Zita of Bourbon-Parma
Author: upload.wikimedia.org
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“Ego Ariona tellus? Mea auferet somnum exterreri solebat? auferetur!”
Zita means “seeker”. I have found her!
John Presco
President: Royal Rosamond Press
braskewitz@yahoo.com
https://en.wikipedia.org/wiki/Ariadne
The Labyrinth of Rosamond
Posted on October 6, 2021 by Royal Rosamond Press
The John Von John Show
Posted on March 16, 2023 by Royal Rosamond Press
Arion Victoria Rosamond Bond
Posted on February 2, 2021 by Royal Rosamond Press
I just found a video that validates my book and movie, and severs me from those uncreative people who have not gone along with any of my creative visions. Indeed, they have done all they can – to trip me up! They are The Destrutive Ones. I am done living in their evil world.
John Presco
President: Royal Rosamond Press
In Greek mythology, Arion or Areion (Ancient Greek: ‘Ἀρίων, Ἀρείων, is a divinely-bred, fabulously fast, black-maned horse. He saved the life of Adrastus, king of Argos, during the war of the Seven against Thebes.[1]
Arion was (by most accounts) the offspring of Poseidon and Demeter.[2] When the goddess Demeter was searching for her daughter Persephone, she was pursued by Poseidon. To escape Poseidon, Demeter turned herself into a mare and hid among the mares of Oncius, king of Thelpusa in Arcadia. But Poseidon turned himself into a stallion and mated with Demeter, producing Arion.[3] Other accounts had Arion as the Offspring of Gaia (Earth),[4] or of Zephyrus and a Harpy.[5]
Rutger Hauer is Floris van Rosemondt (1969) – YouTube
“I am Arion!”
Posted on September 13, 2019 by Royal Rosamond Press
There is nothing that gives Cynthia Van Der Rose a bigger charge, then pushing the button on her remote, and down come the drawbridge to her families castle. Then, raising high a lantern, she shouts;
“Ego Ariona tellus? Mea auferet somnum exterreri solebat? auferetur!”
(“I am Arion! Away my beloved Nightmare! Away!”)
And off she speed along the canal to her Latin Poerty Club where she will really lay it on them, another line about Cynthia, along with her interprutations of the poem of her favorite Latin Poet, Sextus Propertius, who caught her eyes when she spotted her horse, in one of his poems. Soon after, she grabbed Arion, the rock star who rides a seahorse, and then a dolphin that Cynthia turned into a Nightmare, because she wanted to crush her shy critiques who accused her of hogging the show, and getting away with it because she comes from the Bohemian Royal Line – and is the teacher’s pet!
“What a bunch of whiny babies! You want me to act tame and sane so you will have a chance to get in my pants! As for the women in this group……..”
When Cynthia wore a set of horns she had made (due to family money) she, fumed.
“You are losing your concentration, Cynthia. We have gathered to re-invent a lost poetic language that will remove us from the present dark age.” Thus spoke, Jan Van Der Wolf, the Latin Sage, and guru of Rusaman, who believed a parallel world came in contact with earth, and gave us the Golden Age of the Greeks and Romans, and the Vikings! The language of Latin began to seal, began to bind these two worlds. Then………”
“Excuse me! Your flyer said….”Due to the cellphone, young people do not communicate directly. They are adorned with the fantasy world the internet provides them, even, captures them in, a gold Rococo frame! I have outdone that frame! I killed it!”
This is the beginning of the treatment of one of my main characters.
