (nyu.edu)
Edith Sedgewick Kin To Henry Brevoort
Posted on December 4, 2020 by Royal Rosamond Press
Here is the genealogy of Edith Sedgewick and Christian Brevoort Zabriski Buck, the half brother of William Buck. I am the rightful historian of the Buck Foundation – and the greatest Artistic Dynasty in the world!
I will never forget Sydney Morris saying this to me;
“I heard your sister was a real pain in the ass!”
This is when I sensed Mark Presco the Neo-Nazi Racist, was pulling strings in back of the dark stage he is the master of. I suspect, Garth’s divorce attorney, Robin Beare, was ready to continue the Benton divorce and make sure her client got all he wanted – including members of my natal family that he preferred. Shannon and I had to go. The plan was for Vicki Presco to drop out as Christine Rosamond Benton’s 1st. named executor, and Jacci Belford drop put as 2nd. named – and name Garth Benton as executor – which they did. This is a total betrayal of the descendant – and highly unethical! Christine never dreamed she would be so betrayed – and destroyed!
Then Garth was refused, his friend, Larry Chazen, gave it a go. He was refused. I suspect Beare asked Morris to step in, and he was approved. I can see my evil brother gloating now. He and his evil untalented sister are – in control of THE ART! Rosamond’s teacher – is out in the cold! Now who is – out in the cold! Robert Brevoort Buck has lost control of his family history. I own it. Now I am going after a big hunk of the Buck Foundation!
If any woman in the history of the worls deserved the title ‘A Real Pain In The Ass’ it was Edith Sedgewich, the most addicted celebrity – the world has ever known.
Fuck you Mark Presco, if you are still alive. Fuck you Morris! I will marry you two in the most hellish history I can summon! This was a ARTISTIC LEGACY, and not the legacy of the Nazi who owned the Swastika Stamping plant of Hamburg.
My God! Christine was to celebrate her first sober birthday at Rocky Point. Friends and family were going to be there. How many watched her drown? There was going to knew hope. Then Garth and his attorney get another ten rounds from Morris tobeat the shit out of a dead woman artist – while my family helps! There needs to be JUSTICE! Her fans probobaly put their Rosamond Women in the closet lest the see her pleading eyes!
“Gaslighting The Rose of the World | Rosamond Press
Garth was out of the picture! Now – he is in the limelight celebrating a tragedy.
“We were almost there when an ambulance passed us, going the other way. We both realized it was carrying Christine. My mind flashed back over the last few months and years, and all the anguish for Nina and Drew and me, even for Christine. I was crying, and I turned to Nina — this is what I am ashamed of — and I said, ‘we’re free. And Drew is saved.”
John Presco
President: Royal Rosamond Benton
Andy Warhol & Edie Sedgwick Interview (Merv Griffin Show 1965) Full – YouTube
Christian Brevoort Zabriski Buck
Suzy & Rob, Source: https://old.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=125944966
| Christian Brevoort Zabriskie Buck | |
| Birthdate: | October 18, 1914 |
| Birthplace: | San Francisco, San Francisco County, California, United States |
| Death: | August 17, 1995 (80) Santa Fe, Santa Fe County, New Mexico, United States |
| Place of Burial: | Carson City, Nevada, United States |
|---|---|
| Immediate Family: | Son of Frank Henry Buck, Jr. and Zayda Justine Shawhan Husband of Natalie Leotine Buck Brother of Edward Zabriskie Buck Half brother of William Benson Buck and Carol F Buck |
| Managed by: | Private User |
| Last Updated: | June 30, 2018 |
Mark Presco On Race | Rosamond Press
Mark Presco – Robert Buck – Reparations | Rosamond Press
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Joni Mitchell – Woodstock (Live In-Studio 1970) – YouTube
Our Broken Friends
I met Ed Corben in 1997, the year when everything and everyone was broken. We met in Broken Alley between 18th and 19th, a block from Kindcaid, and the Broken UofO. Students came from all over to live the broken life, like they saw in the movie Animal House. If things didnt crash and burn in a riotous blow-out party, life was not worth living. A week after their parents dropped them off to start school, they were on the corners, rioting. They burned the old couches and funiture grandma gave them, after breaking her heirlooms into pieces. If it wasnt broken, it was – worthless. If it was on fire, they were a hell of lot of fun.
