The synchronicity is off the chart! Note the white roses cast on the floor before the Empress who descends from Jeanne de Rougemont. My Rosamond kindred descend from the Rougemonts. Consider my Oddfellows graves that were dug up and evicted from what they thought was their final resting place. Consider the Floral clues I found in search of Beauty. I was following my muse. A mosaic of nine muses has been dug up, and exposed to sunlight for the first time almost two thousand years! Consider Dante’s Inferno and the Descent of Inanna?
Marilyn came over and had me look in the mirror to see my glowing face. Consider the claim that the Habsburgs are Rex Deus, an idea that Dan Brown danced around, that was my study years before ‘The DaVinci Code’ hit the shelves. Consider Orpheus and his beloved wife, Eurydice. I have compared myself to Lazarus. Is Judgement Day fast approaching?
Then, there was a sign stuck in the earth announcing Jame Joyce’s play ‘The Dead’ will be performed by the University Theatre. I came upon it as I left the museum, the Home of the Muses! I am sure Catherine Vanderturin interacted with this Theatre.
BREAKING NEWS! I just recieived an e-mail from the Austrian Embassy at the United Nations who wants more information on the painting. The idea of Empress Zita and her court being unveiled in Vienna before a large crowd of Austrians – is a true vision come true? Here alas Sleeping Beauty awakens with the love of her People. As a coincidence the Neue Galery in New York is having a show on the Golden Age of Viena with six pieces by Klimt whose images of beautiful women were involved in Nazi looting.
I have omitted some names and e-mail addresses.
Jon Presco
Copyright 2016
Dear Sir,
your information was forwarded to the Austrian Consulate General. Please give us more details why you to your mind the mentioned canvas was smuggled out of Austria and who did that.
Kind regards
Von: John Ambrose [mailto:braskewitz@yahoo.com]
Gesendet: Mittwoch, 02. November 2016 15:32
An: info@austria-ny.org
Betreff: Fw: Painting of Empress Zita
On Wednesday, November 2, 2016 12:23 PM, John Ambrose <braskewitz@yahoo.com> wrote:
At the Jordon Schnitzer Museum located on the University of Oregon campus in Eugene, there is a large canvas depicting Empress Zita and her court, receiving war orphans. This canvas is about six by eight feet, and was smuggled out of Austria in a carpet roll. It was in Portland Oregon for seventeen years, then stored in a bank vault in Eugene. I believe this painting belongs to the Austrian people. There is a show at the Neue Galerie about the Women of Vienna. Too bad this work is not there.
http://www.neuegalerie.org/content/klimt-and-women-vienna%E2%80%99s-golden-age-1900%E2%80%931918
http://www.bbc.com/news/world-europe-31747759
“Austria has a very difficult history because so much property was taken away,” said Marianne Enigl, a journalist from Profil magazine specialising in Nazi-era restitution.
http://travels.marbleart.us/Vienna/Wien4.htm
https://rosamondpress.com/2016/10/30/dantes-inferno-last-muse/
“The Dead” was adapted as a one-act play of the same name by Hugh Leonard in 1967.[9]
In 1987, it was adapted into a movie directed by John Huston, starring Anjelica Huston as Gretta Conroy and Donal McCann as Gabriel Conroy.[10] It was the last movie Huston directed before dying that year.[11]
In 1999, it was adapted into Broadway musical by Richard Nelson and Shaun Davey, which won a Tony Award for Best Book of a Musical.[12] The original production starred Christopher Walken as Gabriel Conroy.
Joyce Carol Oates’s 1973 story “The Dead” makes many allusions to Joyce’s story.[13]
https://en.wikipedia.org/wiki/James_Joyce%27s_The_Dead
James Joyce’s The Dead is a Broadway musical by Richard Nelson and Shaun Davey based upon James Joyce‘s short story “The Dead“.
https://calendar.uoregon.edu/event/james_joyces_the_dead#.WBr9BfkrI2w
James Joyce’s The Dead
Friday, November 4 at 8:00pm → more dates through November 19, 2016
Miller Theatre Complex, Robinson Theatre
1231 University Street, Eugene, OR 97403
Presented by University Theatre
James Joyce’s THE DEAD
Book by Richard Nelson, Music by Shaun Davey
Directed by Michael Malek Najjar
Robinson Theatre: MUSICAL
Adapted from Joyce’s literary masterpiece set in 1904, the last and best known of the short stories collected in Dubliners, this intimate musical portrays a homespun Yuletide party with Irish music, dancing, food, drink and good fellowship. Sparkling songs, many of them traditional sounding Irish melodies that are performed as entertainment by the partygoers, are all original.
http://www.thenazareneway.com/rex_deus.htm
In the oldest part of Vienna, right on the main downtown walking plaza, is the tiny Kapuzinerkirche — a plain, simple little church that you could walk right past and never notice (I did, several times). But it has been the burial place for the past 500 years of almost all of the Austrian emperors, their wives, and families. The bodies of over 140 of the Habsburg family are lying here, including 12 emperors and 18 empresses. Actually, none of them are “buried” here — the incredible metal caskets, or sarcophagi, are in full view, as they should be, since most are amazing works of art.
