Christine Rosamond Benton drew a gaggle of B-Actors into her B rated Artistic Dynasty – and she did not know she was a cousin of Elizabeth Rosemond Tailor who is kin to Ian Fleming! My claim to Hollywood fame, is, I am the author of several James Bond books, inspired by my Muse, Rena Easton.
John Presco
Karl Janke Founder of Benzitech of Belmont
Posted on July 6, 2024 by Royal Rosamond Press
The Royal Janitor
by
John Presco
Chapter: The Lost Belmont Cave
Starfish was full of joy for the first time since she and Victoria Bond had seperated. She had just got the highest score on the GED test, ever, and was accepted in Stanford West, the new extension built in Belmont on the grounds of the old Catholic college that was turned into a sanitarium of ill repute. Legend says there is a secret cave full of the descendants of the criminally insane. And this made Starfish nervous as she headed for her interview with the Dean of Admissions.
Stanford was tops with the new identification methods and could follow your DNA with relative ease. Starfish barely escaped the BAD examination after the Wizard had her urinated on a stuffed white unicorn. It was a miracle he missed the BAD SEED lurking inside – that is being hunted down by the Jews this very day. Is it possible – he’s still alive? Karl Janke was a Monster Pilot. How he managed destroy 32 tanks and three armored trains, is being studied by the manufacturers of drones all over the world. Starfish is the rising star in cyber-drone warfare. That she carries the DNA of Janke is……
TOP SECRET!
It is 9:10 P.M. July 5, 2024
Christine Rosamond Benton drew a gaggle of B-Actors into her C rated Artistic Dynasty – and she did not know she was a cousin of Elizabeth Rosemond Tailor.
https://www.facebook.com/groups/400266787284101
https://www.facebook.com/JamesBond007
(l to r) Amethea (Lana Clarkson) and Estrild (Katt Shea)
Bree Benton Photo
From:Photo Flash: La MaMa Presents POOR BABY BREE, 4/13-29
La MaMa presents Poor Baby Bree in I Am Going to Run Away, a one-woman musical conceived and performed by Bree Benton, with an original book written by Bree Benton and fifteen archival songs from the golden age of vaudeville (1890s-1930s). I Am Going to Run Away is directed by David Schweizer, with musical direction by Franklin Bruno (on piano), and featuring Karen Waltuch (on viola) and Jacob Garchik (on tuba and trombone). Check out the production photos below!
San Sebstian Avenue
ALL RIGHTS RESERVED
Phil Spector and Rick Partlow
Posted on December 15, 2014 by Royal Rosamond Press
I just discovered Rick Partlow was very close with the actress, Lana Clarkson, who was murdered by Phil Spector. Rick was married to my late sister, Christine Rosamond Benton, in 1977-80. Rick is an actor who won an Emmy for his Foley work. Rick and Christine were at my wedding reception, after I married Mary Ann Tharaldsen, the ex-wife of the writer, Thomas Pynchon.
Jon Presco
Lana Jean Clarkson (April 5, 1962 – February 3, 2003) was an American actress and fashion model. During the 1980s she rose to prominence in several sword-and-sorcery films. In February 2003, Clarkson was fatally shot by songwriter and producer Phil Spector in the lobby of his mansion. Spector was charged and convicted of second degree murder on April 13, 2009.[1]
Set during the days of the Roman Empire, a simple village is preparing for the wedding of their king and queen. Suddenly, it is raided by Roman troops, and most of the people are whisked off to be slaves or killed. The queen, Amathea, (Lana Clarkson), and two of her best female warriors survive the attack and set off to liberate Amathea’s sister (Dawn Dunlap) (who had been raped in the raid and is set to become the Roman centurion’s concubine) and king Argan (who is sent to the gladiator arena).
http://www.metmuseum.org/exhibitions/listings/2014/thomas-hart-benton
Phil Spector (born Harvey Phillip Spector,[1][2] later Phillip Harvey Spector,[3][4] December 26, 1939) is an American record producer, songwriter, and the originator of the Wall of Sound production method. At the height of his career, Spector was a pioneer of the 1960s girl-group sound, and produced more than twenty-five Top 40 hits from 1960 to 1965, writing or co-writing many of them for artists such as the Ronettes and the Crystals. Following collaborations with John Lennon, Leonard Cohen, Dion DiMucci, and the Ramones in the 1970s, Spector remained largely inactive. In later years, he became infamous as the subject of two trials for murder and a second-degree conviction.
