I have contacted Elzbieta Oleksy and let her know, that in my book she is a Grail Scholar. Her credentials are impeccable and astounding. I will send her several of my blogs published by Royal Rosamond Press and show her Thomas Pynchon is in my family tree along with the world famous artist. Christine Rosamond Benton, and Elizabeth Rosemond Taylor. Also, I have been on the bus with Ken Kesey.
It is so rare to find a mind, a human being, that pays attention to all the details, yet, goes out on a limb in comparing two Beat Novels to Grail Romances. Oleksy’s paper ‘Kesey, Pynchon, A Trip To The Wasteland’ is the cherry on the cake. Here is the missing glove of the Grail Knight. I own the other. Together we can carry the Grail Standard into the future!
In 1999 I told my childhood friend, Nancy Hamren, to tell Ken Kesey to come back home because I am Merlin.
In July of 2013, I bid Pynchon to stop (private) dicking around and join the neo-Templar search for the Holy Grail. I can name some writers with credentials who thought I was mad. Ten years ago, I spotted a Grail legend in the rock opera Tommy, where the “wasteland” plays a huge role in setting up the boy born deaf and blind to pull the sword from the stone, and restore the land.
In Christine’s probate I have papers claiming I am a Grail Scholar, and our family can be viewed as members of the New Grail Romances. I site the Pre-Raphaelites, declaring Christine and are the New Pre-Raphaelites who rendered Grail Knight artwork.
I’ve had 615 views of this blog today. I have to conclude Royal Rosamond Press is the first Grail Newspaper in history. It has been a struggle against ‘The Wasteland’.
“The aim of this paper is, first to provide a necessary sketchy theoretical background for the analysis of modern American Romances. It is a common contention today that post modern American author are turning their backs earlier novelistic traditions, breaking the old contracts between novelist and reader and writing new ones. Nevertheless, some postmodern fiction displays a remarkable analogy with heritage of the past conventions. The primary aim of this paper will be to show the junctions of which innovation and tradition meet.
Expertka i ewaluatorka projektów naukowych w Komisji Europejskiej w ramach 6. I Programu Ramowego UE (2005- )
- Członkini zespołu Optimising Research Programmes and Priorities w ramach grupy eksperckiej Komisji Europejskiej ERA (2007-2008)
- Ewaluatorka projektów badawczych w Komisji Europejskiej w ramach ERA-NET (2007)
- Ekspertka European Court of Auditors (2007)
- Ekspertka Komisji Europejskiej ds. monitoringu projektów realizowanych w ramach 6. Programu Ramowego oraz EURATOM-u – członkini grupy eksperckiej MONITORING 2005 – Implementation of Indirect Research Activities of the Sixth Framework Programmes of the European Community (EC) and of the European Atomic Energy Community (EURATOM) (2006)
- Ekspertka Komisji Europejskiej ds. oceny programów naukowych i pracy centralnych instytucji naukowych Unii Europejskiej oraz sporządzenia rekomendacji do polityki naukowej UE na następne lata – członkini grupy eksperckiej Five-Year Assessment fo European Research Programmes and Institutions (2004-2005)
- Przewodnicząca międzynarodowego stowarzyszenia AOIFE – Association of Institutions for Feminist Education and Research in Europe (2003-2006)
- Ekspertka przy Pełnomocniku Rządu RP ds. Równego Statusu Kobiet i Mężczyzn w zakresie opracowania systemu monitoringu polityki równych szans kobiet i mężczyzn w Polsce (2003-2005)
- Ekspertka Komisji Europejskiej ds. sytuacji kobiet naukowców w Europie Środkowo-Wschodniej i Krajach Bałtyckich – członkini grupy eksperckiej ENWISE – Enlarge Women in Science to East (2002-2004)
- Ekspertka Ministra Edukacji Narodowej ds. kierunku „stosunki międzynarodowe” (2000-2002)
- Przewodnicząca Komisji do Spraw Regulaminu Studiów, Uniwersytet Łódzki (1999-2000)
- Przewodnicząca Komisji do Spraw Akredytacji i Oceny Jakości Kształcenia, Uniwersytet Łódzki (1998- )
title received from the President of the Republic of Poland, 1999
Łódź University, 1991
Poznań University, 1979
