Victoria Bond watched Professor John Von John work on his large ‘Last Audience of the Habsburg’ that he deeply admired, as did Miriam Starfish, who now had her own cable show ‘What’s In The Stars’? She did this show in the buff, wearing a Sherlock Holmes hat and pretended to smoke a Mershum pipe. She was accused of stealing the brand of Doctor Jean Scota of Stanford.
John was holding a orb that was seven inches in diameter that shimmered with many colors as it responded to the subtle touch of his fingers. This was his Art Keyboard. Suspended over his head was a ring abut the size of a crown, from where a Art Laser moved over the light sensitive surface. Images of the family of Empress Zita appeared over the unfinished children, whose entry was prepared with white roses. John wore a belt that transferred energy to his fingers and crown chockra that was amplified by the Art Crown, thus, John had leaped over the main hurdle of Art generated by Artificial Intelligence. He eliminated the Middle Man, the typical computer keyboard and main drive. The new model of The Wand of John allowed the user to suspend their fingers over the orb, and using subtle energy flow to type the letters. John Prescowitz, the owner of INFEL of Oregon, paid John a billion dollars for his invention, that would producde eighty billion in sales, and save the economy of Oregon.
Working on the medals worn by the medals of of the males, Victoria noted they all were wearing The Order of the Iron Cross. She group up in the College of Arms. Using her old fashioned keyboard she brought up an image of Napoleon holding the Irom Crown. and is about to crown himself. “Why?” asked Victoria, uttering no words. Then she saw it. There was smoke rising from the Emperor.
“Is that…….THE HOLY GHOST?” Victoria said aloud.
“What did you say?” asked the proffessor.
This conversation would be compared to
“Come here Watson. I need you!” Consider the RCA dog. The Pope received a telegram.
“The Holy Ghost – is real!”
To be continued.
I began this blog about 7:20 AM on July 17, 2025. and finished at 9:00 AM. I am going to publish The Royal Janitor’ as a serial for Royal Rosamond Press. I will be setting up a donation button. I am seeking financial independence so I can SEE without obstructions. I will have Victoria Bond cover the President’s visit to Alcatraz, for her newspaper The Bohemian Democrat Register. I am inventing a New Journalism with built in Psychic Holy Ghost.
EXTRA! EXTRA!
I just had breakfast while watching the news. My mind is totally blown! Trump tells lies about his uncle John. Because of his texting, I declare POTUS a fiction writer, even a – Science Fiction Writer. I am wondering if Uncle John is a Time Traveler, and Robert Van de Graaff
Van is Dutch Von. John Von John. How long have I been in touch with these two men via the
HOLY GHOST?
Is the pic above the early experiment with…..THE ORB? I have been stressed out for two weeks that I did not write down my Vison of the Orb. When I do – it is on the day the connection between the TWO TRUMPS is revealed….John G. Trump Donald JOHN Trump.
While I are I composed the smaller orb that Starfish used in her lecture, that wrote on a electrical chalkboard.
John George Trump (August 21, 1907 – February 21, 1985) was an American electrical engineer, inventor, and teacher who designed high-voltage generators and pioneered their use in cancer treatment, nuclear science, and manufacturing. A professor at the Massachusetts Institute of Technology (MIT), he led high-voltage research and co-founded the High Voltage Engineering Corporation, a particle accelerator manufacturer. He was the paternal uncle of President Donald Trump.
As Robert Van de Graaff‘s first PhD student, Trump worked on insulation techniques that made Van de Graaff’s generators smaller and installable at hospitals for x-ray cancer therapy. Later, he developed rotational radiation therapy, a technique to better target tumors. While treating thousands of cancer patients on MIT’s campus, Trump’s lab continued to improve high-voltage machinery and explore its applications in areas ranging from food sterilization to wastewater treatment.
In 1805, Emperor Napoleon I founded the Order of the Iron Crown after he was crowned the King of Italy. The order was named after the king’s crown of the Lombards, who ruled parts of Italy in the early Middle Ages. The Order of the Iron Crown of Napoleon was awarded up until to 1814. This order was ended by the Congress of Vienna as an order of the same name existed in Austria. In 1886, the Order of the Crown of Italy, was founded at the same time as the union of the Italian states, which goes back to the Iron Crown.
