The Rose Man

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scan0015It appears I am The Rose Man that Daniel Andreev saw coming in his Roza Mira prophecy.

http://www.roseofworld.org/book_eng.htm

I am the light that was broadcast by the Rose of the World, that was captured by the promoters of darkness, that which is empowered by a union of dark secret keepers who love destruction. They are The Destroyers of the World. My brother and sister, Mark and Vicki Presco captured the artistic legacy I began at twelve. They captured our beautiful children, brought them into the darkness, and used them as a leverage to own power in the family – alas. My brother designed Cold War weapons for a living.

In 1986, Mark wanted me to build a family end of the world bunker. He wanted I and our mother, Rosemary Rosamond, to go live in that bunker together, alone, in the dark forest, waiting for the weapons of mass destruction to be used on humanity. Then, he will come to the family bunker. We two brothers will survive. We will rape the surviving women, and have intercourse with each other’s daughter in order to make sure our genetics dominate the world. Vicki and Mark conspired to rest the Rosamond Creative Legacy from Shannon Rosamond, and, myself. My siblings did not tell me my father was dead, my mother was dying, and our aunt Lillian, was dead. She was the last of the four beautiful Rosamond sisters to die. Above are two pages of the letter I sent to her. Four days ago I discovered it was Lillian who omitted my name from the Wienke genealogy, I rendered a Question Mark. I suspect Mark Presco was behind this. My brother’s plan would no longer include me. Only his genes are worthy of surviving. Mark employed Vicki in what amounts to an incestuous design. they both went after my minor daughter, Heather Hanson. Christine was making accusations just before she died. Mark feared things would come out in Rosamond’s biography. With her death, Mark became the head of the family, alas. Even though he was the eldest, he was in my, and then Christine’s, creative shadow.

All four Presco children took LSD. Apparently we saw something amazing and powerful, within. Three of the beautiful Hart sisters did not get married. I have long understood we are a shame-based family. I have traced this shame to our kindred Commander Isaac Hull and the beautiful Hart sisters.

It appears Hull was employing these beautiful sisters as goodwill ambassadors. One has to wonder whether our government sent Hull to South America to meet with Simon Bolivar who had ousted the Spanish Royal Empire, and founded the Gran Columbia Union, that was leaning towards democracy. Did Bolivar inspire the revolt against Franco? If so, this is the heart of Pan’s Labyrinth that I include as a part of my and Andreev’s Rose of the World prophecy. I have declared in several posts I am the Go’el Redeemer of my family. I have written about my near-death experience where I saw my ancestors in distress, they asking me to redeem them, clear their name. To discover the Hart/Hull family is kindred to the Windsor when ‘England’s Rose’ married Prince Philip, is proof, that there is redemption in ‘The Blood’ as well as redemption in God’s knowledge as taught by Jesus Barabbas, the most vilified Jew in the world, who would not make the sacrifice Jesus made with the mortification of the flesh. I have traced the name Braskewitz to this Rabbi who was framed, set up in the worst way, as were the Jews who allegedly cried;

“Let his blood be upon us and our children.”

Allow me to remove this false sin put upon all Jews hence, by false teachers of Christianity.

“Let his wisdom be upon us and our children!”

I just discovered that when you google ‘Roza Mira’ you get two of my posts. It appears I have a following from those who study Andreev. On April 14, I founded Royal Rosamond Press Co. and titled my kindred a family of Foundlings. Ofelia’s brother was destined to be a Foundling, the faun saying he was once a Flundling abandoned in the forest, and, the Rose of the World Labyrinth that has taken us to William and Kate Windsor, who are awaiting the birth of their child.

Consider the fetus that Jeanette may have buried in her Catholic cemetary, that is kindred to the Princess Diana. This un-maed fetus was carried across the sea in a casket of wine. Nazarites were not allowed to drink wine. Jesus is give wine just before he dies. I suspect the Harts were Jewish converts, they discribed as having dark eyes. Kate is supected of having Jewish blood.

