You never kill-off a historic bad guy like Manson! Has he gotten threats? Mick should have gotten away. He falls onto the merry ground and his Demin jacket is found impaled on the horn of the unicorn, but, Mick is nowhere to be found. I heard that Charlie had a double, a stunt man.
I have transferred my review of ‘Inherent Vice’ over to Quentin’s ‘Mind-game With Charlie’. That hippie chic at the bus stop is Pearl. Everything is Tobacco Road. Here is one instance I got it wrong;
“There is not one drop of existentialism in this Fumble Flick, either! There is no ATMOSPHRE on the screen. It is a movie DRYSPELL. For sure, no one will attempt to make a Hippie Movie again. This is it! Pynchon and his movie people – SHOT OUR WAD! After the Great Existentialists punted the ball to Pynchon, he fumbles it out of bounds and into the sewer, then giggles like that mad man in Reefer Madness, because, only Tom gets the irony of it all. There was no irony in this movie. There was a shit-load of wasted carte blanche.”
I told Paul I was considering taking Aikido. He took it up, and later pushed with masters. One day in a Oakland bar on Grand Avenue, Richard took Paul’s drink, downed it, then squeezed the glass to it shattered. Blood dripped on the bar while my two friends were locked in a death-gaze.
“C’mon Richard. I’m going home. If you want a ride………”
All the way home Richard threatened to kick my ass once we got out of the car. I was pulled over on the freeway, and arrested on a warrant. The Highway Patrol saw Richard’s hand wrapped in paper towels from the bathroom. He was afraid. When I saw ‘No Country For Old Men’ I saw Richard.
Quentin Tarantino‘s career as a director may be coming to an end sooner rather than later.
In a new interview with GQ Australia, Tarantino — whose ninth film, Once Upon a Time in Hollywood, will be released later this month — said he plans on making just one more feature film, capping his directing career at 10 movies.
“I think when it comes to theatrical movies, I’ve come to the end of the road,” the 56-year-old director told the outlet, adding that he would continue to work on “creative” projects in other mediums.
“I see myself writing books and starting to write theatre, so I’ll still be creative,” Tarantino continued. “I just think I’ve given all I have to give to movies.”
The director also added that if Once Upon a Time in Hollywood is “really well received” when it hits theaters, he might even consider stopping at nine movies.
“Maybe I’ll stop right now! Maybe I’ll stop while I’m ahead,” he said. “We’ll see.”
Being a Hippie involves extensive contact with human beings, mostly other Hippies. The word “Hippie” was uttered twenty times in the movie ‘Inherent Vice’. I am not sure why.
The term “Lil Hippie” spew out twice from the faux fog that Kesey brilliantly created in ‘One Flew Over the Cuckoo’s Nest’. I winced with embarrassment! Only when I awoke this morning with a marijuana hangover garnished from the contact high I got as a bonus at my movie house, did I see what work of literature, and movie art, this sophomoric offering ripped off. Does this line jar your memory;
“Hmm-yummy! I sure could use some turnips right now.”
Yep, that’s from the movie Tobacco Road, made from a novel that had a simple plot, and a lot of characters. Erskin Caldwell is an extremely generous author compared to Pynchon who has Doc Bogart the whole damn movie! Somehow, it never got passed over to me – THE PLOT! Doc looked like he didn’t have a clue, either. It is never quite clear – he wants a clue. Reese Withersppon looked like the Ice Lady who was married to the Silver Surfer, but, we don’t even get a taste of her sub-plot, and, off the set she go with a big bag of turnips.
Pynchon is a very selfish author. Twenty minutes into this movie, I struggled to stay awake. I didn’t own a clue why Doc rolled, or stuck in his mouth, another joint, because he never got, clear, or foucessed on doing his job that somehow pays the rent on the groovy pad he has on the Pacific Ocean.
“Not another Marijuana ciggerette! Are you going to start this movie – or what?”