Łódź University, 1971
Senator J. William Fulbright’s Badge of Honour
Rector of Łódź University Award for Organizational Excellence
Medal of “Merit of the City of Łódź”
Knight’s Cross of the Order of the Restitution of Poland
Rector of Łódź University Medal “In the Service of Science and Society”
Rector of Łódź University Award for Research
Gold Medal of Merit from the President of the Republic of Poland
Gold Medal of the University of Łódź
Rector of Łódź University Award for Teaching Excellence
Award for Research, Minister of Education of Poland
Research grant from Ministry of Science and Higher Education
Kosciuszko Foundation research grant, University of California—Berkley
European Commission research grant, University of New Jersey—Rutgers
Kosciuszko Foundation Scholarship, University of Mississippi
Kosciuszko Foundation Scholarship, State University of New York at Buffalo
American Council of Learned Societies Fellowship, State University of New York at Buffalo
Research grant from J. F. Kennedy Institute, Free University of West Berlin
Fulbright Commission Scholarhip (Junior Fulbright), State University of New York at Stony Brook
British Council Fellowship, University of Cambridge, England
|Co-author and Contractor of the project “Erasmus Mundus Master’s Degree
in Women’s and Gender Studies” (GEMMA) within Erasmus/Mundus Programme
Coordinator and Contractor of the Research Project within the 6th Framework Programme of the European Commission “Stimulating Policy Debate on Women and Science Issues in Central Europe (WS DEBATE
Polish Partner of the European Parliament’s project “Women and Transport”
Contractor of the Research Project within the 6th Framework Programme of the European Commission “Understanding Puzzles in Gendered European Map. Brain Drain in Physics through the Cultural Looking Glass” (UPGEM)
|On April 17, 2014, I found a Pre-Raphaelite Grail at the Lane County Historical Society, that hopefully will change the way we look at things today, and the way we live and communicate with one another. I beheld the beautiful master plan put forth by the Miller Brother Prophets, who are right out of the Lord of the Rings.What I discovered was a pamphlet announcing Joaquin Miller Day. A musical drama was performed at the Woodminster Amphitheater on September 24, 1944. There was going to be the planting of memorial redwood trees around the equestrian statue of Joaquin Miller. On stage was a replica of the studio and garden used by Dante Gabriel Rossetti and Holman Hunt. The Poet, Christina Rossetti was played by Jeanne Jardin. Elizabeth Siddal Hunt’s model and muse is played by Helen Kraum. Carmencita Sanchez and her Mexican dancers, performed. In Scene Two we have the Bonaparte and Queen Victoria.When we were children we would call up Juanita Miller who we knew as ‘The White Witch’. She gave advice if you had problems. At thirteen, Bill Arnold, Nancy Hamren, and myself adopted the Beat Scene, Jack London and George Sterling, and as Hippies we understood Joaquin Miller was the source of our Bohemianism that some claim is the fastest growing religion in the world. In Eugene Oregon there is a worship of Ken Kesey. Now add to this the images of the Pre-Raphaelites and J.R. Tolkien, and you have the most powerful imagery outside of the Christian Church.But, we are not done! Joaquin Miller was approached by Japanese Poets who asked if they could live with Joaquin and treat him like their master. There were several Japanese houses built on ‘The Hights’ that was also named ‘The Fremont Ranch’. Fremont is in my family tree because he married Jessie Benton whose father was the proprietor of the Oregon Territory. My later sister was the world-famous artist, Christine Rosamond Benton who had a gallery in Carmel a Art Colony that Elsie Martinez and her husband help found.Joaquin Miller had dinner at Rossetti and ate with many of the Pre-Raphaelites. I suspect William Morris was present. In 1969 I began to render images on furniture after Morris whose novel ‘The House of Wolfings’ was the main inspiration for Tolkien.Christine Rosamond Benton and I were