

I received an e-mail from Stefan Eins yesterday offering is help with the Habsburg painting. Every year he goes back to Vienna to take care of his sculptors and stays at the palace. He understands there is Cultural Warfare going on in America and has had a profound influence. His father was German soldier. Why the Schnitzer gallery made no attempt to share ‘The Last Audience of the Hapsburgs’ with the people of Austria is very suspect. If it were not for the Nazi invasion of Austria, there is a good chance this large canvas would be hanging in Vienna. No one, nor any institution, should profit by the ruthless acts of the Nazis.
Seven years ago I entered the Jeanne Rougemont contest sponsored by members of the Hapsburgs. If Alex and kept our appointment, she would have heard Jeanne’s amazing story, that is protected by my copyright. The Rosamond genealogist traces my mother’s maiden name to Rougemont Switzerland. I am overwhelmed by information. I am sick and tired of these parasites who look for reasons to judge me – so they can rip me off! They did this to my late sister, the world famous artist ‘Rosamond’.
Several years ago I sent a letter to Michael Salvator Archduke Habsburg-Lorraine, and asked for a form so I could enter the “flowing borders” compitition that was being held by the Joan of Farrette society. I was utterly ignored, because, I was an American, or, I knew more about Jeanne de Rougemont-Ferrette that anyone on the planet, and had connected the Rougemonts to the Knight Templars and the Holy Shroud. Did the Archeduke google me, or, had he heard of this upstart American – and thus I was the hands-down winner – before I asked for entry form!?
“The counts of Ferrette possessed the majority of the Sundgau, the ‘Sundgauvian’ territories of the north-east had long since belonged to the Habsburg dynasty, a wealthy local family whose heritage also includes Swiss lands. Moreover, the Habsburgs had passed on the honorary title of Landgrave of Upper Alsace (Sundgau) from father to son for centuries.
“To seal the alliance, after Ulrich’s death Jeanne immediately married Albert II of Habsburg at Masevaux. By legitimate process the Sundgau became an entirely Austrian territory and remained so until 1648. However, according to documents of the time, this marriage of political interest seemed to quickly transform into one of love. Albert II and Jeanne de Ferrette settled in Vienna, from where their offspring would later extend their possessions into central and Eastern Europe. The Sundgau quickly became a Habsburg bastion: a base for the dynasty which would later seek to conquer Europe and the rest of the world.”
https://rosamondpress.com/2013/09/17/de-bourmont-anjou-legitimists/
In my letter to Michael Salvator Archduke Habsburg-Lorraine, asking for a contest form, I informed the Archduke the University of Oregon has something that belongs to his family, and, if he so wish, I will be the laison to get it returned to the rightful owner, because, there are new international laws to return art belonging to refugees. I told this Habsburg this painting was the best example of crossing the old boarders – to the New World.
The society Joan of Ferrette (SJF) aims to implement the international, cultural and historical competition “Grenzen fließen” (flowing borders). The medieval figure Joan of Ferrette is a symbol of the special dynamics of our European consciousness.
The routes through medieval Europe by Joan had nothing in common with travelling nowadays. There were completely different borders and different conditions of life. Everything was different from whatever we can imagine today. The SJF therefore encourages the reflection on people living along borders or in areas with constantly changing borders in the middle of Europe. Since we do not find any similarities with the historical circumstances, we expect references to a modern and humane Europe without any limitations caused by politics and administration in the visible relics of the past.
The members of the society are historians, eminent scientists and persons involved in cross-border cultural cooperation. In 2010 the president of the society will award prizes to the best historical works on the subject “Grenzen fließen”.
The Nazis are coming! They want the Art of the World in order to prove they are the caretakers of white European culture! Sound the alarm!
Jon Presco
President: Royal Rosamond Press
Dear Sir / Madam,
Thank you for your e-mail below.
As you probably know, the INTERPOL General Secretariat in Lyon is not entitled to carry out criminal investigation on the territory of a member country and moreover to receive directly from private individuals requests or theft reports.
It is necessary to contact the local police to report an event. The police unit who receives the complaint could then inform the National Central Bureau (NCB) of INTERPOL located in your country in order to give you the correct information either have the stolen item recorded in INTERPOL’s Stolen Works of art database.
Please note that in order to have your stolen artworks registered into the a/m database, it is of primary importance that on the occasion of the report you provide the police with full details on the theft (date, place, modus operandi if available), complete descriptions of the stolen item (type of work, period, techniques and materials, dimensions, any signature, inscriptions, if so, their location on the works) and also good quality photographs of stolen artworks.