Above is the tombstone Lillian Rosamond bought for her father after I located his lost grave. I suspect ii is through his mother, Rose, that we descend from the Harts and Hulls.

Jon Roseman

Nazarite Judge and Go’el Redeemer of Barabbas and America

I died for our sins.

https://rosamondpress.wordpress.com/wp-admin/post.php?post=14090&action=edit&message=6&postpost=v2

http://en.wikipedia.org/wiki/Abba_Arika

https://rosamondpress.wordpress.com/2012/09/05/roza-mira-in-pans-labyrinth/

Oxford Dictionary of Family Names:
Royce
1. English: from the medieval female personal name Royse, also found in the spelling Rose and popularly associated with the flower, but in fact originally from a Germanic personal name. This is recorded in Domesday Book in the form Rothais and is composed of the elements hrōd ‘renown’ + haid(is) ‘kind’, ‘sort’.

Read more: http://www.answers.com/topic/royce-3#ixzz2JwcQX2sd

Barish Name MeaningJewish (Ashkenazic): acronymic surname from a Hebrew patronymic phrase starting with Ben Rabi ‘son of rabbi’ and ending in a compound male personal name whose parts begin with I- and Sh-, e.g. Isaac Shimon.

Brasch Name Meaning

North German and Danish: variant of Braasch.German: from a reduced form of the Latin personal name Ambrosius (see Ambrose).

This Jewish surname of BRASCH was an acronymic surname from a Hebrew-Aramaic patronymic phrase BAR RABI SHELOMO, meaning ‘The son of the Rabbi’. Solomon, Samuel, Simon, Samson or some other male given name beginning with S. The origin of badges and emblems, are traced to the earliest times, although, Heraldry, in fact, cannot be traced later than the 12th century, or at furthest the 11th century. At first armorial bearings were probably like surnames and assumed by each warrior at his free will and pleasure, his object being to distinguish himself from others. It has long been a matter of doubt when bearing Coats of Arms first became hereditary. It is known that in the reign of Henry V (1413-1422), a proclamation was issued, prohibiting the use of heraldic ensigns to all who could not show an original and valid right, except those ‘who had borne arms at Agincourt’. The College of Arms (founded in 1483) is the Royal corporation of heralds who record proved pedigrees and grant armorial bearings. The bulk of European surnames in countries such as England and France were formed in the 13th and 14th centuries. The process started earlier and continued in some places into the 19th century, but the norm is that in the 11th century people did not have surnames, whereas by the 15th century they did. When traditional Jews were forced to take family names by the local bureaucracy, it was an obligation imposed from outside traditional society, and people often took the names playfully and let their imaginations run wild by choosing names which corresponded to nothing real in their world. No one alive today can remember the times when Jews took or were given family names (for most Ashkenazim this was the end of the 18th century or the beginning of the 19th) although many remember names being changed after emigration to other countries, such as the United States and Israel in recent years.

Barish Save Name
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Last name origin & meaning:

Jewish (Ashkenazic): acronymic surname from a Hebrew patronymic phrase starting with Ben Rabi ‘son of rabbi’ and ending in a compound male personal name whose parts begin with I- and Sh-, e.g. Isaac Shimon.

Roseman Name MeaningEnglish: from the medieval female personal name Rosemunde, a Norman name, actually a compound of the Germanic elements hros ‘horse’ + mund ‘protection’, but associated from an early date in the popular mind with the Latin phrase rosa munda ‘pure rose’, an epithet of the Virgin Mary.Jewish (Ashkenazic): ornamental name or name adopted by the husband of a woman bearing the Yiddish personal name Royze (see Rose 3).Americanized spelling of German Rosemann.

Bolívar played a key role in Hispanic America’s successful struggle for independence from the Spanish Empire, and is today considered one of the most influential politicians in the history of the Americas.