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Napoleon Bonaparte crowned himself King of Italy in Milan on May 26, 1805, using the Iron Crown of Lombardy. This ancient crown, believed to contain a nail from the True Cross, was a powerful symbol of Italian kingship. Following his coronation, Napoleon established the Order of the Iron Crown, further solidifying his claim to the Italian throne.
Here’s a more detailed breakdown:
The Iron Crown:The Iron Crown of Lombardy is a historic crown believed to have been made for the Lombard kings who ruled parts of Italy in the early Middle Ages. It’s called the “Iron Crown” because one of the bands within is said to be made of iron, possibly from a nail used in the crucifixion of Jesus.
Napoleon’s Coronation:In 1805, Napoleon, having conquered Italy, decided to have himself crowned King of Italy. He chose Milan as the location for the coronation ceremony, held at the Milan Cathedral.
Symbolic Act:During the ceremony, Napoleon famously took the Iron Crown and placed it on his own head, declaring, “God gives it to me, woe to whoever touches it!” This act was meant to legitimize his rule over Italy by associating it with the long line of Lombard and Holy Roman Emperors who had used the crown.
Order of the Iron Crown:To further solidify his claim and reward those who supported him, Napoleon established the Order of the Iron Crown. The order had three classes and was awarded until Napoleon’s defeat and abdication in 1814.
Legacy:While Napoleon’s reign as King of Italy was relatively short-lived, his use of the Iron Crown and the Order of the Iron Crown left a lasting impact on Italian history and symbolism. The crown itself is still preserved today in the Treasury of the Monza Cathedral.
The order took its name from the ancient Iron Crown of Lombardy, a medieval jewel with what was thought to be an iron ring, later shown to be of silver, forged from what was supposed to be a nail from the True Cross as a band on the inside. This crown also gave its name to the Order of the Crown of Italy, which was established in 1868.
Regardless of origin, the crown is crafted of six hinged plates of gold, set with precious gems, and held together with a circlet structure of white metal underneath. It was most probably a votive crown and the white metal band within has proven to be crafted of silver rather than iron. From the 14th c. onwards, the crown was seen as the most prominent insignia of the Italian kingship. It was therefore used during the coronation of later Holy Roman Emperors as kings of Italy.
During his continued expansion of power, Napoleon Bonaparte conquered Italy in much the same manner as Charlemagne. As a symbolic gesture, he had himself crowned as King of Italy using the Iron Crown of Lombardy for the coronation, which occurred on 26 May 1805.
Soon after, Napoleon founded the Order of the Iron Crown on 5 June 1805. The order was divided into three classes, with an allowance of up to 20 grand cross knights, 100 commander knights, and 500 ordinary knights.
The ribbon colors of the order were gold and green, with the badge of the order being an imperial eagle set upon a representation of the Iron Crown of Lombardy.
Knights wore a traditional military-style medal on the left chest.
Commanders wore a traditional military-style medal on the left chest, with the addition of a rosette in the center of the ribbon to distinguish them from ordinary knights.
Holders of the Grand Cross wore a sash over the right shoulder and a neck badge, along with a six-pointed breast star (that featured the Iron Crown at its center) on the left breast.
Ribbon bar
Knight
Commander
Grand Cross
Master of the order
1805–1814: Napoleon I, Emperor of the French and King of Italy
Virginia’s family is kin to the Habsburgs via her Cosse-Brissac relatives.