John Presco a.k.a Jan Van Der Wolf
https://en.wikipedia.org/wiki/Arion_(mythology)
https://en.wikipedia.org/wiki/Arion
https://en.wikipedia.org/wiki/Mare_(folklore)
According to the Vatnsdæla saga, Thorkel Silver (Þorkell Silfri) has a dream about riding a red horse that barely touched ground, which he interpreted as a positive omen, but his wife disagreed, explaining that a mare signified a man’s fetch (fylgja), and that the red color boded bloodiness. This association of the nightmare with fetch is thought to be of late origin, an interpolation in the text dating to circa 1300, with the text exhibiting a “confounding of the words marr and mara.”[12]
Another possible example is the account in the Eyrbyggja saga of the sorceress Geirrid accused of assuming the shape of a “night-rider” or “ride-by-night” (marlíðendr or kveldriða) and causing serious trampling bruises on Gunnlaug Thorbjornsson. The marlíðendr mentioned here has been equated to the mara by commentators.[13][14][15]
As in English, the name appears in the word for “nightmare” in the Nordic languages (e.g. the Swedish word “mardröm” literally meaning mara-dream, the Norwegian word “mareritt” and the Danish “Mareridt”, both meaning Mare-ride or the Icelandic word “martröð” meaning mara-dreaming repeatedly).
https://en.wikipedia.org/wiki/Mare_(folklore)
http://www.yorku.ca/pswarney/3110/Propertius.htm
Room 318 Imperial Hotel
Posted on July 24, 2018 by Royal Rosamond Press
I contacted Karl about the Habsburg painting.
A half hour ago, President Trump spoke to Veterans about the building of the Embassy in Jerusalem. He gave a big shout out to evangelicals who encouraged him to do this. This is why millions of Trump’s base do not care if he makes big mistakes, or, misspeaks. They are doubling down in the hope he helps the Jews build the Third Temple, which will bring about the End Times, and the destruction of most of the world. Only True Believers will be spared. It is hard to imagine, but, millions of Christians hear this Doomsday promise made every Sunday. They pray people who are not one of them – die a horrible death! If folks you know, are looking at you funny – and treating you like vermin – thank our President!
I have exposed this Terrorist Religion – as a GIANT FRAUD! Our President is exploiting it and sounding like a Crusader King. Of course this Fairytale will not come true, but, a Holy War against Iran – looms! We have a Religious Tyrant in America – as I predicted! Some Rabbis have titled Donald a ‘Messiah’.
It has been my hope to author a best seller that would trump this evil destruction. My quest begins in Room 318 of the Imperial Hotel in Vienna. An object has been found that is part of a cache of Nazi loot. It was part of the bedroom set of Empress Zita that was smuggled out of the Palace when Hitler invaded Austria. A large painting was rolled up in a carpet. There is a document identifying the un-finished children that were smuggled out of Austria by the Red Cross. Who are they? Why are they so important?
Can I awaken the sleeping millions and turn them away from a terrible self-fulfilling prophecy!
John Presco
Copyright 2018
While this theology is often thought of as a “literal” reading of the Bible, it’s actually a reasonably new interpretation that dates to the 19th century and relates to the work of Bible teacher John Nelson Darby.
According to Darby, for this to happen the Jewish people must have control of Jerusalem and build a third Jewish temple on the site where the first and second temples – destroyed centuries ago by the Babylonians and Romans – once were. In Darby’s view this was a necessary precursor to the rapture, when believers would be “taken up” by Christ to escape the worst of the seven-year-period of suffering and turmoil on Earth: the Great Tribulation. This is to be followed by the cosmic battle between good and evil called Armageddon at which Satan will be defeated and Christ will establish his earthly kingdom. All of this became eminently more possible when the modern state of Israel was established in the 1940s.
Spring Roses of Nations
Posted on November 5, 2016by Royal Rosamond Press
” Since Dr. Robert Granitsch was married to a “half-Jew” after Nazi legislation, his three children, Susanne, born 1899, Dora, born 1904 and Lorle, born 1912, were persecuted in Austria after the Nazis’ Where Dr. Susan (!) Konirsch, née Granitsch, and Lorle Kornfeld, née Granitsch, had to flee to the USA,”
Last night I had a deep conversation with my longtime friend, Christine Wandel, who has lived in the Village of New York for over forty years. I told her about my recent discoveries regarding ‘The Last Audience of the Habsburgs’. I told her I am now guaranteed a novel that will alas give me the credibility I long for and sorely need due to the slanderous attacks I have suffered, mixed with threats. I told her I was considering playing my cards close to the vest, and not reveal the amazing Art and Liberty lessons that blossomed before me on my internet screen when I went in search of a answer to a confounding question. How and why did Arthur von Ferraris’ painting end up at the Jordon Schnitzer Museum?