drawn into Tolkien’s Trilogy. The artist known as ‘Rosamond’ could not put these books down, nr could I. This caused our mutual friend, Keith Purvis, a British subject, to comment;“She doesn’t know these books are real.”We three were original hippies who took the Lord of the Rings to heart as we modified the modern world, made it over more to our liking, we oblivious to what normal folk were about. This is exactly what William Morris and the Pre-Raphaelite Brother and Sisterhood did. They – returned!I discovered the Pre-Raphaelites in 1969 and let my hair grow long for the first time. I gave up drugs in 1967 and was looking for a spiritual format. I came under the spell of the Rossetti family who were friendly with Joaquin Miller. We Presco children knew Miller’s daughter as ‘The White Witch’ and we would call her for advice. Miller’s home ‘The Abbye’ was above our home in the Oakland Hills. Our kindred were friends of Miller, who was also a friend of Swineburn, who wrote ‘The Queen-Mother and Rosamund’ and ‘Rosamund Queen of Lombards. Tolkien was inspired by the Lombards.Filed away in Rosamond’s probate is my plea to the executor to allow me to be my sister’s historian. I mention Miller and Rossetti. I saw myself in the role of Michael Rossetti who had his own publishing company. He published Miller and other famous poets. When I was twelve, my mother read evidence I might become a famous poet.I was twelve when I came upon the Woodminster amphitheatre. I was put in a trance by what I beheld. I sensed I had entered the real world, the one I belonged in. Juanita Miller was the visionary for this outdoor theatre where plays inspired by her father were performed. Redwoods were planted around Woodminster. George Miller planted many trees in his visionary city, Fairmount. Nearby, my great grandfathers had picnics. Note the rifle hanging in the tree. The Stuttmeister farm lie just below this structure that is right out of Lord of the Rings.Yesterday I presented to Mayor Kitty Piercy my idea for the New Eugene Celebration that would be centered around the Cuthbert Amphitheater and the Mill Race that I see as flowing from the Woodminster Amphitheater Cascade. I see O Lake as a reflecting pond. I see a Japanese arch at the end of a pier where is docked a Japanese boat. Up the hill is a Zen Garden and the cottages rescued from Columbia Terrace located in the lost city of Fairmont platted by George Melvin Miller, the brother of Joaquin.
There is a Writer’s Grove planted next to the cascade. I see a similar grove planted near the Cuthbert. Where will sit the two Craftsman housed rescued from Columbia Terrace. Once house will be a Miller Brother’s Museum, and the other a Museum of Bohemian Art and Literature. Ken Kesey lived in one of the barracks that was moved from Fort White. I see a Museum to Peace, with Kesey and Hippie memorabilia. Our Mayor should contact officials I Japan to see if they see these barracks that once housed soldiers destined to go to war with Japan, of historic significance.
The Calm Waters of Peace, Poetry, and Art, flow underground all the way from Oakland California, and surface in a New Arcadia in Eugene. From brother to brother. let there be a New Cultural Unity!
President: Royal Rosamond Presss
I call upon my kindred, Elizabeth Rosemond Taylor, to lend her fame in making my movie about Fair Rosamond who appears to have been seen as a Grail Queen, a cup carved on her crypt that contained her uncorrupted remains. Did a guild form around her liken to the Swan Brethren who employed Bosch who rendered a painting depicting the Brethren flocking about the Sweet Lady and Jesus in his Wedding Feast at Cana. Surely Bosh’s paingitngs are other-wordly. However, there is a good chance these fantastic works were suggested by the Rosemondt family, they being Masters of the Brethren, Leuvain, and the Falcon Art College. Bosch was the Cecil B. Demille of his day. He took his vieweres to other and unknown wolrds employing religious themes, especially death and rebirth, the refreshing of what has been corrupted, the founding of a new heaven and earth.