After puffing away, I look for signs of intelligence behind those glazed cocker spaniel eyes. I am flabbergasted, because if I was alone in the office with this – Manson Follower – considering sharing with him my very troubling life problems, I would conclude this off the bat;
“Of course! This is where I always go wrong. I put my trust in the wrong people! Thanks, Doc! But, no thanks! You don’t know it right now, but, you helped me a whole bunch!”
In the movie ‘Chinatown’ the Japanese Gardner comes out of the pond wearing waders, and says;
“Too much grass. Very bad!”
Did I get that wrong? Big Foot busts down Doc’s door, and eats all his weed, which causes Doc to say;
“Are you alright?”
Did I just give away the ending the movie? Who knows!
Josh Brolin should have played Doc, because his pilot light was lit. Josh was really there, wanting badly for the other actors to start acting. And, who is that sidekick, that dimwit who runs into the PI in that alley that gives us a very stingy view of what Venice looked like in 1970. The Art Director must have been high when he backed up a vintage Cadillac next to the front of Volkswagon then shot a groovy scene of the sea between the vintage bumpers.
“C’mon, guys! (Giggle! Snort! Snort!) Work with me here. I just saved the producer a bundle. And, hey, look at that dude sitting on the wall down there. Go get him!” (Tee-hee!)
Actor X, did no acting. Which was interesting. But, the big stars didn’t want to get near him. He was snubbed, on the set of the hippest movie ever made – NOT!
What was going on in the director’s mind? Movie-goers are never supposed to wonder about this. I think he was getting cute with his own stoned states, and took this phrase too seriously;
“Tune in. Turn on. And, drop out!”
Everyone, but Brolin, dropped out of the movie, and left the camera running. Then, some grip said;
“Don’t we got to get something in the can?’
“How about every time Doc goes to the cop station, they knock him on his ass?”
Brolin had a reputation to save after his masterful performance in ‘No Country For Old Men’.. His hiding the dope money under his trailer, along with the machine gun, while his little woman wonders what he is up to – is greatness! He’s doing it all for her. He’s trying to be unselfish. But he’s touched pure evil and total selfishness. He understands he has been cursed. Now, how do you keep the curse away from the woman you love?
I am sure the folks who had their money in this Film Noir suggested they change the title just to lure in a couple of million suckers so they could break even.
“How about – No Country For Old Hippies?”
For Pete’s sake, millions of folks come from all over the place to take in the wild&crazy scene on the Venice Boardwalk, and this fucked-up movie is too high and mighty to go film there? Tourists drop sacks of turnips all over the place, and, Doc is too cool to be seen with them? I mean, this guy is in denial. He is a Narc of sorts out to bust people’s ass! Didn’t he get that pot-laden schooner hauled into port by boat cops? Couldn’t the director and producer allow the stoned movie-goers the privilege of pointing to the screen and saying;
“I smoked a doobie, right there, under the noses of the lifeguards!”
Calm down Mr. Presco. It’s just a movie. Doc is not smoking real pot, he is smoking faux Hollywood movie, pot, pot the grips won’t touch with a ten foot pole. If you keep it up, we are going to have to ask you to leave the theatre. And, didn’t I ask you nicely to turn off your cellphone. Do you want me to take away your tobacco allotment for the week? Turn it off – NOW!
Yes nurse Ratched. But, I quit smoking fifteen years ago.
Do you think this is going to stop me. I’m sure there are other precious habits you might want to hold on to, if you get my innuendo.
The development of the Private Detective and his Snitch, is vital. Consider the Rockford Files and Rockie’s trailer by the surf. Then we see Angel treating Rocky to a chili dog on Pico Blvd. We all got this innuendo, didn’t we? Rocky is the Alpha Male. Doc is a Mutt, and proud of it. Perhaps there is a opening for a new character on Duck Dynasty?
Would someone please burn that straw hat!