After entering the church, you go underground down a rather plain, modern, industrial-looking set of stairs. You are directed through a set of doors, and suddenly, you are in another world, perhaps another century. Row after row of ornate metal tombs line the walls of the ancient crypt, all carefully polished and labeled. The Habsburgs were perhaps the most royal family in history, producing 645 years of kings, archdukes, and Holy Roman Emperors. The royal family of Spain were also Habsburgs, and one was even the Emperor of Mexico. They tended to marry within their family, since few other families were of high enough rank for them, and also to keep their wealth from getting spread out too far. So cousins married cousins, uncles married nieces, daughters married in-laws, all of which eventually caused so many genetic problems that much of the family was afflicted with bad health, low intelligence, insanity, and deformed faces and bodies. It has been proved that King Carlos II of Spain was so absurdly inbred that his genetic diversity was even less than if his parents had been brother and sister — they weren’t, they were uncle and niece, but all their ancestors were closely related too. All eight of his great-grandparents were descended from the same king and queen. It would have done the family a lot of good to have gotten some strong, healthy peasant blood in their lineage, but they of course were too royal for that, so ironically they become some of the most miserable examples of the human race at the time. However, some were fine people and excellent rulers; many encouraged the arts and sciences of the time. The glory of Vienna to this day is the result of all those centuries of Habsburg rule.
Subject: Rex Deus & House of David
Newsgroups: gmane.culture.templar.rosemont
Date: Friday 23rd September 2005 15:34:31 UTC (over 11 years ago)
There have been many books published suggesting the offspring of Jesus and King David have become powerful and secret rulers some have titled the Rex Deus, and the Black Nobility. Is there any evidence of this? If so, how could their agenda remain a secret? Perhaps it is more visible then these authors, and their readers, would like to admit. What would be their motives for keeping us in the dark? Prince Bernard of the Netherlands has been identified as a member of the Black Nobility and the Rex Deus. What has he done in the name of his illustrious ancestor, Jesus Christ, that would be seen as a continuing attempt to rule the world? Prince Bernard, and his wife, was a close friend of Denis de Rougemont a co-founder of the European Union and the European Cultural Foundation of which Bernard was President, and most genrous contributor. Rougemont may be related to the Habsburgs, another Rex Deus family, and thus Bernard via the Chalon family. Both men were instrumental in the foundation of the Bilderburg meetings, and several other important European intstitutions that some say are trying to create a One World Global rule. Is this an agenda Jesus and King David would approve of? Evangelic Christians suggest this is the agenda of the Anti-Christ, thus, this agenda is the core focus of world domination, as well as taking control of all western culture, including the Arts. "Masons, like Knights Templars believe they received this apostolic succession through James (the Just), the brother of Jesus. This succession is said to be through a group of people known as the "Rex Deus" families who are prominent throughout Europe; and that it rests with the Grand Master of the Knights Templar (now highest Mason). Rex Deus is a group of people who are said to have been established by King Solomon - to be the Kings of God. This could very well be another good reason, that Masons in 1717 "distanced themselves from the Knights Templars." Jon Presco http://www.mkc.cz/en/clanky.shtml?x=223070 "European Cultural Foundation [14. 2. 2005, Katerina Brezinova] Active in culture and the arts as well as the media, and with an impressive track record in education since 1954, the European Cultural Foundation is Europe's only independent, non-national and pan-European cultural foundation. It runs its own programs and awards grants, which keeps it close to the grassroots cultural sector, and makes it a credible advocate of strong cultural policies for Europe. Its work is cross-border: directed across the borders that exist between people and between countries, throughout the European cultural space and across the Mediterranean. An extensive network of 20 National Committees supports the European Cultural Foundation throughout Europe. Their very different national backgrounds and character reflect Europe's diversity. The Multicultural Center Prague serves as the Czech National Committee of the European Cultural Foundation. Since 2003, the Multicultural Center Prague has supported the efforts of the ECF as the Czech National Committee of the European Cultural Foundation. The Swiss philosopher and European visionary, Denis de Rougemont, set up the European Cultural Foundation in 1954, appointing Robert Schuman as its first President. The Foundation moved from Geneva to Amsterdam in 1960, thanks to the generosity of the Foundation's President at that time, Prince Bernhard of the Netherlands. It was founded to 'promote cultural and educational activities and research of a multinational nature and European character and to add a cultural and human dimension to the economic, technical and legal processes of European integration. The European Cultural Foundation is an independent, non-governmental organization. It stands for an open, democratic Europe which respects the basic human rights and cultural diversity of its people. It is committed to the importance of the cultural dimension within the process of wider European integration. The Foundation developed innovative programs to encourage respect for cultural