Thomas Pynchon invents a tower of beauty in ‘The Cyring of Lot 49′ that resembles the Neo-Templar ‘Tower of the Eight Beauties’ that inspired the Solar Templar that allegedly Princess Grace of Monaco supported. The Rosemont family owned this tower. Grace’s beautiful granddaughter just did an ad for Gucci where she is wearing Boho chic. She looks like a Rosamond painting. Kate Middleton is said to be wearing Boho.
One has to give the artist Christine Rosamond credit for promoting the Boho look, along with Marilyn Reed, and Gloria Ehlers. Marily made the Boho dress she wore at my wedding, and Gloria made the Boho shirt I wore at Christine’s wedding. Gloria made the skirt she wore at the wedding from my design. In the past I have posted on Kate Moss and her promoter, Philip Green. Kate is Britain’s Queen of Boho Chic.
At this time I am bid to challenge Pynchon, insist he come out of hiding and admit the truth, being, Thomas did not run with the beautiful Boho people due to his buck teeth, so he invented Boho playmates. However, he did live with my ex-wife in Mexico for two years. Mary Ann told me he had no friends, but for Richard and Mimi Farina who were the vanguard of beautiful Bohemian people. The, Richard was killed in a motorcycle accident leaving Mimi the most beautiful and tragic woman in the world. But, being tragic was not hip in the hippie world that failed to come to terms with Beautiful Women, and thus focussed on hard drugging rock and roll stars with long hair. For sure I looked the part, and if I had persued my drum and guitar playing, then I would have become propped up on stage while my mind and soul wandered, doing my best to ignore my pockets are being stuffed with cold hard cash. True Bohemians are not whores.
“Life imitates art.” It is time for Pynchon to retire as the world’s foremost Beat (Bohemian) Writer, or, join forces with me and together we go forth to tackle the Real Mysteries that is gathering all the Beautiful Royalty in the Tower of the Eight Beauties. This is to say, there is an ancient beauty contest going on not like the one that occurred in Troy. Paris had to have her so he could be the big winner in the Hellenized world
Several years ago I sent a letter to Michael Salvator Archduke Habsburg-Lorraine, and asked for a form so I could enter the “flowing borders” compitition that was being held by the Joan of Farrette society. I was utterly ignored, because, I was an American, or, I knew more about Jeanne de Rougemont-Ferrette that anyone on the planet, and had connected the Rougemonts to the Knight Templars and the Holy Shroud. Did the Archeduke google me, or, had he heard of this upstart American – and thus I was the hands-down winner – before I asked for entry form!?
The society Joan of Ferrette (SJF) aims to implement the international, cultural and historical competition “Grenzen fließen” (flowing borders). The medieval figure Joan of Ferrette is a symbol of the special dynamics of our European consciousness.
The members of the society are historians, eminent scientists and persons involved in cross-border cultural cooperation. In 2010 the president of the society will award prizes to the best historical works on the subject “Grenzen fließen”.
In 1999 I read that Ken Kesey was going to England in search of Merlin. I called my friend, Nancy Hamren, and asked her to talk her friend out of this debacle. I had met Ken on several occasions, and had been on ‘The Bus’ in the Eugene Celebration Parade. At the time I was studying King Arthur and the Holy Grail and chatting on yahoogroups that Dan Brown lurked in.
“There are a lot of people who take this serious, and will not be happy with Ken’s hit or miss tactics. If he wants to find Merlin, look no further, here I am, in his own backyard!”
That was the last time I spoke to Nancy, the first girl I ever kiss, because she was tops in King Kesey’s Court, and everything was set in stone, and, only Ken can withdraw Excalibur. Real hippies did not want leaders, or to collect our magical energy in a big beautiful pile, put it in a bag and hand it over to some clown.
The Cornish folks hated Ken’s act. The Hambley family is from Cornwall and are still mining tin. Above is the Hambley mansion in North Carolina where Viriginia’s great grandfather lived. Melqart is a candidate for Merlin in my book.
In 1966, Nancy and I lived in a SF commune called ‘The Idle Hands’ with the Zorthian sisters. Their father ‘The Last of the Bohemians’ was an artist that was influenced by Thomas Hart Benton. I have been to ‘The Ranch’.