Following the triumph over the Spanish Monarchy, Bolívar participated in the foundation of the first union of independent nations in Hispanic-America, a republic, which was named Gran Colombia, of which he was president from 1819 to 1830. Bolívar remains regarded in Hispanic-America as a hero, visionary, revolutionary, and liberator. During his lifetime, he led Venezuela, Colombia (including Panama at the time), Ecuador, Peru (together with Don José de San Martín), and Bolivia to independence, and helped lay the foundations for democratic ideology in much of Latin America.

The surname Bolívar derives from the Bolívar aristocrats who came from a small village in the Basque Country, Spain, called La Puebla de Bolívar.[1] His father came from the male line of the de Ardanza family.[2][3] His maternal grandmother, however, was descended from some families from the Canary Islands that settled in the country.[a]

The faun returns to Ofelia and gives her one more chance to prove herself. He tells her to take her baby brother into the labyrinth. Ofelia steals the baby after sedating Vidal; although disoriented, Vidal continues to chase her through the labyrinth while the rebels attack the mill. The faun tells Ofelia that the portal to the underworld will open only with an innocent’s blood, so he needs a drop of her brother’s blood. Ofelia refuses to harm her brother, and eventually Vidal finds her, seemingly talking to herself as the faun is not visible through his eyes. The faun leaves Ofelia to her choice, and Vidal takes the baby away from her, shooting her immediately after.

When he leaves the labyrinth, the rebels and Mercedes are waiting for him. Knowing that he will die, he calmly hands Mercedes the baby. Vidal takes out his watch and tells Mercedes to tell his son the exact time of his father’s death. Mercedes interrupts, telling him that his son will never even know his name. Pedro, one of the rebels and Mercedes’ brother, draws his pistol and shoots Vidal in the face, killing him.

As Mercedes enters the labyrinth and comforts the dying girl, drops of Ofelia’s blood spill onto the altar that is supposed to lead her into the underworld. Ofelia is reunited with the king and queen of the underworld. The faun is present too, and the king reveals to her that, by shedding her own blood instead of the blood of an innocent, she has completed the final task and proven herself to be Princess Moanna. In the mortal world, Ofelia dies and Mercedes mourns her death. In an epilogue, a narration dictates that Princess Moanna ruled the underworld with a just and kind heart, but left behind “small traces of her time on earth, visible only to those who know where to look”.

“It will be an interreligion or pan-religion, in that it will be a teaching that views all religions that appeared earlier as reflections of different visions of spiritual reality. . . If the older religions are petals, then the Rose of the World will be a flower: with roots, stem, head, and the commonwealth of its petals. . .

The Rose of the World sees its surreligiosity and interreligiosity in the reunification of the Christian faiths and in the further amalgamation of all religions of Light in order to focus their combined energies on fostering humanity’s spiritual growth and on spiritualizing nature. Religious exclusivity will not only be foreign to its followers, it will be impossible. Co-belief with all peoples in their highest ideals-that is what its wisdom will teach.

The structure of the Rose of the World will therefore suggest a series of concentric circles. No followers of any right-hand religion should be considered outside the global church. Those who have not yet reached an awareness of surreligious unity will occupy the outer circles; the middle circles will be composed of the less active and creative of the Rose of the World’s followers; the inner circles will be for those who have equated the meaning of their life with conscious and free divine creative work.”

The Vision of the Rose of the World
Andreev’s Rose of the World is a spiritual reality that is promised to manifest as a historical reality. The spiritual reality is the descent into the world Bramfatura of a cosmic being called Zventa-Sventana, the Holy of Holies. Zventa-Sventana is an expression of the Eternal Feminine and She can readily be identified as Sophia. The descent of Zventa-Sventana into the highest planes of Shadanakar began to manifest in history approximately 150 years ago. She is destined to descend into the Zatomis of one meta-culture. Andreev identifies the Slavonic Zatomis as her abode, but recognizes this is not fixed.