Vinzenz was 1,300th Knight of the Order of the Golden Fleece in Austria. From his first marriage (1981–1991) with Hélène de Cossé-Brissac (1960–) he had two daughters: Princess Adelheid Marie Beatrice Zita (b. Vienna, 25 November 1981), married in Deutschfeistritz-Peggau on 31 January 2009 Count Dominic von(b. London, 7 October 1973), son of Count Hans Heinrich von Coudenhove Kalergi and wife Cornelia Carter Roberts Princess Hedwig Maria Beatrice Hermine (b. Vienna, 28 November 1982), married in Schloss Waldstein on 10 May 2008 Comte Olivier de Quélen (b. Paris, 25 April 1980), son of Jean-Louis, Comte de Quélen and wife Nicole Cansou
Justice Peter Smith ruled against Baigent and Leigh stating they had conducted historical research, verses write a work of fiction, and thus Dan Brown had free access to the material. What got me evicted from several groups on this topic, was my claim – that I might be a descendant of this Holy Bloodline, and indeed, there is a “Rose Line” in my genealogy. This is to say my Grail book is a PERSONAL genealogical study, that I copyrighted. When Steve Mizrach wrote about a “rose line” we got into an argument and I was evicted from the ‘Priory de Sion’ group that some suggested Brown was lurking in. Most of these books speak of a Family Tree that descends for Jesus and Mary Magdalene. How many authors suggest they are OF THIS FAMILY TREE?
On April 6, 1998, I sent Judge Richard M. Silver a CRYPTIC letter suggesting my…
I have contacted INTERPOL and UNESCO about the Habsburg Pianting at the Schnitzer. I will be sending this blog to Jill Hartz, the Executive Director. I sent an e-mail to Cheyrl Hartup, and got no response. I had several telephone conversation with Alexandra V. Cipolle-Notman of the Eugene Weekly. We exchanged e-mails about our meeting place. She never got back to me, and has not replied to further e-mails from me. She asked me on the phone if I tried contacting the Habsburgs. I told her I had not. I do not trust her. Why should I? All my correspondence is copyrighted, along with the contents of my blog. A real crime may have been committed. This is not the time to play games.
Below is an e-mail I sent Stefan Eins in September of 2013 about this Habsburg painting a famous artist from Austria. Jospeh Swobb said he would forward my information to Austrian Consulate. The possible obstruction of a criminal matter of this magnitude, has bid me to be as transparent as possible. Who knows where this will lead?
Dear Ms. Hartz – Over ten days ago I contacted Charyl Hartup about the Habsburg painting that is possibly stolen. I was going to meet with Ms. Alexandra V. Cippoli-Notman at a resturant, then we changed that to the Schnitzer because I wanted to introduce her to my dear friend, Virginia Hambley, who is related to Empress Zita. I told her it would be wonderful to take Virginia’s pic in front of ‘The Last Audience’. Alex failed to confirm this meeting and has not responded to my e-mails. This is an insult! I will let members of the House of Bourbon know of it. Virginia’s great grandfather tried to restore the Bourbons, and led the invasion of Algiers to dispose of a Caliphate. Let us not interfere with a international investigation. I have contacted UNESCO and INTERPOL and sent them this message.
John Presco
President: Royal Rosamond Press
I contacted someone at the Austrian Consulate about the Habsburg painting at the Universty of Oregon museum, that I believe belongs to Austria. Just after the war, In Room 318 of the Imperial Hotel in Vienna where the Property Control Branch of the Allied Forces has set up a Reparation Division. Below is part of the correspondence of Susanne Granitsch-Konirsch. She is the daughter of Helene Granitsch who is standing behind Empress Zita and staring out at the intended audience. Thus large unfinished work ended up in a bank vault in Eugene Oregon where it sat for sixteen years. https://rosamondpress.com/2016/11/05/spring-roses-of-nations/
Oyazi opens at 5PM. How about 5;15? Bring you camera because there is Japanese art on the wall bought sight unseen. A crate was big on. It was full of racoon dogs. I am doing ‘I Covered the Waterfront’ here. Fun!
So much restoration to do! This is a huge story. I have a big book. I am getting old. I have been considering selling my newspaper. I have no sane and educated heir. How about you being a co-author? A woman’s point of view would be a winner.
Next Thursday will work, and Friday. You name the day and time. We do not have the name of Mrs. McCready whose husband was the president of the bank the painting was stored.