In 1964 Ken Kesey and a bunch of friends, who later became known as the Merry Pranksters, set off in an old school bus, painted in psychedelic colours, to cross America. The bus trips spawned the Acid tests, the Acid tests spawned the Grateful Dead and so the Sixties as we know them were shaped.
Thirty five years later as the 20th Century draws to a close Kesey once again took the bus furthur (although this was a replcement – the original would be 60 years old and is sitting rotting on Keseys farm) on the road. This time the Pranksters set sail for England to view the total eclipse and to search for Merlin who Kesey believed would return before the Millennium.
Our first sighting of Kesey and the Pranksters was at the Minack Theatre in Porthcurno, Cornwall the day before the eclipse. We drove for nearly 2 hours from our campsite near Helston to cover the 20 miles or so to Porthcurno. As we got closer the lane narrowed and narrowed and it was hard to see how they could have got Furthur up the hill to the theatre. Once we got past the traffic queue waiting for the beach carpark we climbed the hill and just as we got to the summit we spotted the bus.
Członserogrammes and Priorities w ramach grupy eksperckiej międzynarodowego stowarzyszenia WrittAOIFE – Association of Institutions for)
Written Jan. 16, 2005
Grimms give the name Rosamond to the Sleeping Beauty Princess. Denis
de Rougemont is a Grail Scholar and like my Rougemont/Rosamond
family they descend from Huguenots. Denis is quoted in ‘Holy Blood,
Holy Grail in regards to the Albigensian Crusade. Rougemont also
talks about the tower of Beauties.
Three years ago, my daughter Heather was introduced to me for the
first time. She was sixteen. Seventeen years ago three Seers told me
I had concieved her they seeing her as faint petals on a rose. Two
years ago she disapeared. A month ago I discovered she was lured
away by my family who used her in the fight over the artistic and
literary legacy of my late sister, the world famous artist Rosamond.
The executor of Rosamond’s estate kept the probate going two years
longer so that Carrie Fisher, the Princess Laeh of Star Wars, could
promote a movie script she authored about Rosamond’s life. There is
a fight over this legacy worth tens of millions.
I believe my beautiful daughter is the one who can approach the
spirits of the dead Templars and be shown their hidden secret and
treasure for she is liken to a Foundling and all the tales that
entail a treasure, a dragon, and a lost bloodline. She can awaken a
The Treasure Trove of the Knights Templars.
Part 2 of 2.
THE TREASURE HUNT BEGINS.
The first organised search of the treasure trove left by de Beaujeu
was organised by one of his descendants, Anne de Beaujeu. She talked
about “very old documents that testified about the presence of a
major and historical depot”. The men entering the underground
network of tunnels were decimated by traps that had probably been
put in place by Count de Beaujeu. Anne de Beaujeu eventually gave up
and had the entrance to the underground network sealed off.
In 1914, the new owner of the castle, Duke Pierre de Rosemont, felt
the time was ripe for a new enterprise. After breaking down the wall
that Anne de Beaujeu had built, the Duke opened the entrance to the
underground caverns. One of his workmen, however, had his legs
crushed when he was hit by two stone balls that rolled out of a wall
another trap installed so many centuries earlier. De Rosemont
decided to change his tactics and opted for safer methods. After
some scouting of his own, de Rosemont discovered a hole that led
downwards, so he decided to try to reach the treasure on his own.
One of the Duke’s descendants claims to have excellent evidence
concluding that Pierre de Rosemont was able to gain access to the
tomb of Camus said to be very close to the secret treasure of the
Knights Templars. Apparently, though, having almost reached his
goal, the Duke was struck by violent blows and cries emanating from
below, balls of mauve fire encircling the room and strange odours
and visions. When the water began to rise mysteriously, he decided
to retreat as quickly as he could. Upon reaching the surface, he
decided never to return, so he made sure that no one would ever
discover the hole through which he had reached the underground
The oldest part of the castle is a tower, the “Tower of the Eight
Beauties”. Constructed in red bricks, its walls are more than one
metre thick. It appears circular from the outside, but inside, on
the first floor, the tower becomes octagonal. At the top are eight
openings that appear to have no functional use. It is also known as
the “Tower of Alchemy”, for the walls were once covered with
alchemical symbols. Though these symbols are almost invisible today,
but we have photographic records of them in our possession.