A reviewer for the New York Times said it was a good thing that the new generation of hipsters did not get to see the art director recreate a period of time that would interest them. How selfish – and cheap! Just keep staring into Docs eyes, and – your’re there! Here, suck on this, Lil Hippie!
I wish I had been warned. I would have brought my Ouji board to see if my spririt guide could lead me to – THE PLOT. I could not believe I was led to an empty lot during a THE GREAT POT SHORTAGE of 1970, where in the rain, true love is found in a dirty bubble gum entryway. This lost sex kitten is letting Doc know this is what really turns her on, rolling around in the mud like pigs. This is what she came back for…..NOT!
There were shades of Borat here, but, not enough! I think the director wanted to recreate a Pynchonian Marijuana High that he thought he found in Thomas’s books. But, this is an illusion that Pynchon created with smoke and mirrors. What I would have done is lock the cast in a room and show them some Borat outtakes, a couple of Pink Panther movies, and Fillini’s 8 1/2. No dope is necessary. Hippies were very playful people who understood serialism and street theatre. Owning a sense of humor was vital to being a real hippy. ‘Inherent Vice’ should have been shot in black & white with old footage and pics of Venice Beach Beats that was LA’s Lil Italy.
I was reminded of the movie ‘The Umbrella’s of Cherbourg’ the first movie I ever ran out on. I could not get to the exit fast enough as these faux Bohemians meet and embrace at a Esso station. They hug and kiss after almost getting soaked in a good downpour, as a French biker fills his tire up – with free air!
“Die! Bad Art Movie. Die!”
Now to the hideous lines full of sexual innuendo I heard, that filled me with disgust. I dare anyone who is truly stoned to utter them. Thank the goddess for allowing my memory to go blank, so I can not repeat them. However this line will never be brain-washed away!
“Do you want to come over with a bar of soap and wash my dirty feet?”
If you used this great hippie pick-up line on the woman you suckered into marrying you, she would sue for a divorce. If you managed to muster the guts to go up to a table full of fellow innmates and give them a dose of Pynchonite Humor, they would get you while you slept, they beating you black and blue with a pillowcase full of bars of soap. However, if you did some editing, you might have used this line on Ms. Witherspoon, and got her to play with her nipple before you banged her like a male lion.
“Something tells me you are a dirty Lil Girl, and I should come to your house with a bar of soap and give you a long bath!”
It is clear to me Pynchon has not been around women that much. Oh sure, he might have put down his pen long enough to give his woman a quick spanking, then, sent her out to shag some Mexican fast-food, but, he would kill the mood with this request;
“You know what I would like to see. I want to see the Chinese woman at the porno shop go down on you while I watch!”
This scene is the most senseless scene every filmed. Doc should have been hit on head so hard, that he stays down. It was devoid of any erotic feelings. I dare anyone to go through their porno collection to find a BIGGER TURN-OFF. This is not Gene Teirney slinking up to Lov Bensey like a snake because she wants some yummy turnnips, too. A couple in their fifties walked out – before their genetalia swiveled up. This scene may have produced a pay-off if you dress two thespians as Lil Abner and Daisey Mae.
“Hey Daisy. What you say we go into this porno shop and see what the fuss is all about?
“Oh Lil Hippie. I thought you would never ask. You sure know how to make my nipples hard!”
I live in the Emerald Valley, and rarely do I see anyone walk out of a movie, because, many folks are out of work and are desperate to get out of the house. Another poor viewer heads for the EXIT.
If Pynchon had only dropped a MacGuffin in his story. Then folks would not have had to go back home, mad. They could have followed the bouncing ball.
“Just one bitty bite, Lov!”
There is not one drop of existentialism in this Fumble Flick, either! There is no ATMOSPHRE on the screen. It is a movie DRYSPELL. For sure, no one will attempt to make a Hippie Movie again. This is it! Pynchon and his movie people – SHOT OUR WAD! After the Great Existentialists punted the ball to Pynchon, he fumbles it out of bounds and into the sewer, then giggles like that mad man in Reefer Madness, because, only Tom gets the irony of it all. There was no irony in this movie. There was a shit-load of wasted carte blanche.
