Joaquin Miller had dinner with the Pre-Raphaelites and was my grandmother’s friend. This history is being compiled for the grant I am applying for. The history of the Pre-Raphaelites has not been discarded, thus, Kehinde Wiley has no right to claim it and hand it out to NOBODIES who don’t deserve it! I don’t give a rat’s ass what the color of their skin is, and how badly they were oppressed. Let them work for their bragging rights. Just because Wyley thinks he has immortalized these non-artists, does not give them any titles. I will see to that.
Miller built a monument to my kin, John Fremont, the first Presidential Candidate for the Abolitionist Republican Party, and the first to emancipate slaves, forcing Lincoln’s hand.
When I saw what Wiley did to Michael Jackson, I got the true picture. He was too pretty, too white, and very popular. He inspired and empowered millions of black people, while Wiley only got his propaganda to ten thousand – at most. Michael is a heterosexual who had children – by white women! This is why the Fake Artist turns him into a sick, white blonde woman. This is head-hunting. Wiley severed Michael’s head and put it in his back trophy room. How dare he deface Marilyn Monroe’s image!
Wiley hates white women! He also hates his father, that he never knew. Did he leave his mother for a white woman, and thus Wiley gathers his nobody spawn, in order to rule the art world, they forced to remember Wiley, forever, along with their grandchildren. And, now he renders black women, with wombs! Wiley’s Army?
My white Austrian friend, Stefan Eins, invented Wiley’s not so unique art theory. Enjoy the beautiful paintings of White Women, surrounded by flowers.
I am intrigued by my attempts to demonize Kehinde, but as an artist turned writer, I see a great villain lurking here, that is almost my Pre-Raphaelite Brother, but, is a Black Moriarty who comes across a mug shot lying in the street, and has an urge to follow in Gaugin’s footsteps. If he can just find this black man. He wants to render a room full of his portraits. These are WANTED posters. This is a son in search of the father he never knew. But, taking a closer look, Wylie is going to lynch Gaugin without a trial after accusing his alleged idol of being a Weinstein, and lusting after underage girls – of color! Would Wylie bother to INTERVENE is a white child was being molested? Consider the allegations against Michael Jackson, who paid Wylie to do his portrait – of Dorien Grey?
This is the story I want to cover in my newspaper. This is Pulp Fiction. This is a comic book. This is the sequel to the Black Panther movie. The Absentee Father is a huge crisis for most black males in America. This is the demarcation line, the BIG AMBITIOUS BREAKOUT, where Hannibal goes over the Alps with elephants looking for his Lost Father. This is……….Wiley’s Masterpiece!
All artists are fucking crazy! May the gods have mercy on Rome!
My great grandfather immigrated from Bohemia. The Boii did fight alongside Hannibal against the Slave Masters of the World.
War against Rome
In the second half of the 3rd century BC, the Boii allied with the other Cisalpine Gauls and the Etruscans against Rome. They also fought alongside Hannibal, killing the Roman general Lucius Postumius Albinus in 216 BC, whose skull was then turned into a sacrificial bowl. A short time earlier, they had been defeated at the Battle of Telamon in 224 BC, and were again at Placentia in 194 BC (modern Piacenza) and Mutina in 193 BC (modern Modena). After the loss of their capital, according to Strabo, a large portion of the Boii left Italy.
Now, the artist — who keeps studios in Brooklyn, Beijing and Dakar, Senegal, to avoid the boredom of working in one place — is planning to take on another master. “Gauguin is one of my idols, even in the age of Weinstein,” said Mr. Wiley, referring to Harvey Weinstein, the disgraced Hollywood producer. “Gauguin is creepy, let’s just face it. He goes off into the Pacific, and he’s looking at these young girls, and the colonial gaze: It’s just really problematic.”
Still, Mr. Wiley said he wanted to go to the Pacific and “use Gauguin as a glove or a contact lens or a sleeve through which I see and experience there.”
His other great plan, he said, was to find the man in the mug shot and do a room of portraits of him today. He has all of his details from the original police document, and could locate him easily, he said, but he had long had ethical qualms.
“I think it would make an extraordinary body of work,” he said. “I just hope that people would allow for it to be what it is: it’s wonder, it’s chance, it’s mystery.”
I will be going out to Coburg today to plant another flower at the grave of George Miller, the brother of Joaquin Miller, a honorary member of the Bohemian Club that was a place for Bay Area Journalists to gather and compare notes. If Miller lived in the Bay Area, then he too would be a honorary member.