It was towards this tower that two of the greatest alchemists of our
age set course: Eugene Canselier and Armand Barbault, the author
of “Gold of a Thousand Mornings”. Their visit to the castle was not
a tourist outing, instead, Barbault and his wife stayed there for
several weeks in the company of the now infamous Jacques Breyer.
In 1950, a mysterious English colonel came to Arginy and asked
whether the owner, Gilbert Marie Jacques de Chambrun d’Uxeloup de
Rosemont, was willing to sell the estate for no less than one
hundred million French francs. De Rosemont flatly refused. Two years
later, he and Jacques Breyer decided to have another go at
discovering the treasure of Arginy.
THE BIRTH OF NEO-TEMPLARISM.
The new team decided to dig underneath the Tower of the Eight
Beauties. In their search they hit upon the underground stream that
was responsible for the sudden flooding that had plagued previous
seekers. Jacques Breyer believed that the Templar treasures at
Arginy consisted of several different forms, each requiring a
certain kind of focus on his part if he was going to find them. He
believed that there was a material treasure, taken from the Treasury
of the Temple in Paris and therefore possibly involving large
quantities of gold; a spiritual treasure, detailing the rituals and
doctrines of the Order; and an esoteric treasure, a treasure of
Wisdom that contained information on magic and Hermetic rituals.
Breyer also believed that the castle might have been specifically
converted into an “alchemical stronghold” so that certain alchemical
experiments could take place there. In any case, it does seem that
alchemical thought was applied in the Tower’s construction.
The birth date of neo-Templarism is currently accepted as 12 June
1952, the birthplace: Arginy. The event is often referred to as
the “the Resurgence of Arginy”. Indeed, Arginy became the focal
point of the Rosicrucians, Freemasons and other strange orders as
well as numerous “Templar Orders”. Important figures made visits to
the castle. Amongst the visitors was Constantin Melnik, head of the
French Secret Service and confidant of the French Minister of the
Interior, Michel Debre, who visited the castle in 1959. Guarded by
members of the Secret Service who cordoned off the entire castle,
Melnik reportedly participated in night-time ceremonies held within
the castle walls.
It was on 12 June 1952 that the first such alchemical ritual was
held. Conducted by Breyer, Barbault and his psychic wife and other
people, some of whom were merely attendants. Breyer, who believed he
was the reincarnation of Jacques de Molay, tried to reach the ghost
of Guillaume de Beaujeu, whose remains had been placed close to the
treasure underneath the treasure. Apparently Breyer was successful
in this attempt, as de Beaujeu had asked for a certain ritual to be
performed so that his spirit could be brought back to life. The
ritual supposedly involved the sexual union between man and wife at
Arginy, whereupon the resulting child would be the reincarnation of
the former Grand Master.
Breyer stayed on at Arginy castle from 1952 until 1959. He stated
that it was “a haunted place, but in the loftiest sense of the word:
it is a place of high initiation.” For seven long years, Breyer did
fill kinds of occult works and magical rituals, hoping to contact
the souls of eleven Templars whose spirits had been charged with
guarding the treasure that lay in Arginy’s subterranean chambers.
Perhaps the entire history of Breyer’s searches seems foolish, but
it is known that during those seven years he did discover an
underground chamber and locate many entrances to the underground
kingdom of Arginy. He reportedly found several small objects that
were lying in numerous small holes. Some of these objects are
allegedly kept in a private collection.
