“I find situations that correlate to my verbal expressions, as if I had created them,” he said, with a tinge of an accent from his native Austria. “But I didn’t create them. But they are there. My theory is that I created them in a different realm of existence.”
In my morning post I wrote;
“There exist a dream, within a dream, within a dream. Just look into the Magical Rosamond Mirror, and see what you will see. Do you see the light at the end of dark alley? Is this a harbinger of things to come?”
I wanted to google images of old roads with a light at the end of them. My muse told me to look at the movie ‘The Third Man’. I am blown away! I am looking at the profile of a West Austrian Policeman who looks like Stefan, who was born in Austria, where he goes once a year and stays in a palace in Vienna where ‘The Third Man’ takes place. Stefan’s father served in Hitler’s army and was a cruel man. Does he look like this policeman who stands next to a damaged wall with his accidental image on it?
All of a sudden, this policeman’s shadow is casting his profile on other buildings! I realize everyone has a big nose, and are showing off their aquiline noses. Whose idea was this? I am sure Stefan has not seen this movie. The old man with the balloons has the biggest nose! This all fits with Stefan’s art piece that as written up in the New York Times. Uncanny! What is Eins really up to? He says he goes there to tend to his outdoor sculptures. I see him walking about with a big grey overcoat.
Chris – who is jealous of these trips – calls and reminds me the world did not end yesterday. There are streets with an eerie lights at the end of them. Something is coming this way. Stefan and I have had synchronisation art experiences before. My father’s people are from Czechoslovakia. Consider the Habsburg painting I have been trying to get returned to Austria. I contacted their embassy and informed them it was smuggled out of Germany at the end of the war. This post is an Art Piece! Am I the first to notice the Big Nose Drama in ‘The Third Man’? What bids a Director, and a Art Director to do this? Look at the process I went through to discover this! Are muses – real? Are they from another planet? Are some of us being taught to see and think in another dimension? If so, why?
It appears the producer went to great length to accent the Arian Nose, and make hats look like helmets. I have had numerous telephone conversation with Stefan, and have heard more than I wanted about Stefan from Chris. I have talked about doing a book on this very dramatic couple whose presence has been a major influence on the New York Art Scene. There have been Cat Fights! This is not a Complete Profile. It is, in one word – ASTOUNDING!
Stefan liberated the Art of New York (that Henry Brevoort and Washington Irving helped develop) from the crass commercialism Keane and Rosamond made much money from. I never saw a dime! What a contrast, the Big Eyes, and, Big Vienna Noses. Here is a Phantom of the Opera moving around in time – for Art’s Sake! Mr. Eins helped destroy the Money Machine of the Fashionable Art Nazis that captured my dear sister, who emulated me, and the Otherworldly and Innovative Art I was caught up in. Christine Rosamond never intended to become the artist she became. Her biography is The Art Business Report. Business is the answer. I had a ticket to ride, and hitch-hiked to East to live in Greenwich Village when I was seventeen. It didn’t cost me a dime to go coast to coast.
Everywhere I went there was a Rosamond FOR SALE. She had replaced Walter Keane who took credit for his wife’s work, and promoted her ruthlessly. To throw Eins into the mix, is highly amusing for he is the Anti-Chris who has also dashed the dream of Wendy Wendel. We did not know we were kin to Elizabeth Rosemond Taylor who plays an artist in the movie ‘The Sandpiper’. Rosamond’s lover was Chris’s lover, and my best friend. While Stefan was in Vienna I conspired to make his lover a New York Artist. I wanted him to make his usual triumphant return, and find Chris at her show in the Bowery. There would be rocks singed by Stefan’s friends placed on big heavy sheets of watercolor paper. Chris is in one of these videos.
Let us look at Stefan’s amazing utterance again that is applicable to Walter Keane. Rosamond felt dictated to, she doing art for reasons that are still to be understood. Eins brings a new perspective to Art Ownership, and frees many who were, and are, trapped. Margaret was complicate in this sham, and is not the Victim she makes herself out to be. She can slip from this two dimensional illusion, and go back behind the curtain and tug on Walter’s puppet strings while in “a different realm of existence”. Playing with big eyes, and big noses. What else is there to do?
“I find situations that correlate to my verbal expressions, as if I had created them,” he said, with a tinge of an accent from his native Austria. “But I didn’t create them. But they are there. My theory is that I created them in a different realm of existence.”
In another post I will write about my Inner Voice that directed me to The Third Man. The Buck Institute on Aging has gone down a Blind Alley and should launch the first comprehensive scientific study of what makes an artist – and why! Art is Eternal. It inhabits its own dimension. It greets newcomers with open arms, and many open doors. This is just one door……………in the Naked City!
Christine is in court as I type. It is a secret matter, involving Mr. Eins and their malicious neighbors……..who now has theme music to go, wherever he go. Is it – their theme song? Stefan came to Chris’s rescue. The apartment on Carmine Street is the gallery of The Third Dimension Man. Stefan and I are on a case. There is a little girl with no name in a giant painting that The Empress wants restored to her people. Her eyes, haunt us.
EXTRA! Chris just called me and told me how it went in court. ‘The Gorilla’ handed the judge photographs of ASHCANS he took in front of Chris’s house in order to win his case. He told the Judge Chris is “unstable”. His Honor asked if he knew Stefan’s friend, had they conversed. “No!” Then, not owning a degree in psychology, he offered this proof.