Ed stopped me in the alley while I was riding my broken bicycle home from the library. He picked some books out of my rack, and checked them out. He was impressed. Though, I appeared broken, he commented that there was evidence I had a good mind. I was the new broken being on the block and Ed introduced me to broken Gary. Gary pulled up his pants legs and showed us his bullet and bayonet scars he got in Vietnam. He placed our fingers in the hole in his head, and asked us of we could feel the metal plate. He got that during the Tet Offensive, when our reason for being there, broke down. When Gary was going to die, he gave me his wife to take care of. He trusted me. He said I could take care of her better than he could. I wasn’t so -broken! Barbara was not broken at all, and didn’t need me. She moved out of Broken Alley and we stayed in touch for a little while. She was being – kind.
Then there is severely deranged and broken Kevin, the king of the anarchists. He would go downtown and get broken up by the Eugene Police while wearing a black ski mask. They beat him black and blue. They gassed him, made him choke and vomit. We never knew if he would come home, come back to Broken Alley. When I planted tomatoes in our tiny garden space, he hid his pot plants in the vines. Life lost its meaning, when it became legal. Why not pass a law making it illegal to die. It might work. Let’s give it a try! We’ve tried everything else…….
Everything!
Have you tried disc golf?
(26) Stewart Pond Disc Golf! – YouTube
Guardians of the Graves (dailyemerald.github.io)
8 Haunted Places | Eugene, Cascades & Oregon Coast (eugenecascadescoast.org)
Disc Golf | Club Sports (uoregon.edu)
Bad Day At Belmont
Posted on March 17, 2021 by Royal Rosamond Press
Capturing Beauty
by
John Presco
Copyright 2021
When I read about Ludwig Wittgenstein infatuation with Norbert Davis, the movie Bad Day At Black Rock popped into my mind because his brother was a one-armed pianist. I about pissed my pants. I knew I had found the Lost Anaconda Mine. I had a vison of Ludwig coming to America to look for that perfect vast empty tumble-weed place Norbert Davis made famous in his books. He too has lost one arm in a failed suicide attempt. He decides to bring along his scattered philosophy that is not yet in book form. Who knows, someone might find merit in his work – and buy IT! Geniuses are notorious for believing their work is third rate, not up to snuff, thus, they keep digging deeper, and deeper.
In the last month, I’ve been thinking of taking two train rides. The first place I considered, was Belmont California. I’d pack up my grandfather’s books he could not sell in his lifetime, just incase the Belmont Historical Society wants them. So, I get off the train and find the BHS whose members promised they would meet me at the train station. But, they subscribe to the real old ways, and ask me if I want to participate in The Wicker Man Celebration.
“No thanks. I saw the movie! I think I’ll be moseying back to the station!”
Getting back on the train, I head for the small town of St. Louis Oklahoma founded by Louis Frank and Lillie Rosamond who platted it in 1927. Looks like a quiet place. I can plant my roots here, and buy a plaque for Ludwig when I put a down payment on my burial niche in Oklahoma City. What can go wrong.
Nearing St. Louis I have visions of the movie Zabriskie Point starring two cult followers of my kinfolk, Jessie and Mel Lyman. Googling on my pad, I find a federal lawsuit involving a Rosamond and a oil company. (just found it) Sounds like the movie GIANT, starring my kin, Elizabeth Rosemond Taylor. Say! What am I getting myself into? I don’t want any trouble. I don’t want to go looking for trouble.
1 This is an action by Louie F. Rosamond, plaintiff, against Indian Territory Illuminating Oil Company, defendant, to recover damages resulting from the failure of defendant to protect from drainage by offset wells an 80-acre tract of’ land in which plaintiff owned a one-eighth interest in the oil and gas. Defendant was the owner of the oil and gas lease on the tract. From a verdict and judgment for plaintiff in the sum of $2,995, defendant appeals.