Thank you for responding. I first looked into this matter twenty years ago. The story goes Empress Zita gave, or put in the care of Helene Granitsch ‘The Audience’ . Helene is standing just behind the Empress looking at the viewer. She then gave it to a woman named Ansacker in New York. Somehow it ends up in a Bank vault in Eugene Oregon. Sixteen years later it is in the hands of Lynn S. McCready, secretary of ‘Friends of the Museum’. There is no mention of a purchase.
I can not find the article where Helenes’ daughter, Dr. Susanne Granitsch-Konirsch, is selling pieces of bedroom furniture that belonged to Empress Zita that were put in her care until she came back to Austria to reclaim her throne. She wanted to sleep in her bed in Austria once again.
I found letters where Susanne Granitsch-Konirsch and her husband are petitioning the U.S. Forces in Austria for the return of very expensive furniture valued at $15,000 dollars. That is a lot of money for furniture. They had left Austria and become U.S. citizens. They claim Nazi Party Leader, Jospeh Winkler, ended up with their property, as well as Nazi Party Member, Otto Schneider. Is this the famous SS Captain of the Wiking Panzer group? Was he given this property as a reward. He was given the Knights Cross.
Susanne Renate Granitsch was a famous Austrian Artist, kin to Georg Granitsch, a member of the Academic Union and founder of ‘The Neue Freie Presse’ and Ambassador of the Raiffensen Bank.
Here is some of my history off my blog. My former wife was married to Thomas Pynchon. She was an artist and part of a Family Dynasty of Artists. My late sister was the world famous artist, Christine Rosamond Benton. An early love, Keith Purvis was Chris’s lover later on. On a bridge in Venice Ca. Is from left to right, myself, Peter Shapiro, Tim O’Connor, Janette, and Keith.
In 1967 we lived in a large Victorian with the ‘Loading Zone’ in Oakland. Chris and Peter were also lovers. Peter called two days ago to see how his old friends are doing. Please show this photo to Chris. Two bad biographies were written about my sister, and two bad screenplays, one of them written by my kindred, Carrie Fisher. Elizabeth Rosemond Taylor is my kindred. Chris Wandel and our mutual friends will be in my autobiography ‘Capturing Beauty’.
I believe you are a perfect agent that will bring back Empress Zita to the Motherland. You are known for your ‘Found Art. I see a Grand Entrance and Ball. I would like to see Chris there, in a Austrian Palace, being asked to dance by a Habsburg Prince. Who anc re commission to make a glass slipper.
Art repatriation is the return of art or cultural objects, usually referring to ancient or looted art, to their country of origin or former owners (or their heirs). The disputed cultural property items are physical artifacts of a group or society that were taken from another group usually in an act of looting, whether in the context of imperialism, colonialism or war. The contested objects range widely from sculptures and paintings to monuments and human remains.
One of the most infamous cases of esurient art plundering in wartime was the Nazi appropriation of art from both public and private holdings throughout Europe and Russia. The looting began before World War II with illegal seizures as part of a systematic persecution of Jews, which was included as a part of Nazi crimes during the Nuremberg Trials.[5]During World War II, Germany plundered 427 museums in the Soviet Union and ravaged or destroyed 1,670 Russian Orthodox churches, 237 Catholic churches and 532 synagogues.[6]
The 1970 UNESCO Convention against Illicit Export under the Act to implement the Convention (the Cultural Property Implementation Act) allowed for stolen objects to be seized if there were documentation of it in a museum or institution of a state party and the following agreement in 1972 promoted world cultural and natural heritage[33]
The 1978 UNESCO Convention strengthened existing provisions; the Intergovernmental Committee for Promoting the Return of Cultural Property to its Countries of Origin or its Restitution in case of illicit Appropriation was established. It consists of 22 members elected by the General Conference of UNESCO to facilitate bilateral negotiations for the restitution of “any cultural property which has a fundamental significance from the point of view of the spiritual values and cultural heritage of the people of a Member State or Associate Member of UNESCO and which has been lost as a result of colonial or foreign occupation or as a result of illicit appropriation”.[34] It was also created to “encourage the necessary research and studies for the establishment of coherent programmes for the constitution of representative collections in countries whose cultural heritage has been dispersed”.[34]
UNESCO’s Executive Board and other Organs elected by the General Conference (36C), Intergovernmental Organs and Councils of UNESCO’s Institutes
Intergovernmental Committee for Promoting the Return of Cultural Property to its Country of Origin or its Restitution in Case of Illicit Appropriation (ICPRCP)
Origin: Committee established by the General Conference at its 20th session, in 1978 (20 C/Res. 4/7.6/5). Statutes amended by the General Conference at its 23rd (23 C/Res. 32.1) (1985), 28th (28 C/Res. 22) (1995) and 33rd (33 C/Res.44) (2005) sessions.