In the theatre, two teen girls on pot let out a few earnest giggles, only because they heard this was a Funny Pothead movie. They made sure they got their money worth. They made me chuckle, because, most young women are game for anything. When Josh Bigfoot gets angry in Japanese I am relieved to hear feminine laughter.
Josh is a cute guy. For them, it’s always Sadie Hawkins Day. I raised my hand to cover Brolin’s big jaw, and put a beard on him. I then did my own take where Doc Brolin is alone in the room with Witherspoon, and, the fire in his eyes (after smoking a joint) tells her he’s not going to take NO for an answer. As she goes to close the shades, he rips her white blouse off. The next shot is taken outside the building where we see Witherspoon’s hands clawing at the shade as if she was cornered by a Hippie Animal, instead of being bored to tears by Doctor Whimpy-Pooh, the Marijuana Med Doctor. And, what is that shit on his cheeks?
All of a sudden I am putting a swastika smack dab on Brolin’s forehead. Alas I am having a acid flash-back.
“Charlie, is that you?”
This movie was devoid of TENSION! I yawned when the Nazi bikers rode into the audience. Shades of Von Zipper in Beach Blanket Bingo. I would like to have seen a shark attack in the opening scene, that some folks would catch and talk about at the after-movie glow. There was no glow.
I did find tension in the vision I conjured up of the second script girl from the UCLA film school writing out that Sex Price List, and here come one grip after another, taking out their wallet, and delivering the exact same sex innuendo.
“I’ll have one blow-job, please – to go!”
The only scene that peeked my artistic senses was the glossy images of the Northern Flower Power Cult that was shot using that old Penthouse trick of smearing vaseline on the lens that renders the Beautiful People – more beautiful! Pynchon is fascinated by the Super Mysterious Hippies (with winery) that he traces to Vineland in another poke and self-giggle. This is a slap at his old hip friends, Dick and Mimi Farina, who did their damnedest to convince Tom smoking dope and being cool, was all about being with cool people, flower people who make-up the Generation of Love. As the Private Dick weaves in and out of the elevated consciousness, alas we see A PLOT. Alas we see why Pynchon feels out of place. These folks have no flaws.
Now we get a obligatory CAR-CHASE scene, of sorts, after Doc kidnaps a fellow Stoner from the Super Hippies that take a lot of LSD in order to acquire that look of high intelligence, and gets him home to his Lil Woman, who jumps up and down for joy at his return. There is some movie music here and a wry smile on Doc’s face as something sinks in, and he drives away. However, when the Lil Woman discovers her Big Bum failed to get himself a bag of turnips, she tosses him out on his ear! She’s no fool!
“Damn! Us Super Hippies did it, again. It’s all our fault! I should have known it would end this way. There had to be a villain at some point.”
Last night, I wished I had a Lil Woman waiting for my return from the Regal theatre, she popping a thorizene pill in my mouth – to bring me down! However, there are no hippie flash-backs to be had!
I want to put a closure on this review by recalling the first time I entered a Jack-off shop in Downtown Oakland – in 1977. The proprietor looked like a Palooka, and knew I was a virgin.
“You’ll need some tokens!”
“Tokens? What are those?”
I hand the Porno Teller three dollars, and he looks at me with disgust.
“Give me a fiver!”
I head down a dark hallway lined with dark velvet curtains. A large indsutial mop and bucket partially block my way. I find a open curtain, and enter. I slip a token into the slot, and am beholding my first image of two guys having anal sex. I fumble with the choice selector and hit choice one. A dude is going down on a woman. The screen goes blank. This is when I notice the stainless steel Kleenex dispenser on the wall.
“What is this sticky-stuff on the floor?”