Wait a minute. That movie resembles the early life of Vice President Kamala Harris. As I get off the train, I wish I had not gone and put a Star of David on Ludwig’s plaque.
I’m going to write a hard-boiled detective novel starring Ludwig, Norbert, and my Rosamond kin. Mary Magdalene Rosamond has fallen in love with Norbert and tells Royal not to come home. He meets Ludwig who takes a vacation to Oklahoma. They buy stock in a oil well and come up against a oil theft scheme. Royal gets in a accident.
Above is a photo of Austrian Philosopher, Ludwig Wittgenstein, who studied the Black Mack Writers and other authors of Detective novels. He was fascinated with Norbert Davis who was a friend of my grandparents – who have redeemed THEIR family from beyond the grave. I am the head of my family. Here is a movie about Ludwig. In this scene he is attending a movie based on detective writers like Dashiell Hammet and Erle Stanley Gardener who were friends of Royal Rosamond.
I am kin to Harper Lee, and there is a woman named Rosamund in Caldwell’s ‘God’s Little Acre’.
Rosamund and God’s Little Acre | Rosamond Press
Wittgenstein – Derek Jarman (1993).avi – YouTube
Wittgenstein: Philosophical discussion in Cambridge – Part 1 – YouTube
The Philosopher Detective | Rosamond Press
On March 27, 1959, 27-year-old film star Elizabeth Taylor underwent conversion to Judaism in a ceremony at Temple Israel in Hollywood, California. The ceremony was the end of a nine-month process undertaken by Taylor under the supervision of Reform Rabbi Max Nussbaum.
1959: Elizabeth Taylor converts to Judaism – Jewish World – Haaretz.com
Bad Day at Black Rock – Wikipedia
In late 1945, one-armed John J. Macreedy gets off a train at the isolated desert hamlet of Black Rock. It is the first time in four years that the train has stopped there. After Macreedy states he is looking for a man named Komoko, several of the local men become inexplicably hostile. The hotel desk clerk, Pete Wirth, claims he has no vacant rooms. Hector David threatens him. Later, Reno Smith informs Macreedy that Komoko, a Japanese-American, was interned during World War II.
Kenny Reed Was Offered Ed Fadeley’s Kidney
Posted on October 10, 2015 by Royal Rosamond Press
On September 26, 2015, Darian Fadeley offered Marilyn Reed, her dying husband’s kidney at the DAC during a Landmark Forum meeting. Ed was in the hospital, dying, and Darian came late to the meeting. There was one vacant seat, next to my childhood sweetheart. During an exchange, where one turns to the person next to you and tells them something meaningful, Marilyn tells Darian her husband needs a kidney transplant and in on dialysis. Darian is alarmed, and tells my dear friend she should not keep this to herself, and the more she talks about it, the chances there are for someone to come forward. Darian talks to the doctor at the hospital and orders a test to see if Ed and Kenny are compatible. She is told Ed’s kidney is toast. Kenny is a black Jazz Artist. Darian did not know who Marilyn’s husband was. She did not know he was a black man. She knew he had a medical emergency, and hoped he could be helped if Ed could not. She wanted a part of Ed to go on living. She wanted Hope to spring eternal.
October 7th. was Kenny Reed’s birthday. I read a comment about Kenny. Someone said he and Izzy are the two most important people in Eugene. He knew all the Jazz greats, and played with many of them, including Les McCann, Marilyn’s good friend. Her sister was married to Ron Jefferson, McCann’s drummer.
Last night, Marilyn took me out to dinner and told me Les wrote a song about a blue Volkswagen he loved. Here is the blue bicycle and chair. Kenny appears in front of Eugene’s oldest mural that contains a figure that Marilyn knew for a long time. The muralist saw Julio walking and asked if he could take his picture.
Ed’s kidney was gone, but Kenny is in need of a transplant in order to save his life. I beseech our community and our group of friends, to put away our distractions, our reasons we are in discord, and concentrate on saving our Jazz Icon. This is a peace offering. We are all close then we know. Only Marilyn knew the identity of the lone man in the mural. They go back aways.
c
Capturing Beauty
A month after our sister was NOT killed by a rogue wave, I called Vicki Presco up and sked her for the name and phone number of the person who invited Christine Rosamond Benton. to Rocky Point.