It is important to know that the General Secretariat of INTERPOL cannot force its member countries to take or not to take action in specific police investigations.
We hope this information will be useful for you.
Best regards,
Works of art Unit
INTERPOL LYON, FRANCE


http://www.wessenberg.at/ferrette/eng-ferrette/menue/about.htm7
http://www.swisscastles.ch/Vaud/chateau/rougemont.html
https://rosamondpress.com/2013/10/08/denis-de-rougemont-lordre-nouveau/
The Gruériens were the first to depart for the Crusades. It is said
they were the first to enter Jerusalem where they led the fight for
the Holy Sepulchre. When the Gruérien Knights prepared to leave the
castle, the women of Gruyere shut them in and blocked the gate. In
the image above we see a man urgent to free Jerusalem from the
Muslims, furiously taking an axe to the gate. Note the red cross on
the trumpet.
GUILLAUME Ier AND The DEPARTURE OF The GRUERIENS FOR The CRUSADE
During a forty years reign, Guillaume Ier pointed out himself by his
zeal to defend the faith. A fresco of the Room of the Knights, with
the Gruyere castle, shows it to us, surrounded of people of its
house, attending the installation of the first stone of the abbey of
Rougemont. Indeed, it made gift with the Benedictines of vast fields
extending beyond Tine. It is while following the example of these
valiant monks whom the population cleared the region to make the
beautiful country of them that we know. The name of Guillaume Ier is
attached to a beautiful page of the history of our country: the
departure of Gruériens for the Crusade. In XIe century, the Holy
Places were with the hands of the Turks. In all Christendom, and
especially in France, generous spirits formed the wish to begin again
in Inaccurate Jerusalem and the Holy Sepulchre.
Monks and laic traversed the countries, encouraging thevalid men to
take part in the holy war against the Moslems. It was the time of the
Crusades, because all the warriors decorated their chest of a cross.
Gruyeres did not remain deaf with this call. Indeed, here what Hisely
tells us: It is at that time of religious enthusiasm and
chevaleresque enthusiasm which it is advisable to report the charming
tradition that here: Hugues and Turin armed among the beautiful
shepherds hundred Gruériens to lead them to the conquest of the Holy
Sepulchre. The young shepherdesses wanted to close the doors of the
castle to prevent their departure. They had to be reopened of force
and the poor girls are reflected to cry when they intended the rider
to exclaim:
“Ahead the Crane! Acts to go! Returns which will be able! ”
Hardly knowing the geography, they asked naively “if this large sea
which should be crossed to go into Ground-Holy were as large as the
blue lake as one goes along when one goes in pilgrimage to Lausanne”
Which is the share of the history and that of the legend in this
business? It is difficult to say it. It is proven that Gruériens left
for there first Crusade (1096-1099). An Italian poet describing the
Cross ones says to us: “their sides, here under their own banner,
hundred beautiful Gruériens, the pride of the Gruyere”. Further, it
allots even to Gruérien the honor to have crossed the first the walls
of Jerusalem. Alas, among those which left well little re-examined
their fatherland!”
I am the Vigilant Watcher on Rose Mountian
I have come to awaken. I am the one. The name on my birth certificate
is, John Gregory Presco. Gregory isthe Egregor ‘The Crane’ which is
the emblem of Rougemont, the homeof my ancestors. The Gueyere are the
Gregorys ‘The Vigilant Ones’, the Crane Knights who carry THE
STONE ‘The Rock of Sion’. I am home, in the Truth
Jon Presco
Copyright 2005
The Gruyere county
Origin of the countsIt is advisable to distinguish the legend from
reality. The legend claims that the word “Gruyere” comes
from “Gruérius” ,captain of the 6th legion of the Vandals, which
chooses to beestablished in our area, in 436. One quotes even
Gruérius I and II,with which it king de Bourgogne would have pledged
the ground and the country of Gruyere, in 510.
It seems however, according to the Hisely historian who made very
meticulous research in the middle of the century spent, that the
term “Gruyere” comes from “Large-gruyer”, (in Romance language)
or “forester” which was the “supersilvator”, the officer judges water
and forests, charged with réprimander the offences. The Largeone
managed a whole sector which one named the gruery. It took possession
of the hill, in order to set up its residence there.
https://adventuringsam.wordpress.com/2010/09/09/day-18-gruyere/
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