I believe I have found a sound theory as to how? The clue of the rouge thread begins in Room 318 of the Imperial Hotel in Vienna where the Property Control Branch of the Allied Forces has set up a Reparation Division. Below is part of the correspondence of Susanne Granitsch-Konirsch. She is the daughter of Helene Granitsch who is standing behind Empress Zita and staring out at the intended audience, the masses, the intended viewers that never appeared because Zita and her royal family were dragged off their thrones and banished from Austria.
The Last Audience is the greatest failed work of art in history. There is a invisible family present, a famous revolutionary family surrounded by a doomed nobility. The Granitsch family were of the New Democracy. They were trying to save aspects of Habsburg Rulers, or, so it is alleged.
INTERPOL & STOLEN ART
Posted on November 21, 2016by Royal Rosamond Press
I have contacted INTERPOL and UNESCO about the Habsburg Pianting at the Schnitzer. I will be sending this blog to Jill Hartz, the Executive Director. I sent an e-mail to Cheyrl Hartup, and got no response. I had several telephone conversation with Alexandra V. Cipolle-Notman of the Eugene Weekly. We exchanged e-mails about our meeting place. She never got back to me, and has not replied to further e-mails from me. She asked me on the phone if I tried contacting the Habsburgs. I told her I had not. I do not trust her. Why should I? All my correspondence is copyrighted, along with the contents of my blog. A real crime may have been committed. This is not the time to play games.
Below is an e-mail I sent Stefan Eins in September of 2013 about this Habsburg painting a famous artist from Austria. Jospeh Swobb said he would forward my information to Austrian Consulate. The possible obstruction of a criminal matter of this magnitude, has bid me to be as transparent as possible. Who knows where this will lead?
John Presco
Presdient: Royal Rosamond Press Co.
The Austrian Countdown
Posted on December 23, 2016by Royal Rosamond Press
Stefan Ein’s father was a member of the Nazi Party. When he came home at the end of World War Two, he took his infant son by his head, and hung him over a balcony, threatening to drop him. After hearing this two months ago, I pondered what was going through Mr. Ein’s mind. I conclude he was very disappointed Hitler lost the war, and, the Super Race Dream that his child represented. This boy became a living reminder, a symbol of utter failure. All hope is gone. The child must die with Hitler.
Gestapo Owned Viennese Art
Posted on January 16, 2017by Royal Rosamond Press
Wilhelm August Rieder (black arrow) among other friends of Franz Schubert at the “Schubertiade”. Drawn by Moritz von Schwind from memory (1868).
I discovered this morning that Dr. Dr. Susanne Konirsch-Granitsch owned a painting of Franz Schubert rendered by his friend Wilhelm August Rieder. Susanne’s mother is in ‘The Last Audience of the Habsburgs’. I suspect Susanne came to own this painting. Here is an amazing document that catalogues the efforts of the City of Vienna, itself, to return lost art and artifacts to Jewish citizens of this Capitol of European Culture, who had to flee for their lives, leaving works of art behind. The Gestapo owned Susanne’s painting of a famous Composer seen in the images above. From now on I will be contacting my Congressman and Senator to make sure there is a full investigation of how the Schnitzer Museum came to own a work of art that may have been left behind in Vienna when Empress Zita fled from Hitler.
“The Gestapo put the painting in March 1939 when brother of Dr. Susanne Konirsch-Granitsch, RA Dr. Franz Hiller, safe and handed it to the Kunsthistorisches Museum for safekeeping in a vault”
http://www.wienbibliothek.at/sites/default/files/files/wien-restitutionsbericht-2003.pdf
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