The historical manifestation of the Rose of the World is seen as the joining of authentic world religions into a new union. The union will not be the dissolution of the great religions, but a harmonization. The five petals of the Rose of the World are the five great world religions joining together. The Rose of the World will be a moral and spiritual authority rather than a political power, but the influence of the Rose on the world’s political, economic and cultural life will lead to a transformation of human society across the world. Harmony, justice, peace and spiritual life will flower under the guidance of the Rose. The historical development of the Rose will be led by that culture that accepts Zventa-Sventana’s guidance, and Andreev sees that task falling to Russia and the Slavonic world.

The Rose of the World will also lead to the metaphysical construction of a new world Zatomis, representing the highest development of world spiritual culture. Andreev believes this new Zatomis is already being created, as well as a set of planes at the pinnacle of the world tentatively called the World Salvaterra.

The planetary Logos is the Christ, the expression of the Divine Logos. Zventa-Sventana is the Bride of Christ, the expression of the Divine Feminine. This is the nuptial image of the New Jerusalem descending as the Bride of the Logos from the Revelation of St John. Her descent however is not the end of history, but in a sense the beginning of the end. The Rose of the World is a preparation for the end of the current world age, which will require the separation of the world from the powers of metaphysical evil.

Andreev’s vision corresponds to Rudolf Steiner’s vision of the seven stages of the current world era. In Steiner’s vision, the current age, dominated by the Germanic peoples and western culture, will be succeeded by a sixth age, led by the Slavonic peoples. The sixth age will be a time of great spiritual development, preceeding the struggles against metaphysical evil in the seventh age of the present world era.

The realization of the Rose of the World will require the work of many people ascending to the state of sancity. Andreev understands sanctity as a state in which a person is in communion with the world of spirit. The sanctified person is open to the love and wisdom of Dea in heart, reason and conscience, and expresses that love and wisdom in all facets of life. Sanctity is the highest state of moral development. Sanctity can be reached by the narrow path of asceticism, but also, and primarily, by the broad path of devotion and loving service.

‍The Eternal Feminine
The concluding chapter in the English edition of the Rose of the World concerns the spiritual meaning of femininity. What Andreev calls the Universal Feminine or the Eternal Feminine is an essential aspect of God that seeks expression. In Christianity, it appears in the form of the Mother Church, the Madonna, the Mother of God and as Sophia. Andreev experiences the Eternal Feminine as a universal spiritual reality that is inadequately expressed in these images. It is interesting that after presenting a startling vision of metaphysical realities, he states he finds it particularly difficult to discuss the idea of the Eternal Feminine within the context of Christian theology.

The Universal Feminine has its images within the metaphysical structures of the Bramfatura in which Andreev sees the earth as resting. The spiritual beings that are realized on earth as states are primarily demonic, while the collective souls of nations are feminine. The leading collective souls of nations are called the Great Sisters, and are themselves God-Born rather than created monads.. The angelic guardians and guides of the metacultures of the world he calls the demiurges. Above the planes on which reside the Great Sisters and the demiurges, are a group of feminine planes, a sakwala, that Andreev tentatively calls the Waves of Universal Femininity. One of these regions is called Limnarna, the feminine Synclite of humanity, while the second, Bayushmi, is the present abode of Zventa-Sventana. He names three other planes or regions within this Sakwala.

Andreev defends the distinctness of the feminine nature in human culture, as reflecting Divine reality, against the modernist tendency to treat men and women as interchangeable or as interchangeable if women aren’t oppressed. He also defends the primacy of feminine nature over the masculine. The masculine nature in humanity is seen as out of control, manifesting in terms of violence, heartlessness and egoism, with disastrous consequences for humanity. The Rose of the World is envisioned in the development of the feminine nature in humanity: abhorrence for cruelty and violence, the expression of tenderness and love, the central concern for children, and the love of the beautiful. Women will assume positions of leadership, inspiration and wisdom. The current patriarchal order will be, at least partially, transformed under this empowered feminine influence in the Rose of the World.

Read more on FamilyEducation: http://genealogy.familyeducation.com/surname-origin/barish#ixzz2JwYX0V9J

About Royal Rosamond Press

I am an artist, a writer, and a theologian.
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