Elizabeth Maude “Lischen” or “Lizzie” Cogswell married George Miller. Lizzie was the foremost literary woman in Oregon. On Feb. 6, 1897, Idaho Cogswell, married Feb. 6, 1897, Ira L. Campbell, who was editor, publisher and co-owner (with his brother John) of the Daily Eugene Guard newspaper. The Campbell Center is named after Ira.
The Wedding of John Cogswell to Mary Frances Gay, was the first recorded in Lane County where I registered my newspaper, Royal Rosamond Press. Idaho Campbell was a charter member of the Fortnightly Club that raised funds for the first Eugene Library.
George Melvin Miller was a frequent visitor to ‘The Hights’ his brothers visionary utopia where gathered famous artists and writers in the hills above my great grandfather’s farm. The Miller brothers promoted Arts and Literature, as well as Civic Celebrations. Joaquin’s contact with the Pre-Raphaelites in England, lent credence to the notion that George and Joaquin were Oregon’s Cultural Shamans, verses, he-men with big saw cutting down trees.
A year ago I received in the mail a book I ordered on E-Bay. I quickly scanned it to see if their were any illustrations or photographs. Then, I found it, what amounts to my personal Holy Grail. Joaquin Miller dedicated his book of poems ‘Songs of The Sun-Land’ to the Rossetti family that includes Gabriel, Michael, and, Christine. Gabriel was a artist and poet, Michael, a publisher, and Christine, a poet.
“TO THE ROSSETTIS”
Gabriel, who had Joaquin over to his house for dinner, where he met several members of the Pre-Raphaelite Brotherhood. Miller sends Michael a photograph of himself, and is sent a photo. This photo may be the famous one taken by Charles Lutwidge Dodgson, who is better known as Lewis Carrol the author of ‘Alice in Wonderland’. If Joaquin had glued this portrait to a piece of paper, then we might have seen it on the dedication page.
What is going on here is extremely profound. Miller has exported his vision and lifestyle to the England, where he wrote Song of the Sierras, and now he is importing to America a cultural brand that contains Grail and Arthurian subject matter that was at the epicenter of the work of the Pre-Raphaelite Brotherhood.
Lewis Carrol posed two children as Fair Rosamond and Queen Eleanore. I associate Fairmount with Rosamond. Johnnny Depp is starring in another Alice in Wonderland movie. Eugene can celebrate our Land of Make Believe, our White Rabbit made famous by the Jefferson Airplane. I stood before the Mayor of Eugene and suggested a Newspaper Museum at Kesey Square wherein is a model of Miller’s Fantastic Flying Machine. We could build a parade around this contraptions, a world contest that would bring creative people to our Fair City. Children would love this! They too would be in costume for the White Rabbit Run!
Here is what amounts to MY FANTASTIC MOVIE shot in Eugene. What an Amazing Journey is has been!
If Ali Emami had not reacted to the rumor Ken Kesey Square would be sold to a developer, it would be a done deal. The SLEEPS anarchists would have seized the day.
“Ali Emami, owner of the two buildings that have common walls with the plaza, says that when he heard rumors the public space might be sold and developed into apartments, he came before the Eugene City Council last week to again renew his offer to open up the walls of the buildings and make the space more inviting.I am going to make some proposals for what to do with Ken Kesey Square”
How about a Newspaper Museum and Reader’s Sanctuary?
“Ken Kesey is our George Washington,” said Jennifer Barnes, a self-described modern-day Merry Prankster. “He’s our culture, our history.”
Here is a video about my and Michael’s efforts to save the cottage that Ken lived in while attending the UofO.
Augustus John was the inspiration for the artist Gulley Jimson, in ‘The Horses’ Mouth’. Gulley is in search of the perfect wall for his mural. Joaquin Miller is our Washington. He earned an estimated $3,000 working as a Pony Express rider, and used the money to move to Oregon. With the help of his friend, Senator Joseph Lane, he became editor of the Democratic Register in Eugene. a role he held from March 15 to September 20, 1862. Here is Miller’s daughter.
George Miller platted the City of Florence and Fairmont. He designed a flying machine. Ali Emami’s plan to knock down walls to save the square is right out of ‘The Horses’ Mouth’. This is high drama already in progress! Above is a photo of Augustus John with James Joyce. Get rid of the One Hook Town to hang your hat. We need a Jimson reader, there, confronting passer-byes! We only got one horse on our merry-go-round. Enough! Here’s Miller with George Sterling the co-founder of the Bohemian Club and Carmel. We can reprint old copies of ‘The Augur’.
My friends and I in Oakland were doing Miller before we heard of Kesey. You got to get over the idea folks are trying to do Ken – and move on!
In November 1867, Whymper arrived back in England where his account of his travels, Travel and Adventure in the Territory of Alaska, was published in 1868. In 1869, he went back to the United States, by way of New York to San Francisco and worked on the staff of the newspaper Alta California. City directories describe him as an artist and mining engineer, and in 1871 he was a founding member of the San Francisco Art Association.