Spector is often called the first auteur among musical artists for acting not only as a producer, but also the creative director, writing or choosing the material, supervising the arrangements, conducting the vocalists and session musicians, and masterminding all phases of the recording process. He helped pave the way for various music genres, with numerous artists later citing his work as a major influence. His Grammy Award-winning co-productions number the Ronettes’ “Walking in the Rain” (1964), the Beatles‘ Let It Be (1970), and George Harrison‘s Concert for Bangladesh (1971).
For his contributions to the music industry, Spector was inducted into the Rock and Roll Hall of Fame in 1989 as a nonperformer. In 1997, he was inducted into the Songwriters Hall of Fame.[5] The 1965 song You’ve Lost That Lovin’ Feelin’, produced and co-written by Spector for the Righteous Brothers, is listed by BMI as the song with the most U.S. airplay in the 20th century.[6] In 2004, Rolling Stone magazine ranked him #63 on their list of the “Greatest Artists of All Time”.[7][8] Spector-produced albums that have ranked within Rolling Stone’s list of “The 500 Greatest Albums of All Time” include Presenting the Fabulous Ronettes Featuring Veronica (1964),[9] A Christmas Gift for You from Phil Spector (1963),[10] and Back to Mono (1991).[11]
In 2009, Spector was convicted of second-degree murder in the 2003 shooting death of actress Lana Clarkson in his Alhambra, California home. He is serving a prison sentence of 19 years to life.[12]
July 1st, 2008 | Issue fifty-five
Pleasantly False Deja Vu: The Obscure Vaudeville Charms of Bree Benton
by Ange Mlinko
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Pleasantly False Deja Vu: The Obscure Vaudeville Charms of Bree Benton
Ange Mlinko
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Once, not knowing a word of German, I ventured inside a nightclub off the Kurfürstendamm in pursuit of some simulacrum, perhaps, of Berlin Stories. A man in a housecoat and hair rollers was lecturing the audience, a preponderance of which were heavyset, leather-clad, and drinking something orange, like astronaut juice. They were roaring in appreciation, and I, Germanless, despaired. Soon, though, he was replaced by another act which needed no translation. He—she—waltzed onto the stage in drag, but this one wore a dirndl, hair in two long black braids. As her red bow lips broke into tremulous song, she tossed flowers into the audience from a basket on her arm. I never discovered the name of the song, or anything else about the act, but in the unreal pink light, I realized that this was what I was looking for: the eerie but pleasant sensation of false déjà vu; an artifice so genuine that you couldn’t call it revival. It was channeling.
I didn’t think I would ever experience anything like it again, until I saw Bree Benton perform as “Poor Baby Bree” in her show Weary River last December, at Don’t Tell Mama on West 46th Street. In a distressed frock and shawl, sans makeup, Bree sauntered through the crowd and made her way onstage with a hobo’s bindle; she opened with “Weary River” (from the 1929 early sound film) accompanied by her partner Franklin Bruno (of Nothing Painted Blue) on piano:
I have been just like a weary river
That keeps winding endlessly.
Fate has been a very cheerful giver
To most everyone but me.
Oh, how long it took me to learn
Hope is strong and tides have to turn.
And now I know that every weary river
Someday meets the sea.
Then she segued into “If the Rest of the World Don’t Want You (Go Back to Your Mother and Dad)” (1923). Cycling from melodrama to farce and back again, the songs and recitatives were artfully curated for effect: they told story after story of waifdom and heartbreak, from the doll who died in surgery (“I’ve Got a Pain in My Sawdust,” 1909) to the little girl kidnapped for ransom (“Oh! Take Me to My Mama Dear,” 1903) to the jailed mother giving up her three-year-old to the orphan asylum (“Little Pal,” 1929).
“Oh, I do so like stories!” Bree exclaimed halfway through her medley of gumption and woe. “Though they can be awfully sad.” She did not smile.