Mission: To seek ways and means of facilitating bilateral negotiations for the restitution or return of cultural property to its countries of origin; to promote multilateral and bilateral co-operation in this respect; to submit proposals with a view to mediation or conciliation to the Member States concerned; to encourage the necessary research and studies for the establishment of coherent programmes for the constitution of representative collections in countries whose cultural heritage has been dispersed; to foster a public information campaign on the real nature, scale and scope of the problem; to guide the planning and implementation of UNESCO’s programme of activities in the matter; to encourage the establishment or reinforcement of museums or other institutions for the conservation of cultural property and the training of the necessary scientific and technical personnel; to promote exchanges of cultural property in accordance with the Recommendation on the International Exchange of Cultural Property.
Karel Schwarzenberg’s family struggled against the Nazi and them the Communists. I now believe my brother, Mark Presco, worked behind the scenes to take over the creative legacy of our sister, Christine Rosamond Benton. I believe Mark conspired with Vicki Presco, and Stacey Pierrot to keep Vic Presco from getting his share of prints that he left to his wife, Consuela Redon. Vicki, as our father’s Trustee, did not deliver prints as instructed. Where are these prints. I will contact Interpol. Mark is a neo-Nazi and may be alive. He is in hiding – if he is not dead!
I have contacted INTERPOL and UNESCO about the Habsburg Pianting at the Schnitzer. I will be sending this blog to Jill Hartz, the Executive Director. I sent an e-mail to Cheyrl Hartup, and got no response. I had several telephone conversation with Alexandra V. Cipolle-Notman of the Eugene Weekly. We exchanged e-mails about our meeting place. She never got back to me, and has not replied to further e-mails from me. She asked me on the phone if I tried contacting the Habsburgs. I told her I had not. I do not trust her. Why should I? All my correspondence is copyrighted, along with the contents of my blog. A real crime may have been committed. This is not the time to play games.
Below is an e-mail I sent Stefan Eins in September of 2013 about this Habsburg painting a famous artist from Austria. Jospeh Swobb said he would forward my information to Austrian Consulate. The possible obstruction of a criminal matter of this magnitude, has bid me to be as transparent as possible. Who knows where this will lead?
John Presco
Presdient: Royal Rosamond Press Co.
John Ambrose <braskewitz@yahoo.com>
To
hartz@oregon.edu
Today at 11:01 AM
Dear Ms. Hartz – Over ten days ago I contacted Charyl Hartup about the Habsburg painting that is possibly stolen. I was going to meet with Ms. Alexandra V. Cippoli-Notman at a resturant, then we changed that to the Schnitzer because I wanted to introduce her to my dear friend, Virginia Hambley, who is related to Empress Zita. I told her it would be wonderful to take Virginia’s pic in front of ‘The Last Audience’. Alex failed to confirm this meeting and has not responded to my e-mails. This is an insult! I will let members of the House of Bourbon know of it. Virginia’s great grandfather tried to restore the Bourbons, and led the invasion of Algiers to dispose of a Caliphate. Let us not interfere with a international investigation. I have contacted UNESCO and INTERPOL and sent them this message.