Then I get it, THE PLOT. After I shoot my wad, and leave the booth, the Palooka will come in and give the place a quick mop, because, like all the other jeck-offs, I have an aversion to putting my cum in a lil white napkin! Why? God only knows! Did I get off? Buy my book!
Pynchon’s movie contained no real vice. Like I said, I struggled to stay awake. I did doze off for a few seconds. It was the handful of tokens slipping out of my hand and crashing to the floor, that awoke me.
Now that I am the reincarnation of Kilgore Trout, I am thinking of getting a job as a reviewer of porno movies. I will use the bucket and mop as my rating system symbol. There will be fifth symbol, a bag of turnips, that will denote I really got off on this one!
Hmm! Yum! I got me a big bag of turnips!”
Check out the high octane eroticism in this opening scene. I give it four mops and a bag of turnips with that last morning stretch with firm mammarys greeting the new dawn. This is what being a hippie was all about, the morning romp in the sack! There is a lot of Flower Power in this flick, too!
“Does anyone here have to get out of bed and go to work?”
“Not me!” she squeals with delight!
Unfortunately, folks had to get out of bed to go make this movie.
Some day in the future, when real Bohemians take over the world – and install Art Flick Theatres everywhere – will Inherent Vice be dug up and saved from obscurity. Artsy Folks will flock to see it, only after my mother’s Art & Madness home movie is spliced in as a forward to Pynchon’s……….Masterpiece (gulp)
As Rosemary rides and shoots with her friends, and the head doctor of the newly opened Camarillo State Mental Hospital (Dude with pipe) the subtitle will explain how the actor Ronald Reagan, who snitched on fellow thespians during the Commie Witch-hunt, signed a bill as the Governor of California that released crazy folks into the general public, who made a bee-line for the streets of Berkeley and San Francisco. This constitutes the most cynical act in our democracy, because Reagan had heard the Height was overwhelmed by young people coming there from all over America – and the world.
Before I even saw ‘Inherent Vice’ I knew it was near impossible to commit anyone to a mental hospital. Thus, the only plot in Pynchon’s romp, was terribly flawed.
Rosemary was the mother-in-law of Mary Ann Tharaldsen and Rick Partlow. Mary Ann was married to Thomas Pynchon, who is in my family tree, along with Rick who was good friends with, Lana Jean Clarkson, who was murdered by Phil Spector. This is the movie that should have been made with this cast and director. Bryan McLean who played at my wedding to Mary Ann, was invited by Sharon Tate to come over the night Manson’s crew showed up. He had something else to do.
Growing up, my mother would say this to her four children.
“Do you know your mother has a scholarship to Camarillo State Hospital?”
After watching the innocent look on our face, turn to fearful confusion, woe and wonderment at the idea we are insane, too, Rosemary let go her famous chortal. You see, the Doc she rode with needed a budding star in his spanking new hospital, a schill he could haul out of her cell and put before the press.
Rosemary, and her veteran husband (of the Vietnam war) smoked a hell of a lot pot together. When I stayed with Rosemary and Robby on a visit, I had to pass thru the only bedroom to get the bathroom. There they are in bed puffing on a pipe;
“Do you want a toke?” my father-in-laws asks.
“No thanks. I quit!”
Robby is six months younger than me. He and his platoon did way more drugs than I and my buddies, while they killed the Vietcong. I don’t want to investigate whether or not Doc is wearing a anachronism. I just want to rip that jacket off of him! Then, stomp on his straw hat. Maybe I should smoke some more dope? But, I never smoked to cope. I took drugs to have a good time. I got lucky. I was there at the beginning, with just the right people, when the world’s best party got under way! Every day was Turnip Day!
An anachronism (from the Greek ἀνά ana, “against” and χρόνος khronos, “time”), is a chronological inconsistency in some arrangement, especially a juxtaposition of person(s), events, objects, or customs from different periods of time. The most common type of anachronism is an object misplaced in time, but it may be a verbal expression, a technology, a philosophical idea, a musical style, a material/textile, a plant or animal, a custom or anything else associated with a particular period in time so that it is incorrect to place it outside its proper temporal domain.