Lots of women have style; Bree Benton has an aesthetic. Born and raised in L.A. with a ’70s starlet for a mother, she might have parlayed her background, and her beauty, into a conventional acting career. Instead, she gravitated to obscure vaudeville, music hall, and parlor songs, the stuff of sheet-music aficionados. (The tag line for her show read, “From the dusty shelves of the old booksellers; from the graveyards of dealers in antiques and junk; and from the once-glittering movie palaces, now stained and crumbling, come the words and music… of Poor Baby Bree.”) This aesthetic is what gives her performance its comic delicacy: lines like “Still, don’t curse the day you came on this earth / But think of the woman who gave you birth / And the man that fathered you when just a lad” are light as aquarelles. One is hard pressed to mock these sentimental songs—Bree’s tête-à-têtes with her rag doll suddenly illuminate the possibility that it is the song itself, this neglected, tatterdemalion thing, that she is addressing with such affection.
Poor little songs, plucked from obscurity only to fade away! As the night wound down, Bree placed a basket on her arm and started tossing flowers into the audience. It was the Berlin cabaret all over again, and this time, as she launched into the 1931 ditty “I’ll Pin Another Petal on the Daisy,” I understood every word.
Rosemond On Rosamond
Posted on December 7, 2021 by Royal Rosamond Press
Not too many women can say they are related to Elizabeth Rosemond Taylor, and even look like her. When I saw the opening scene of The Liz Taylor Story I noticed that the actress looked like my daughter, my sister, and my mother. Then they show a house that looks like the house on Glendon Ave in Westwood, where the Presco family lived for three years. (top photo)
Vincent Rosamond Rice
Liz: The Elizabeth Taylor Story – Wikipedia
Golden Girls of the Corn Cob
Posted on July 31, 2013by Royal Rosamond Press
“I know when I am really interested in someone or something, I like to get my hands on as
many resources as possible to get information from a variety of points of view. So I don¡¯t see that it needs to be an either/or situation.”
This is what Patrice Hanson said to me about Tom Snyder’s awful, lying biography that sunk the Rosamond legacy. Tom was a nobody. There were two Bob Weir’s of the Grateful Dead thanks to Patrice’s husband who was arrested twice for impersonating him. Heather had two Daddies, and only one mother, not counting her aunt Linda. My only child is a chameleon and goes with the flow.
Here is what you got when you want two authors:
“Before the service, Vicki had taken the trouble to go through Christine’s
bedroom, putting her jewelry and intimate belongings out of sight. As matters
turned out, it did little good, for the funeral was not long over before family
members and others were ravaging Christine’s house, taking whatever could be
carted away. The artist’scloset, a veritable mother lode – took the worst
beating. World-class spender that Christine had been, much of the clothing had
never been worn. So whatever still bore price tags was hauled off to be
exchanged for money. Jewelry disappeared, as well as other personal belongings.
Gallery employees and close friends of the family, along with Vicki, were doing
their best to staunch the flow – the estate had not yet been inventoried – but
to no avail.”
What “family members” and “others”? All the looting took place the day before when I was kept away. As for other, my good friend, Micahel Harkins attended Christine’s funeral in an official capacity. He had done PI for the famous San Francisco Detective, Bill Lindhart. Michael was a god friend of Jim Morrison and his friend, the famous Beat Poet, Michael McClure seen walking before Jim and throwing the bird. Oliver Stone’s people asked Michael to give them some antidotes for that lousy film, and Michael gave them the bird.
In 1973 Michael and I came up with an idea for a film. We would drive his Bently to Nebraska and look for the Female Messiah – The Chosen One! We would be wearing white suits and Italian shades. We would drive up to Rena’s High School during a football game, and ask if anyone has seen her.
“Who?”
“The anointed one!”
“Who?”
As fate would have it, the minister’s wife did a Terot card reading for the Rose of the Word just before she was killed by that “rogue wave” and the Death Card came up. Khara Bromily wrote the screenplay ‘The Chosen One’. I am beginning to believe the Phantom of the Opera is for real.
I do not recall when I wrote most of my novelette ‘Golden Girls of the Corn Cob’ that has Michael and I going to Nebraska to save Rena from a cult following of women who believe she is the female messiah, just because she looks like Jesus’ daughter – if he had one. I had just read “Even Cowgirls Get The Blues’ by Tom Robbins.