During his time at the castle, Breyer prepared several books, but
these are difficult to access at present. His most famous book
is “Arcanes Solaires”, “dedicated to the Ancient ‘Arch Masters’,
eleven in all, who came to help me during my seven-year stay at the
castle of S.” In referring to Arginy, Breyer always denoted it with
the letter “S”, or, even more commonly, with the symbol “$”. Breyer
indicated that Arcanes Solaires is the resume of the secret
inheritance of the last Grand Master of the Temple, Jacques de
Molay. He claimed to have told this story to the walls of the
castle, and, like certain inhabitants before him, to have placed
alchemical graffiti on the castle walls.
Breyer then rounded a neo-Templar order, the Sovereign Order of the
Solar Temple. Although this Order cannot be confused with the Order
of the Solar Temple, responsible for the collective suicide of 53
people in Canada and Switzerland in 1994 and of 16 people in France
in 1995, it is understood that Jacques Breyer was the great
inspiration behind the foundation of the Order of the Solar Temple
and also knew its leaders.
The Sovereign Order of the Solar Temple, however, was supposed to be
the new Order of the Knights Templars. The eleven entities with whom
Breyer conversed had requested that Breyer raise the spirit of
former Grand Master Guillaume de Beaujeu in order that he could
guard the development of the “resurgence” of his Order. As the story
goes, everything had been put in place so that the ritual could be
conducted, but apparently something was not quite right at the last
moment. Something happened that no one had prepared for and the
experiment turned into a nightmare. Through personal research and
interviews with the local villagers who lived on and around the
estate, we learned that strange noises, followed by horrible cries
coming from the Tower of the Eight Beauties were heard ever more
frequently. Luminous events sparked off by these rituals preceded
the fierce escape of the participants.
Even though the resurrection of Guillaume de Beaujeu was probably
unsuccessful, it seems quite certain that some or several of the
eleven guardians were liberated but chose to remain voluntary
captives of Arginy castle.
The Sovereign Order of the Solar Temple (OSTS) was the exoteric
result of the initiates’ constant participation in events that
transpired at the castle. The Order elected its first Grand Master
in 1966 and announced its existence the following year in the form
of an association. The Order was officially recognised by Prince
Rainier III of Monaco, the location of the Order’s official
headquarters. Book publishing is one of its functions.
The OSTS was the inspiration for most neo-Templar orders that have
subsequently seen the light of day, including the already mentioned
Order of the Solar Temple, but also the Renovated Order of the
Temple, the ORT. Researchers investigating these orders claim to
have found evidence that they are closely connected to extreme right-
wing circles, particularly the Italian Propaganda Due, P2. Even if
this is correct, it should be noted that from its inception the OSTS
seems to have been of a totally different calibre. Indeed, it is
more likely that any such links were merely the result of certain
people’s interest in Breyer’s works and his organisation.
THE SECRETS STAY HIDDEN.
Though numerous places claim to hold the treasure of the Templars
(some as far as away as Canada), Arginy is arguably the only place
where such important events have transpired. Though several people
would wish that the castle and what has transpired there, did not
become public knowledge, if only because of the gruesome events that
eventually led to the collective suicides of 1994 and 1995, it
should be remembered that what took place at Arginy had one goal: to
give mankind an important revelation. In former centuries, such
information was held by the secret circle within the Knights
Templars. This may explain why Breyer and other key people went to
Arginy in the years following 1952 and participated in strange
magical rituals: they believed Arginy held the key to something very
Unfortunately, whatever that revelation was, it has been suppressed.
It does seem most likely, though, that the castle holds within its
walls one of the most important secrets of the Knights Templars.
When this secret will be revealed, or whether it will be revealed at
all, is not known.
Since 1959, many people have attempted to fathom this enigmatic
secret. Having lived around the castle of Arginy, I am aware that
many curious, painful and sometimes dangerous things happen every
time someone tries to grasp the terrible secret. Local folklore has
it that only one person is designated and recognised by the deceased
Templars to have access to them without risk to his or her life. The
tradition thus reactivated, it is claimed that the Order shall rise
from its ashes towards a higher and more certain glory.
Perhaps the French author Robert Charroux found the key when he
deciphered this passage from Breyer’s book: “Think hard: the great
art is Knowledge.”
Source: Nexus Magazine.