“Why do you want to know?”
“I want to talk to them, and even go to Rocky Point.”
“Im busy. I’ll get back to you!:
Fifteen minutes later, she calls back.
“I don’t have their number. They were there temporarily.”
When she went away, I wondered if she called Mark Presco. Someone gave Vicki permission to lie to me.
My detective friend found the house, and we drove out there. Right away Sparky finds the calling card of John Detro left in the door jam. John was a hairdresser and wrote for the Carmel Pinecone. He was in Christine’s house – the day before the funeral with Shamus Dundon and his mother.
Sparky then opens the mailbox on HWY one. There is a gas bill with the name ALAN Fox. He turns out to be the owner. Why is he hiding> He has an art group named after his mother.
On the phone, Cian and I agreed to launch and investigation as to the whereabouts of Mark Presco. I suggested he call Shamus, and the Bullhead Police. When next we talked he said he couldn’t find a phone number for Shamus. I told him I found one in 30 seconds. Cian is rich, and could have hired a PI.
What about calling the Bullhead Police? I told Cian Shamus ran from them, and there is a police cam of them interviewing – my nephew. The Police would know how to contact Dundon. The door is wide open for Cian to express his concerns to the Police about his father, He chooses to Gaslight me, make me out to be insane – and unworthy of so many things. Drew sent me four messages a month before she killed herself. They will be in MY police report.
Rosemary told me there was going to be sober birthday party for the famous Rosamond. Detro made not mention of it. We surmised he had gone to Rocky Point to do my sister’s hair, but, she is in the morgue.
When Cian told me my brother hated my gust, and had no respect for me, I was wondering is anyone sis this to Drew – for a whole year! Cian was just getting started. His desire to destory me with his BIG BRAIN amde him froth a the mought. I said this…
“I have the right to write a book! I HAVE THE RIGHT TO WRITE A BOOK!” I shouted over and over again. My nephew had to be shocked that I could yell louder than him. Where did I leanr to do that? He hung up. I am investigation Cian O[Brian – for my book. And…
MY NEWSPAPER!
Why didn’t Alan Fox speak at Christine’s funeral? Why didn’t Cian. He was there. We sat together. I asked my nephew….
“”Where did you go after the funeral? Were you at Rocky Point?”
Heres ‘your Bonus question. Did you come to Carmel to attend your famous aunts PARTY, the party that was disappeared?
The Coroner report said my family were hikers on Highway 1. I sent his my 60 page report, and he changed his report to…
They were guests in the home.”
Was Mark invited to the party? Did you fly, or drive up together? On what day? Did you talk to Shamus? Did he tell you what happened?
John Presco
President: Royal Rosamond Press
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Alan Fox’s 20 Million Dollar Gift
Alan Fox gifted 20 million dollars to a university in order to immortalize un-gifted members of his family. He is trying to establish an Artistic Dynasty. What a joke. He is not a player in the Art Casino unveiled in the Panama Papers as far as I can tell.
It occurred to me I should have sued Alan for ‘Wrongful Death’ after the statute of limitations ran out. This would have revealed much. My main interest is still to own how my sister was “killed” by a rogue wave. It might be possible for my niece, Drew Benton, to sue Alan Fox. She is a member of a REAL Artistic Dynasty and suffers from mental illness due to her brush with death. She watched her mother die. Our family could have used 10 million dollars to save and promote the Rosamond Legacy and all out creative members – for generations to come! This includes my daughter and grandson.
Why didn’t executor Sydney Morris sue Alan, or, Lawrence Chazen, who tried to become the executor? How about Vicki Presco when she was the executor? I found out Chazen and Morris have offices blocks from each other in Carmel. They could walk to see each other. Was their collusion? With Chazen setting up Noble Oil in an offshore manner, and because he was a partner of Rosamond, he can be associated with the Panama Papers.