Michael met McClure when he was going to the College of Arts and Crafts. Michael was an artist. So was his brother who went with Rena and I on a road trip in the Dodge I called ‘President Eisenhower. Tom Snyder wrote a book on Route 66. What did he know about art? Snyder did not know my family. He was an outsider, like Patrice and her family. I was appalled at how she and our daughter (too) played me like outsiders. My daughter was not an outsider in my mind, but the Skull-Witches bid Heather to play her cards that way, lest she be let into the inner Rosy Circle, and the door slammed after her.
Snyder was Patrice’s foot in the door, and I could not get her to remove it. Every time I tried, my attempts were turned into evil toads that were proof I was shutting my daughter out. Patrice low-balled everything. Feeling insecure she put me way beneath her! Heather came to believe I was the scum of the earth. Patrice had brought our daughter into many cults. I fought with a big head of Scientology over my – family? This is when Patrice disappeared my daughter.
In Rosamond’s painting above we may be seeing the blonde beauty that Michael spotted getting out of a Rolls Royce at the funeral. Who is she? Her husband flies his own jet all over the world.
It appears some people who were looking to promote their agenda were allowed to attache themselves to the death of the famous Rose of the World – like parasites!. My daughter demands I give her side of the family complete privacy. I posted this several years ago. Hence Rosamond’s cult has spread into Russia.
Tom Snyder and the Rowdy Girls
I just discovered that Khara Bromily, who gave Christine a Tarot Card reading,
co-authored two movie scripts ‘The Rowdy Girls’ and ‘The Chosen One: Legend of
the Raven’ starring Julie Strain who looks like Rena on steroids. Strain has
been titled “Queen of the B-movies” and “Queen of All Media “. One can say that
Julie Strain is the inner Rosamond. I hereby crown Christine Rosamond ‘Queen of
B Artists’. We lived in Concord where Strain was born.
Here is Khara Bromily telling Tom Snyder the Death card came up in Rosamond’s
Tarot card reading a week before she drowned.
“Was there any indication to Khara in her vision, or the cards themselves, of
death or impending doom? Did Christine have any concerns in that regard?
My work is about health and forgiveness and self-worth. A death pronouncement
can work against all that. But, if you are asking if a Death card came up, then
the answer is yes?”
http://www.huffingtonpost.com/anis-shivani/exclusive-beat-poet-mcclure_b_823425.html
Here is the Genesis of the Rosamond Cult. Tom Snyder is suggesting there were
supernatural forces at play in regards to the death of a World Famous B Artist.
Working in tandum, it is obvious Tom Snyder and Khara are interested in
immortalizing Christine so they can enhance their careers as authors. Hugh
Bromily conducted the funeral services. Is Christine ‘The One’ who would give
rise to a new generation of Super Women who would defeat the Poisoned Male
Pedigogy and restore Lillith to her rightful throne?
Tom Snyder smears my family, tells the world that those in Rosamond’s home after
the funeral looted the place! Of course we looted the place, the Rosamond Women
are the original Rowdy Women, the daughters of a real cowboy and Ozark
Hillbilly. Consider ‘The Beverely Hillbillies’. Looting the home of your dead
kin is traditional in the Ozarks! What the fuck does that outsider know. He
should be horse-whipped! Tom Snyder doesn’t even cut it as a B Author! He is a D
Author who wrote a wimpy manual on how to avoid getting hooked up with a famous
manic depressive female artist. Ah! He’s no fun!
“Oh it was just awful.” Lillian recalls. ‘Rosemary was shouting that Shannon was
late, ‘and ought to have her butt kicked.’ I don’t know all what she said after
that but she had her silver flask with her and it was getting rough.”
Of course Rosemary had her silver flask, all the Rosamond Women carry a
silverflask containing a magic potion to ward off rival Succubuses.
Above we see a photo of Rosemary at the Rucker office party being led around the
room by her beads, she dressed like a Flapper, a Hooker for the Mob. If you put
Carmen Electra, and Julie Strain in a ring with seventy year old Rosemary in a
walker, it would be ruled a No Contest! Rosemary chased Vic out of our home
after stabbing him between the eyes with a knife. He never to returned. He would
accuse me of helping Rosemary bannish him, but, Rosemary didn’t need any help.
Vic was a fucking coward who mentally tortured children.