John Presco
President: Royal Rosamond Press
I contacted someone at the Austrian Consulate about the Habsburg painting at the Universty of Oregon museum, that I believe belongs to Austria. Just after the war, In Room 318 of the Imperial Hotel in Vienna where the Property Control Branch of the Allied Forces has set up a Reparation Division. Below is part of the correspondence of Susanne Granitsch-Konirsch. She is the daughter of Helene Granitsch who is standing behind Empress Zita and staring out at the intended audience. Thus large unfinished work ended up in a bank vault in Eugene Oregon where it sat for sixteen years. https://rosamondpress.com/2016/11/05/spring-roses-of-nations/
” Since Dr. Robert Granitsch was married to a “half-Jew” after Nazi legislation, his three children, Susanne, born 1899, Dora, born 1904 and Lorle, born 1912, were persecuted in Austria after the Nazis’ Where Dr. Susan (!) Konirsch, née Granitsch, and Lorle Kornfeld, née Granitsch, had to flee to the USA,”
Last night I had a deep conversation with my longtime friend, Christine Wandel, who has lived in the Village of New York for over forty years. I told her about my recent discoveries regarding ‘The Last Audience of the Habsburgs’. I told her I am now guaranteed a novel that will alas give me the credibility I long for and sorely need due to the slanderous attacks I have suffered, mixed with threats. I told her I was considering playing my cards close to the vest, and not reveal the amazing Art and Liberty lessons that blossomed before me on my internet screen when I went in search of a answer to a confounding question. How and why did Arthur von Ferraris’ painting end up at the Jordon Schnitzer Museum?
I believe I have found a sound theory as to how? The clue of the rouge thread begins in Room 318 of the Imperial Hotel in Vienna where the Property Control Branch of the Allied Forces has set up a Reparation Division. Below is part of the correspondence of Susanne Granitsch-Konirsch. She is the daughter of Helene Granitsch who is standing behind Empress Zita and staring out at the intended audience, the masses, the intended viewers that never appeared because Zita and her royal family were dragged off their thrones and banished from Austria.
The Last Audience is the greatest failed work of art in history. There is a invisible family present, a famous revolutionary family surrounded by a doomed nobility. The Granitsch family were of the New Democracy. They were trying to save aspects of Habsburg Rulers, or, so it is alleged.
“Susanne Renate Granitsch was a famous Austrian Artist, kin to Georg Granitsch, a member of the Academic Union and founder of ‘The Neue Freie Presse’ and Ambassador of the Raiffensen Bank.”
Before this painting was finished, other more radical representative of the Forty-Eight Revolutions, ran Zita out of town, and chased her all over the world. She found refuge in a small town in upper New York. She must have felt betrayed by the Granitsch family, thus I doubt she gave them this large canvas, or, put in their care, her bedroom set that I believe found its way to Portland, and sold. The article I read on this sale is no longer in the internet. It may be stored in my old computer.
To get this furniture out of occupied Austria, one would have an easier time of it, if you claimed your belongings fell into the hands of a member of the Nazi Party. Susanne Granitsch-Konirsch and her husband name two Nazis. They appear to be Quater-Jews who had to flee from the Nazis leaving property behind. One of them may be a famous Captain of the SS Panzer division the 5th. Wiking, or Viking. This army led Opperation Barbarosa, and invaded Russia. This was a mixed group from several European nations. We see very handsom Aryan men going on a Viking Raid. These are Vandels taking what they want, what they deserve. This is White Privilege taken to the extreme. If it were not for the intervention of the Armed Forces of the United States of America, ‘The Audience’ would not be on the wall at the University of Oregon.
As usual, my muse has bid me to give away all my information – FOR FREE! Royal Rosamond Press ‘A Newspaper For The Arts’ will publish this incredible Odessy. This painting is The Golden Fleece of Freedom’. Because Putin is putting faux demonstrators for one of our Democratic candidates in the streets of Moscow, and for the reason the FBI is leaking information favorable to one candidate, and, for the reason I have been looking at hideous stories of Nazis declaring people, INFERIOR, so they can loot them, take everything from them, I will show you how the hidden BARRICADES that lie on the otherside of those Habsburgs dressed to the nines, and, putting on the Ritz.