My daughter probably has a lawsuit or two. She should see an attorney.
Jon Presco
For example, minor children cannot use up their statute of limitations while they are still minors. Thus, in a wrongful death action by a child for the death of his mother, the child can file the wrongful death action many years later as the statute of limitations would not start to count down until the child turned 18 years old. In general, the courts weigh the positive benefits of tolling – a plaintiff being able to file his or her claims – against the prejudice towards the defendant. – See more at: http://injury.findlaw.com/torts-and-personal-injuries/wrongful-death-claims-time-limits-and-the-discovery-rule.html#sthash.opGvGWl5.dpuf
Our founders, Alan and Daveen Fox, shared some incredible wisdom yesterday–stay tuned for the final product from Exponent Philanthropy: “We are in the business of helping youth maximize their potential. The children involved in the Frieda C Fox Foundation acquire self confidence as they’re working in a supporting environment where they can have the opportunity to use all of their talents.” #philanthropy #ChildrenAreTheFuture
https://www.facebook.com/Frieda-C-Fox-Family-Foundation-266774286693074/
Gosh, This Family Is In Tune: The Story Behind a $20 Million Campus Music Gift
I just discovered the house my late sister was invited to at Rocky Point was designed by the famous architect, Brook-Kothlow, for Allan Fox, who sold this house in a hurry shortly after Christine Rosamond Benton was allegedly swept from the rocks below this house that plays a prominent role in the counterculture and the development of the World Wide Web.
Brook-Kothlow was inspired by the ideas of Khan and Brand Stewart, who put on the Tripps Festivals, and published The Whole Earth Catalogue which was the model for the Internet. Stewart was at the Open Theatre with the Loading Zone. Clint Eastwood owned another famous house by Brook-Kothlow. These houses are considered HISTORIC works of Art and Philosophy. Why would Alan Fox sell one of these very unique homes built JUST FOR HIM? He had to know Eastwood owned one. According to Donald Layne and his wife, who I talked to on the phone;
“Allan was in a awful hurry to sell that home, and did so at a great loss.”
Why was Mr. Fox in such a hurry to sell a home that he knew would go up in value. Fox is a big real estate investor. Sound’s like a bad business to me. Could it be I asked my surviving sister, Vicki Presco, who owned that house?
“Why do you want to know?” Vicki spat.
“I want to go there and talk to them.”
“I’ll get back to you.” my little lying sister said. Fifteen minutes later.
“They moved!”
“Can I have their names?”
“What difference does it make? They are gone!”
This is when my investigation began in ernest. Michael Harkins helped me for a while, and then taught me how to investigate. I sent my report to the Coroner with this quote from Harkins;
“Now that you know for sure you have been lied to, you must assume everything is a lie, until proven otherwise, and, you have to consider anything could have happened, including murder.”
When my family read “murder” they used that word as their defense, being, I was insane and mentally ill, I wanting to conclude that off the top. What I was looking for, was the motive for the owner of a famous house concealing his identity. Fearing a Wrongful Death Lawsuit, would be one motive. Allan Fox is a multi-millionaire, and thus susceptible to a suit. Did his attorneys suggest he sell that infamous home that Drew Benton allegedly did a drawing of? Drew is the daughter of two famous artists and is a member of the Historic Benton Family.
The second question I had, was why would Christine allow her daughter down at this extremely dangerous place when the wind was howling? Christine had nightmares about dying via a huge wave. Huge waves carved the bowl you see just below the Fox house. Not the stairs others have built to get down near the sea that is very deep. I saw plumes of water shooting thirty feet into the air when I was there during a mild day. At first, my nephew admitted to seeing huge plumes of water going high into the air – from the house! Surely Christine saw these plumes from the huge windows. I’m sure this is why Fox wanted a house built there, these plumes a means to impress his friends. Did Allan warn Christine about going down to the water’s edge?
Jon Presco
The house at Rocky Point where my late sister, Christine Rosamond, was invited to by a person unknown, was owned by Alan C. Fox who I just tried to talk to on the phone. I got his secretary who asked my name and what was my business. I told her my name and this was concerning the house he owned at Rocky Point. I was put on hold for twenty seconds. When the secretary came back on, she said;
“Alan does not own that house anymore.”