“I felt responsible to continue,” Saint Pierrot says.”She taught me everything,
and I loved her. Her family was understandably in chaos. I couldn’t let all she
worked for drift away”
Chaos: 1. confusion, or confused mass, of formless matter and infinite space,
supposed to have existed before the ordered universe.
“Hugh Bromily, Khara’s husband and Episcopal priest, conducted the service with
taste and dignity. Raphael spoke, along with Karin: two friends from childhood.
The rest was, given those involved, what one might expect. Vic was cornering
whatever woman he could; Rosemary came in drunk, lost in her story that she was
the only seventeen-year-old to turn down Errol Flynn’s advance.”Oh it was just
awful.” Lillian recalls. ‘Rosemary was shouting that Shannon was late, ‘and
ought to have her butt kicked.’ I don’t know all what she said after that but
she had her silver flask with her and it was getting rough.”
“Before the service, Vicki had taken the trouble to go through Christine’s
bedroom, putting her jewelry and intimate belongings out of sight. As matters
turned out, it did little good, for the funeral was not long over before family
members and others were ravaging Christine’s house, taking whatever could be
carted away. The artist’scloset, a veritable mother lode – took the worst
beating. World-class spender that Christine had been, much of the clothing had
never been worn. So whatever still bore price tags was hauled off to be
exchanged for money. Jewelry disappeared, as well as other personal belongings.
Gallery employees and close friends of the family, along with Vicki, were doing
their best to staunch the flow – the estate had not yet been inventoried – but
to no avail.”
Here are the Rowdy Women that were in Christine’s home after the funeral. Too
bad Christine was not alive to enjoy the Rosy Chaos!
Rosemary
Lillian
Vicki
Shannon
Garth and Drew Benton did not attend the funeral or reception of Rowdy Rosamond,
Royal’s granddaughter. The vespian, Garth Benton could have sent in his ex-wife,
the actress Harlee McBride, or her daughters, to make sure Drew was left her
fair share of the Rosy Scrum. I believe there was talk of making a movie two
days before the funeral at the meeting I was kept away from. They needed all the
B (for Benton) Actors in on this as they could get. Tom Snyder tells the world
about the fist fight Christine had with Jessica Benton.
http://en.wikipedia.org/wiki/Harlee_McBride
http://www.imdb.com/name/nm0072927/
http://www.imdb.com/name/nm0564304/
http://www.imdb.com/name/nm1711015/
Father, with Harlee McBride, of Jessica Erin Benton and Shannon Bree Benton…
more
STARmeter:
Down 4% in popularity this week. See why on IMDbPro.
IMDb Resume:
Do you represent Garth Benton? Add a resume, photo, Twitter or Blog feed to this
page with IMDb Resume. Get a customized IMDb URL and more.
Filmography
Actor:
1. “O.K. Crackerby!” …. Sam’s Assistant (1 episode, 1965) – Ol’ Sam (1965) TV
episode …. Sam’s Assistant
2. Raiders from Beneath the Sea (1964) …. Clifford ‘Buddy’ Harper
3. 13 Frightened Girls! (1963) …. Peter Van Hagen
4. “Outlaws” (1 episode, 1961) – The Cutups (1961) TV episode
http://www.ksbsons.com/Miracle04/speakers.htm
Hugh & Khara Bromiley have been active in the healing ministry since 1989. They
are featured speakers internationally on the healing power of Christ and the
vital connection of prayer and faith to healing. Reverend Hugh Bromiley is an
Anglican priest. They are known for combining humor and warmth with a clear and
powerful spiritual message.
http://www.ksbsons.com/Miracle04/speakers.htm
The Chosen One: Legend of the Raven is a 1998 B-movie directed by Lawrence
Lanoff, co-written by Khara Bromiley and Sam Rappaport, and distributed by Troma
Films. It stars Carmen Electra and Lawrence Lanoff. When a serial killer
mysteriously and savagely murders a young native woman in rural Los Angeles
County, her sister McKenna (Carmen Electra) must replace her as the keeper of an
amulet, the sacred crescent. Reluctantly, McKenna accepts the role of chosen
one. With the amulet and after the rigors of the ritual, she takes on the spirit
and powers of the raven, the good forces in the battle against evil, the wolf.