Do not let The New Panzer Tanks roll into our polls, and influence how We The People Vote! I sent out several e-mails to Austrians who represent a Modern Culture of Liberty. Joseph Schwob is affiliated with the Austrian Cultural Forum. What I suggest if The United Nation of Artists, a forum that will meet once a year, compare notes, and make sur the Voice of the Artist, past and present, is being heard. We own a universal message that is due much recognition. Our voice had been political, in a unique way. This Habsburg painting speaks volumes. I will blog on it till Tuesday. till we go to the polls.
The man who could have owned the image of the little girl with no body, is on the far right. Captain Otto Schnieder was awarded The Knights Cross, and Iron Cross, alond with his compatriots who are smiling because they rode helter-skelter into other folks land with modern Panzer tanks. I will reveal more about this little girl. I believe she, and the white roses, represents ‘The Spring of Nations’
your information was forwarded to the Austrian Consulate General. Please give us more details why you to your mind the mentioned canvas was smuggled out of Austria and who did that.
Kind regards
Josef Schwob
Thank you for responding. I first looked into this matter twenty years ago. The story goes Empress Zita gave, or put in the care of Helene Granitsch ‘The Audience’ . Helene is standing just behind the Empress looking at the viewer. She then gave it to a woman named Ansacker in New York. Somehow it ends up in a Bank vault in Eugene Oregon. Sixteen years later it is in the hands of Lynn S. McCready, secretary of ‘Friends of the Museum’. There is no mention of a purchase.
I can not find the article where Helenes’ daughter, Dr. Susanne Granitsch-Konirsch, is selling pieces of bedroom furniture that belonged to Empress Zita that were put in her care until she came back to Austria to reclaim her throne. She wanted to sleep in her bed in Austria once again.
I found letters where Susanne Granitsch-Konirsch and her husband are petitioning the U.S. Forces in Austria for the return of very expensive furniture valued at $15,000 dollars. That is a lot of money for furniture. They had left Austria and become U.S. citizens. They claim Nazi Party Leader, Jospeh Winkler, ended up with their property, as well as Nazi Party Member, Otto Schneider. Is this the famous SS Captain of the Wiking Panzer group? Was he given this property as a reward. He was given the Knights Cross.
Susanne Renate Granitsch was a famous Austrian Artist, kin to Georg Granitsch, a member of the Academic Union and founder of ‘The Neue Freie Presse’ and Ambassador of the Raiffensen Bank.
Granitsch began her social commitment in the area of pulic relations (then “propaganda”) for the maternal and infant protection in 1901 and was first Vice President of the Association for maternal and infant protection founded in 1902 by you and Prof. th. Escherich. She founded and organized the Association of “Infant protection” (1903), the first infant Department in the St. Anna children’s Hospital and the first infant care channel school.
1911-1920 Granitsch was head of the “Imperial organization of housewives of in Austria”. She campaigned for women’s equality, worked together with Berta von Suttner in the Austrian peace society and participated in the construction of the Austrian women’s movement.
The painting is one of the “Gifts and Purchases, 1960-61” exhibition, which opens in the Museum of Art Wednesday, April 25. “The Last Audience” will be featured at the preview showing held on Tuesday evening, April 24, for the Friends of the Museum and guests during the annual dinner and reception. At the dinner, in the Erb Memorial Union, the painting will be in a baroque setting dominating the entrance to the ballroom and setting the tone for the decorative motif. The unfinished oil is by an Austrian painter, Arthur von Ferraris. It is of a court scene in Schoenburg Palace in Vienna with the Empress Zita holding what proved to be her last audience. The audience was held in October, 1918, when the political situation in Austria was in extreme tension. , Mrs. Kenneth Ford and Helen Casey of Roseburg are members of the Friends of the Museum.