“Then he did own it?”
“Yes, but not in a long time.”
I now have an image of Alan, the owner of the place that gave my sister, Christine Rosamond Benton, the last shelter she would enjoy on earth.
Let me make this picture for you: If your teenage daughter called and said she was spending the night at a friends, and she went walking with that friend, and was struck and killed by a car, wouldn’t you want to know who this friend was, who the parents were, where they lived, and their telephone number?
I am not saying Alan Fox invited Christine to the house on Rocky Point. If Allan rented this house, then he knew who he rented it to, thus, we may know who invited Christine to be a guest in that house.
Alan’s mother was an artist, and Alan is the publisher of ‘Rattle’ a publication that promotes poetry and poets. Royal Rosamond Press was founded in order to protect Artists and Poets. Perhaps Alan would like to know who Christine and her grandfather were? On this site Alan bids one to take an inventory of talented people in your family.
http://fcfox.org/news/12-profiles_in_philanthropy_the_frieda_c_fox_family_foundation
The University of Arizona recently announced a $20 million gift to its School of Music by Alan C. Fox, president of ACF Property Management, a real-estate investment company in Studio City, California, and his wife Daveen. A fifth of that money will be used to create three endowed chairs at the school, and $2 million will establish the Fox Scholarship Fund. The school will also be renamed the Fox School of Music.
This kind of huge gift in the realm of the arts isn’t too common. Indeed, the gift by the Fox couple is the largest gift ever given to University of Arizona’s College of Fine Arts. The previous high mark for an individual gift? Two gifts of just $3 million each. That’s quite a difference and if you’re picturing a couple with strong alumni ties to University of Arizona, you’d be wrong. Neither Fox nor his wife is an alum. How about a business or residence close to campus? Nope, the entire Fox family lives in Southern California. So what’s the story here?
Well, let’s start with Fox’s father, Fred Fox, for whom the school of music will be renamed. The elder Fox is a legendary french horn player who’s been involved in all things brass for most of his life. Fred Fox was born in Brooklyn, New York and after attending Juilliard, he performed as a solo horn player with the National Symphony, the Minneapolis Symphony, the Los Angeles Philharmonic, and at Paramount Studios, among others.
Fred Fox has also taught music at California State University, Northridge, University of Southern California, and the Music Academy of the West in Santa Barbara. What’s more, his 1974 book, Essentials of Brass Playing, is considered an authoritative source.
Oh, and there’s at least one other place where Fox has taught—University of Arizona’s School of Music—where he’s worked with the Graduate Wind Quintet and gave lessons as recently as last fall. It’s also worth noting that Fred Fox is 100 years old.
Besides the interesting tidbit of the younger Fox honoring his 100-year-old dad while he’s still alive and kicking—and still apparently playing music, too—it also goes to show you just how strong the motivation is here. The Fox family has clearly been powerfully influenced by its musically gifted patriarch.
And if all this wasn’t enough, one of Fred Fox’s former music students is now an associate professor at the School of Music at UArizona. The two apparently kept in contact, and perhaps this professor made the initial pitch. (If only every college development office had a professor with ties to a family like the Foxes. Actually, come to think of it, many probably do if they pushed their faculty hard enough to mine their connections.)
There’s one other component to this story, as well. Fox and Daveen run a very interesting foundation out of Los Angeles called the Frieda C. Fox Family Foundation. It was founded in 1999 in the name of Fox’s mother, Frieda (noticing a pattern here?!) who was a musician, artist and teacher, and the first in her family to go to college.
The Frieda C. Fox Family Foundation gives to a number of different outfits in Los Angeles, mainly in education, but a cornerstone of the foundation is its youth philanthropy program, which help kids, teens, college students and young adults learn about and be involved in philanthropy at foundations and nonprofits. When the foundation was still in its infancy, one of Fox’s thirteen year old daughters was already involved.
Gosh, the Fox family sure is hitting all the right notes.
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Rosamond Press 
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