diversity, such as ERASMUS and EURYDICE on behalf of the European Commission and closely cooperated with the Commission on the TEMPUS program." http://retn.site.voila.fr/patri.htm http://geneva.intl.ch/index.htm http://illuminati-news.com/black-nobility.htm http://en.wikipedia.org/wiki/Prince_Bernhard_of_the_Netherlands http://www.eurofederalism.com/ The Black Nobility belong to the "Committee of 300" that controls the UN. Prince Bernhard of the Netherlands has the power to veto the Vatican's choice of any pope it selects. This may explain the untimely end to Pope John Paul I's 33-day pontificate. The Prince has veto power because his family, the Habsburgs, are descended directly from the last Roman emperor. (The Habsburg Frederick III was the last emperor to be crowned in Rome; his great-grandson Charles V was the last to be crowned by a pope). This is the civil equivalent of the Pope's claimed "apostolic succession" from Saint Peter. Prince Bernhard is leader of the Black Families and he also claims descent from the House of David through the Merovingian dynasty, a claim that was acknowledged to be valid by the Carolingian dynasty that supplanted them, by other monarchs and by the Roman Church of that time. Thus he can truly say that he is "related to Jesus". Prince Bernhard's House of Orange had its origins in France. The Habsburgs are related through marriage with the Merovingians, who are said to have descended from the Tribe of Benjamin who went into exile following war with the other eleven Tribes -- see Judges chapter 21. Exile took them to Arcadia in the central Peloponnese, Greece. Here they aligned with the Arcadian royal line and towards the advent of the Christian era, migrated up the Danube and Rhine, through marriage engendering the Sicambrian Franks -- the immediate forebears of the Merovingians, who were ultimately of Semitic origin, and descendants of King Saul. They are identified with the Spartans, and both books of Maccabees link the Spartans with the Jews. I Maccabees 12 tells of Jonathan sending a letter to the Lacedemonians (Spartan Greeks) asking for their help, since they were brethren. The Spartans replied, "It is found in writing, that the Lacedemonians and Jews are brethren and that they are of the stock of Abraham" (verse 21). It is assumed by some writers that this means the Spartans were Israelites, but the Spartans were not Israelites they were Edomites descended from Bela son of Beor and brother of Baalim, and king of Edom (Genesis 36:32; I Chronicles 1:43). Edom was the son of Isaac and grandson of Abraham who sold his birthright, and bred his posterity off the Book of Life. There is strong evidence to suggest that this order was the author of Freemasonry, and "The Protocols of the Learned Elders of Sion", as well as the Rosicrucians. There is abundant evidence to suggest that Nostradamus was one of their secret agents, and there is no question that numerous quatrains which refer to the advent of "le Grand Monarch" indicate that this sovereign will ultimately derive from the Merovingian dynasty. Implying a double hegemony of the Papacy and the Empire, of the Vatican and of the Habsburgs. He frequently referred quite explicitly to the Knights Templars and to the house of Lorraine which is now synonymous with the Habsburgs. The prince was also instrumental in setting up the annual Bilderberg conference, named after the Bilderberg Hotel in Oosterbeek, Holland. The conference was designed for high-powered policy makers to have "regular discussions to help create a better understanding of the complex forces affecting western nations". It is credited with prompting the establishment of the European Community. At this point, I wish to emphasize the role played by Denis de Rougemont, Director of the European Cultural Centre. His vision and his commitment are a symbol and a model to be followed today. CERN has been at the forefront of particle physics http://retn.site.voila.fr/patri.htm http://www.worldroots.com/cgi-bin/gasteldb?@I27686@ http://www.worldroots.com/cgi-bin/gasteldb?@I25479@ http://www.mathematical.com/habsburgguntram904.html http://www.burgenseite.ch/ruine_ferrette.htm Published by Element Books, Rex Deus is the work of Authors Marilyn Hopkins, Graham Simmans and Tim Wallace-Murphy. My Review
Reblogged this on Rosamond Press and commented:
My friend Christine confronted Heidi Hatry on her bad manners, she stopping her from giving Stefan Eins a Euro-greeting. Stefan has reponded to my attempts to have ‘The Last Audienence of the Habsburgs’ returne to the Austrian people. The Nazis captured some of Zita’s property.
About the Work
The Politics performance took place on September 11, 2007, at 6am in Central Park (near 106th Street and 5th Avenue)
I skipped down a little hill in wearing a white dress. I had previously placed an American flag sewn together out of untreated pigskin on the ground. l painted the appropriate stripes of the flag with blood. I undressed myself and poured a gallon of pig’s blood over my naked body, covered my bloody body with the flag, and then disappeared up the hill.
This work is a consideration of the relationship of the individual to politics, asserting that the individual, no matter how personally innocent, remains responsible for the guilty actions of her polity; that we, as a country, may be victims and violators at the same time; that the desire for justice may result in acts of injustice and unjustifiable violence. We mantle our “behavior” in the cloak of politics and convince ourselves that our actions are just, but we are in fact covered in the blood we have shed. The state cannot look at itself and see the quality of its actions: that remains the responsibility of its individual citizens. https://rosamondpress.com/2016/11/04/tales-of-the-habsburg-cyrpt/ https://en.wikipedia.org/wiki/Heide_Hatry
http://www.heidehatry.com/politics.html