About Susanne Renate Granitsch The academic painter Susanne Renate Granitsch was born in Vienna on 21 May 1869 and died on 2 December 1946 in Vienna. Her grandparents were Georg Ignaz Granitsch and Susanne Granitsch, née Schmidutz. Her father, Dr. Georg Granitsch (1833 – 1903), married to Augusta Antonia Granitsch, née Panstingel, worked as an attorney in Vienna. In addition to Susanne Renate Granitsch, her eldest daughter, the couple Dr. Georg and Augusta Granitsch had two more children, Edith Granitsch. By Schickh and Dr. Robert Granitsch, who had already died in 1937. Since Dr. Robert Granitsch was married to a “half-Jew” after Nazi legislation, his three children, Susanne, born 1899, Dora, born 1904 and Lorle, born 1912, were persecuted in Austria after the Nazis’ Where Dr. Susan (!) Konirsch, née Granitsch, and Lorle Kornfeld, née Granitsch, had to flee to the USA, while Dora Granitsch married Dr. Franz Hiller and survived in Vienna (In the case of the matriculation office of the Israelitische Kultusgemeinde), the Bundesdenkmalamt, as well as in the Austrian State Archives (holdings of the Finanzverwaltungstelle, the Finanzlandesdirektion Wien, the “Hilfsfonds”), The “Compensation Fund” and the “collection points”) were negative. In addition, no restitution proceedings were imposed by the heirs of Susanne Granitsch after 1945. Even her 81-year-old grandmother, the only relative whom Susanne Renate had known to Granitsch during her lifetime, confirmed that Susanne Renate Granitsch had not been persecuted either as a Jew or for political reasons during the Nazi period. In February 1938, shortly before the takeover of the national socialists in Austria, the Städtische Sammlungen, which at that time already had some works by renowned artist Susanne Renate Granitsch, acquired the portrait of a university professor: Susanne Renate Granitsch passed away on December 2, 1946 Vienna. On the occasion of the testament of the unmarried and childless Susanne Renate Granitsch of August 30, 1937, in which she had appointed her sister to her universal bitch, Edith von Schickh was accepted into her estate by Edith von Schickh had spent the years 1938 to 1945 in Vienna.
To the Municipal Council on Culture and Science Stadtsenat Town Council Fourth report of the City Council for Culture and Science on the overhaul of art and cultural objects from the collections of the museums of the city according to the municipal council decision of 29 April 1999 3.2.6. Summary of the acquisition of art objects from the collection of akad. Painter Susanne Renate Granitsch through the Municipal Collections, 14 8 2003
He served as a court and court lawyer in Vienna. During the revolutionary year 1848 he worked in student legion. He studied law at Vienna University , where he earned a Doctor of Laws . Then he worked as a clerk and later as an attorney. He was publicly and politically active. Since 1861, he has collaborated with various periodicals. In the years 1867-1869 he was a member of the Vienna municipal council. Contributed to the emergence of regional mortgage banks and credit unions organizing network (ie. Raiffeisenek). [1]
Long-term sit as a member of Lower Austria Landtag , which he joined in 1868 and remained a member of parliament until 1896, while in 1886 he represented the Curia rural communities, the circuit Mistelbach, then urban curia circuit Klosterneuburg. In the years 1883-1887 he was an alternate member of the land committee , and from 1887 to 1896 full member of the Provincial Committee. [1]
In 1873, parliament played for block German ústavověrných liberals (ie. , The Constitutional Party , the centralist and provídeňsky oriented), under which featured Altdeutscher wing. [5] In 1878 he met the German parliamentary group of the Left. [6] As ústavověrný member of the states even after the elections in 1879. [7] in October 1879 at the Imperial Council was mentioned as staroněmeckého Club Liberals (Club der Liberalen).[8]
He died in September 1903. At that time, it is referred to as the oldest lawyer in Vienna. [2]
Otto Schneider was a Hauptsturmführer (Captain) in the Waffen SS during World War II who was awarded the Knight’s Cross of the Iron Cross, which was awarded to recognize extreme battlefield bravery or successful military leadership by National socialist Germany during World War II. Schneider was awarded the Knight’s Cross during the battle of Kovel,[1] while in command of the 7th Company, 5th SS Panzer Regiment, 5th SS Panzer Division Wiking. He was reported missing in action in April 1945 near Steiermark, Austria, and was in Soviet captivity until 1949, he died on 6 November 2001 in Cranston Rhode Island.
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