The Umbrellas of Cherbourg (French: Les Parapluies de Cherbourg) is a 1964 French musical film directed by Jacques Demy, starring Catherine Deneuve and Nino Castelnuovo. The music was written by Michel Legrand. The film dialogue is all sung as recitative, even the most casual conversation (similar in style to an opera).
Existentialism (/ɛɡzɪˈstɛnʃəlɪzəm/) is a term applied to the work of certain late 19th- and 20th-century philosophers who, despite profound doctrinal differences, shared the belief that philosophical thinking begins with the human subject—not merely the thinking subject, but the acting, feeling, living human individual. In existentialism, the individual’s starting point is characterized by what has been called “the existential attitude”, or a sense of disorientation and confusion in the face of an apparently meaningless or absurd world. Many existentialists have also regarded traditional systematic or academic philosophies, in both style and content, as too abstract and remote from concrete human experience.
Umbrellas is the middle film in an informal “romantic trilogy” of Demy films that share some of the same actors, characters and overall look; it comes after Lola (1961) and before Modelshop (1967). The film was very successful in France with a total of 1,274,958 admissions. The plot is very similar to Marcel Pagnol’s trilogy of plays entitled Marius, Fanny and César. The musical Fanny was based on Pagnol’s trilogy.
In fiction, a MacGuffin (sometimes McGuffin or maguffin) is a plot device in the form of some goal, desired object, or other motivator that the protagonist pursues, often with little or no narrative explanation. The specific nature of a MacGuffin is typically unimportant to the overall plot. The most common type of MacGuffin is an object, place or person; other, more abstract types include money, victory, glory, survival, power, love, or some unexplained driving force.
Lov Bensey, a friend of the Lesters, walks to his home at the train yard coal chute. He has walked seven and a half miles to get a sack of winter turnips for fifty cents; which is half of his daily wage. On his way home he stops by the Lesters to talk to Jeeter about Jeeter’s twelve-year-old daughter Pearl, to whom Lov is married. While Lov is talking to Jeeter, the book introduces the reader to sixteen year-old Dude, the youngest of the Lester boys; Ada, Jeeter’s wife; Grandma Lester; and Ellie May, an eighteen-year-old girl with a grotesque cleft lip. The entire family, acting in complete desperation, works to steal the turnips from Lov, who then becomes nauseated by the sight and leaves for home.
At this point the preacher Bessie enters the scene. Sister Bessie Rice, like Ellie May, also has a deformity of the face. Bessie’s nose contains no bone, and so when looking straight at her face one can see straight into her nostrils, like a pig. Despite this, Jeeter is still attracted to her. She does some preaching and praying for everyone’s sins, and then proposes marriage to Dude. However, Dude is more interested in her offer of letting him drive the new automobile that she anticipates purchasing than in actually getting married to her. Bessie then goes home to her hovel to ask God whether or not she and Dude should get married.
When Sister Bessie returns the next day to the Lester house, she exclaims that God has given her his approval for the marriage between Dude and herself. The two then start the long walk to Fuller in order to purchase a new Ford, for the purpose of traveling around the country and preaching. Once they are in the auto showroom, the salesmen take advantage of Bessie’s rural naïveté to pull off a quick and profitable sale, while at the same time constantly making fun of her deformed nose. Later, Dude and Bessie go off to get their marriage certificate and are questioned by the county official, who reprimands Bessie for attempting to marry a boy of sixteen years. (Bessie claims she is only 31 years old to the Lesters, but admits to 39 years at the registrar’s office.) Finally, they get the marriage license, and the anxious Dude gets to drive the automobile again. Dude incessantly sounds the car horn whenever he gets behind the steering wheel to drive off somewhere.