Love and The Marbles

Peter played with the Charlatans. He told me stories about Mike Wilhelm who he admired. I was aware I was an archetype and my family history was a model for a cultural movement that made San Francisco famous. I spend a great deal of time protecting my history and roots that spawned a great world-wide cultural movement that immigrants played such a key role in sustaining. The idea of going to a new world, and building a new world in light of a new understanding is what made America Great, again, and again!

John Presco

https://en.wikipedia.org/wiki/The_Charlatans_(American_band)

Formed in mid-1964 by amateur avant-garde musician George Hunter and music major Richard Olsen, the earliest lineup of the Charlatans featured Hunter on autoharp and vocals, and Olsen on bass and vocals, along with Mike Wilhelm (lead guitar, vocals), Mike Ferguson (piano/keyboards, vocals), and Sam Linde (drums). Linde’s drumming was felt to be substandard by the rest of the band and he was soon replaced by Dan Hicks, who also contributed vocals to the group.[7]

The Charlatans were known for clothing themselves in late 19th-century attire, as if they were Victorian dandies or Wild West gunslingers. This unconventional choice of clothing was influential on the emerging hippie counter-culture, with many young San Franciscans dressing in similarly late Victorian and early Edwardian era clothing.[4][7]

In June 1965, the Charlatans began a six-week residency at the Red Dog Saloon in Virginia City, Nevada, just across the border from Northern California. During this stint at the Red Dog, band members Ferguson and Hunter designed and produced a rock concert poster in advance of the residency to promote the band’s performances. This poster—known as “The Seed”—is widely regarded by critics as the first psychedelic concert poster.[9][nb 1] By the end of the decade, psychedelic concert-poster artwork by artists such as Wes Wilson, Rick Griffin, Stanley Mouse, Alton Kelley, and Victor Moscoso had become a mainstay of San Francisco’s music scene.

Another reason that the Charlatans’ stay at the Red Dog is regarded by critics and historians as significant is that, immediately before their first performance at the club, the band members took LSD. As a result, the Charlatans are sometimes called the first acid rock band, although their sound is not representative of the feedback-drenched, improvisational music that would later come to define the sub-genre.

The Charlatans returned to San Francisco at the end of summer 1965 and, in September, were given the chance to audition for Autumn Records, a label headed by local DJ, Tom “Big Daddy” Donahue. Autumn didn’t sign the band, partly due to conflicts between the group and Donahue over suitable material and partly due to lack of money; the label was on the verge of bankruptcy and was sold to Warner Bros. Records early the following year.

Bohemian Cowboys

charlatans6

charlatans7

charlatans8

charlatans9

charlatans10

charlatans14

charlatans15

bentonm2

Peter Shapiro played a short while with the Charlatans before he formed The Marbles. The Charlatans had a Cowboy look that folks in the Height adopted. They were not Country-Western, but more like a Jug Band. My kindred, Mel Lyman, played in Jim Kweskin’s Jug Band. Jim married Jessie Benton who father painted a mural titled ‘The Sources of Country Music’. In CNN’s piece on The British Invasion, it is said these musicians across the pond reintroduced American Music to America. ‘Act Natually’ is CW. Christine Rosamond would have done well to render Country Art. Rena would have been a star as a cowgirl model.

Jon Presco

charlatans

Rosamond Press

chalrlatans3

Peter Shapiro and I lived together in two Victorians in the Bay Area. We lived on 13th. Street near downtown Oakland, and a home in East Oakland where I did a painting of Rena Easton in 1971. When my friend, Bryan Maclean, of ‘Love’ died in 1998, I lamented the loss of the three artists God put in this world to accompany me and my gifts. Bryan and I had been the resident artist at University High is West Los Angeles in 1963 – 1964. Marilyn Reed and I created a Beatnik scene, and I drew her at a tea house we found on Sawtell. This became the New Balladeer where Bryan played with his friend, David Crosby. Bryan was also good friends of a Venice Beat named, Sky, who was murdered by my second girlfriend’s father who belonged to the Purple Gang. Bryan dated my sister, who in 1972…

View original post 5,585 more words

About Royal Rosamond Press

I am an artist, a writer, and a theologian.
This entry was posted in Uncategorized. Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.