McKenna’s powers include a thirst for milk and great sexual energy, which she
unleashes on her former boyfriend, Henry, a cop. The spirit of the wolf inhabits
Rose, Henry’s jilted lover. Rose wreaks havoc of her own before a final showdown
with the chosen one. Carmen Electra appears nude in this film although some have
suggested it is a body double.
1. The Rowdy Girls (2000) (writer)
2. The Chosen One: Legend of the Raven (1998) (V) (writer) … aka The Raven:
Chosen One (USA: closing credits title)
Not since Brandon Lee in The Crow has there been a movie hero like The Chosen
One: Legend Of The Raven. Sexy superstar Carmen Electra (star of TV’s Baywatch
and MTV’s Singled Out) explodes onto the screen in her feature film debut as
McKenna Ray, The Chosen One: the ultimate warrior in the battle between good and
evil.
When her sister Emma (Playboy Playmate Shauna Sand Lamas, star of TVs hit series
Renegade) is viciously murdered, McKenna, a cynical young lady, enters a world
which she left long ago. Guided by her shaman father and Emma’s spirit, McKenna
discovers that she holds the key within her to prevent the apocalypse.
Carmen Electra is The Chosen One, a powerful, beautiful avenging force of purity
who’s sole purpose is to defend the weak and destroy the wicked. Lavishly
produced by India Aleen (Playboy Playmate of the Year), The Chosen One: Legend
Of The Raven is a sexy, action-packed thrill-ride of non-stop unbelievable
special effects which has made the film one of the year’s surprise hits.
http://www.imdb.com/media/rm3512441344/nm0001781
So here is our next B-Movie Babe, the self professed “Queen of All Media ” Julie
Strain. Now This 6’1 foot busty babe ( 40D-27-38 ) may look familiar to some
people, and that’s because she has been pretty sucessful as a “cult” type model.
She has been drawn and painted in Heavy Metal magazine and various pin-ups. She
has also served as the model for the heroine in the animated film “Heavy Metal:
F.A.K.K 2.A few interesting tidbits on this former Penthouse Pet of the Year (
93 ) is that she actually has suffered from amnesia. She was riding a horse (
and I’ve seen her movies..the girl dosen’t just ride horses ) and suffered a
nasty head injury which has left her with few memories of her life before the
accident. It’s almost a real-life scenario of most of these movies plots.Julie
is also married to Kevin Eastman. Comic book geeks know him best as one of the
creator’s of ” The Teenage Mutant Ninja Turtles ” and owner of Heavy Metal
magazine.
Now I have seen a bunch of Julie’s films in my time and she always looked like
that woman who could kick the sh!t out of you, and she probably could. Her
character was usually the bad ass chick who’d carry guns both in her hands and
in her shirt , and would blow up a ton of stuff, and then unwind usually by
skinny dipping in a hot tub, sometimes even with other gals.
Strain was born in Concord, California. A graduate of Diablo Valley College, she
had an extensive athletic background. Much of her youth was wiped from her
memory, however, when she was left with a case of retrograde amnesia due to a
severe head injury suffered in a fall from a horse.[1] She eventually made her
way to Las Vegas and later Hollywood, California and her career took off.
[edit] Career
Strain has come to be known as the “Queen of the B-movies”. She has over 100
films to her credit. In addition, she was Penthouse Pet of the Month for June
1991, and Penthouse Pet of the Year for 1993. She has also had her likeness
attached to numerous comic book characters and animation items. For example, she
did the voice acting for the main character in the animated movie Heavy Metal
2000 and was the basis for the third person shooter Heavy Metal: F.A.K.K.².
Strain, who stands 6 ft 1 in (1.85 m), was married to Teenage Mutant Ninja
Turtles co-creator and Heavy Metal magazine Editor in Chief Kevin Eastman.
According to Eastman’s blog and Strain’s MySpace page, they separated several
years prior but maintained a relationship in public for undisclosed reasons.[2]
They have since undergone a “friendly divorce”. She met her new boyfriend,
Wayne, in a tattoo shop. She has also retired from show business.[3] Julie often
appears in the magazine in photos or pictures painted by her close friends
Olivia De Berardinis, Simon Bisley, and Luis Royo.
http://en.wikipedia.org/wiki/Julie_Strain
Rosamond Press 
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