The Bohemian Club is a private club in two locations: a city clubhouse in the Union Square district of San Francisco,California, and the Bohemian Grove, a retreat north of the city in Sonoma County. Founded in 1872 from a regular meeting of journalists, artists and musicians, it soon began to accept businessmen and entrepreneurs as permanent members, as well as offering temporary membership to university presidents and military commanders who were serving in the San Francisco Bay Area. Today, the club has a diverse membership of many local and global leaders, ranging from artists and musicians to businessmen.
In New York City and other American metropolises in the late 1850s, groups of young, cultured journalists flourished as self-described “bohemians” until the American Civil War broke them up and sent them out as war correspondents. During the war, reporters began to assume the title “bohemian,” and newspapermen in general took up the moniker. “Bohemian” became synonymous with “newspaper writer”. California journalist Bret Hartefirst wrote as “The Bohemian” in The Golden Era in 1861, with this persona taking part in many satirical doings. Harte described San Francisco as a sort of Bohemia of the West. Mark Twain called himself and poet Charles Warren Stoddard bohemians in 1867.
The Bohemian Club was organized in the Chronicle office by Tommy Newcombe, Sutherland, Dan O’Connell, Harry Dam and others who were members of the staff. The boys wanted a place where they could get together after work, and they took a room on Sacramento street below Kearny. That was the start of the Bohemian Club, and it was not an unmixed blessing for the Chronicle because the boys would go there sometimes when they should have reported at the office. Very often when Dan O’Connell sat down to a good dinner there he would forget that he had a pocketful of notes for an important story.
The Eugene Augur was a local countercultural underground newspaper published inEugene, Oregon, United States, from 1969 to 1974. Starting with its first issue dated October 14, 1969, the Augur, produced by a cooperative of left-wing political activists aligned with the antiwar movement, appeared twice a month, offering up a mix of New Left politics and acid rock counterculture to an audience of students, hippies, radicals and disaffected working class youth in the Eugene area. The paper’s coverage ranged from antiwar demonstrations, exposing local narcotics agents, and rock festivals, to the growth of backwoods communes in Southern Oregon and the annual Oregon Renaissance Faire. In August 1972, the paper cut publication to a monthly schedule. Staffers included Peter Jensen and Jim Redden, son of a prominent Oregon politician and later a reporter for the Portland Tribune.
“I know a chap, a friend of mine, who used to paint girls for magazine covers. The best class of girls, eleven feet high with eyes as big as eggs. Well one morning he put on his best suit, called a taxi and drove to the Tower Bridge, where he tied his legs together, put ten pounds of lead in each pocket, took a pint of poison, cut his throat, shot himself through the head and jumped over the parapet. They saw through this job at once, picked him out, pumped him out, sewed him up, plugged him up, and had him back to work in six weeks.—Gulley Jimson in “The Horse’s Mouth” by Joyce Cary.
“Ali Emami, owner of the two buildings that have common walls with the plaza, says that when he heard rumors the public space might be sold and developed into apartments, he came before the Eugene City Council last week to again renew his offer to open up the walls of the buildings and make the space more inviting.
The square, also known as Broadway Plaza, is home to food carts, public art and periodic gatherings, but it also garners complaints about the unhoused youth and travelers who hang out there. A frequent criticism of the space is the tall brick walls on the south and east sides of the square that close it in.”
I see the whole square famed in durable glass that can be touched and read on the outside. One can read the job listings, or, search the internet. One pays $2.00 dollars admission and gets a paper. Seniors and the physically disabled get in for free. I see a man dressed like Joaquin pointing to his brothers flying machine suspended from the ceiling. Children are allowed to touch the old printing presses.
George J. Buys and A. Eltzroth purchased the paper in December 1869, and six months later bought out Eltzroth. Buys sold the paper eight years later to John R. and Ira Campbell, who would remain owners for 30 years. In 1890, the Eugene Guard became a daily newspaper.
George Melvin Miller was titled ‘The Prophet of Lane County’. Lane County was named after Joseph Lane who ran with John Breckenridge for the White House.
John was known as a colourful personality who adopted an individualistic and bohemian lifestyle. Intrigued by gypsy culture and the Romany language, he spent periods traveling with gypsy caravans over Wales, Ireland, and Dorset. He based much of his work on these experiences, such as the painting Encampment on Dartmoor (1906). John was more modern in his approach to landscape painting, as seen in the bright palette and loose brushwork of paintings such as Llyn Trewereyn (1911–12) and The Little Railway,Martigues (1928).