“She feeds the wild animals who then get into our ashcans and make a mess!”
I told Chris to look at the picture that was created, it right out of a Grimm’s fairytale, or, Disneyland! I told Chris to have Stefan ask The Gorilla for copies of these WORKS OF ART so he can hang them on the wall in his next show, and, credit them to Chris, for she generated them from this newly discovered dimension that she became aware of by hanging around Eins. He took her to many disgusting art shows and subjected her to mental and moral anguish. Chris is Keanish! You don’t piss on a Keane! The Art Police will arrest you if they catch you throwing one in the trash, or, in a landfill.
I almost included this image in this morning post that is a revival of the Ashcan School. There are others I have to go look for. Even though Stefan took them, he did so at my bidding, they suggesting I buy this building, that has hence been torn down. Chris wanted to use it as a Wild Animal Refuge! They are a walking, talking, living work of art.
When your adversary declares you unstable in a public forum, and you have considered being an artist – then it is official! I declare Chris – an artist! What an honor The Gorilla bestowed on my dear friend, and she has not even had a show – yet!
“The Judge winked at me and told me I won my case!” Chris declared.
“Of course you won! You can’t get out of law school unless you pass The Little Old Lady In Her Golden Years, beset by The Neighborly Goon Squad – test! Even Nero had old ladies living next door to him, whom he wanted to put on a stake and use as human patio torches!
“They really get on my nerves!”
“Here, take my dagger and cut your throat. If you touch one hair on their head, it is curtains for you!”
How many millions of Judges have heard how many Golden Old Lady cases – with blue birds flying around their head – over the last five thousand years?”
There is an old damaged door that Chris’s landlord took off, and replaced with a new one. Stefan has been EYING that door for a year.
“This is art!” he declared in his Austrian accent.
Just hold your horses, Mr. Eins. Not everything was created by you from another dimension. Didn’t the world go through much trouble to get back their art from that other Austrian Artist, who was almost godlike? He TR-ASHED Europe! Hitler had really BIG EYES and wanted to own just about everything that did not belong to him.
https://en.wikipedia.org/wiki/Ashcan_School
Jon Presco
Copyright 2017
https://en.wikipedia.org/wiki/Fashion_Moda
https://en.wikipedia.org/wiki/Big_Eyes
https://rosamondpress.com/2011/12/04/rose-selavy-sara-moon-2/
https://rosamondpress.com/2011/12/04/sara-moon-rosamon/
https://en.wikipedia.org/wiki/Stefan_Eins
Fashion Moda was an art space in South Bronx, New York. As a museum of science, art, invention, technology and fantasy in its South Bronx location from 1978-1993 it combined aspects of a community arts centre and a worldwide progressive arts organization.
https://en.wikipedia.org/wiki/Buck_Institute_for_Research_on_Aging
Fashion Moda in the South Bronx was located in a building at 2803 Third Avenue near 147th Street and the Hub, a shopping center.[3] The South Bronx location allowed it the freedom to explore the questions “What is art?” and “Who defines it?” Funded largely by grants from the NYSCA, NEA, and other, outside money, the space encouraged the production of creative art, unhampered by the contemporary art market and academic art training. As such, it was a center for many downtown and local South Bronx artists, writers, and performance artists to workshop their ideas and first display their works. Fashion Moda was also closely tied to the global emergence of Hip Hop. In the latter part of its existence the storefront exterior was painted by graffiti artist Crash.
Shortly afterwards the police, searching Anna’s flat for evidence, find and confiscate her forged passport and detain her. Anna tells Martins that she is of Czechoslovak nationality and will be deported from Austria by the Russian occupying forces if discovered.
http://www.o-t-h-e-r-dimensions.info/
http://www.oneunoeins.com/stefan-eins_portrait%20self.html
http://www.nytimes.com/2009/08/27/arts/27urbanart.html
http://www.oneunoeins.com/stefan-eins_who-is-who.html
The Austrian Countdown
Stefan Ein’s father was a member of the Nazi Party. When he came home at the end of World War Two, he took his infant son by his head, and hung him over a balcony, threatening to drop him. After hearing this two months ago, I pondered what was going through Mr. Ein’s mind. I conclude he was very disappointed Hitler lost the war, and, the Super Race Dream that his child represented. This boy became a living reminder, a symbol of utter failure. All hope is gone. The child must die with Hitler.
https://en.wikipedia.org/wiki/Stefan_Eins
With Trump’s announcement he wants a new Cold War, we the people of the world have once again been taken hostage by nuclear terror, and we are dangling on the edge. Studies have been done on how much damage the nuclear threat is to the human psyche .Two months ago Stefan and I talked for an hour on the phone about the Habsburg painting at the Jordon Schnitzer Museum. He told me Austrian politics are very progressive, and thus the Austrians may no want this painting. In the last several days there is breaking news that Trump’s national security adviser, Michael T. Flynn, met with the leader of the Right-wing group that is giving new life to Nazi ideas.
As I type, the United Nations is about to vote on keeping Israel from building new settlements that were first built by Turnverein Jews, Fort-Eighters who fought the Habsburg army, and lost. The Turners fled to America and Palestine. There would be no Israel without the terror and mass murder Stefan’s father launched on the world. There would be no Republican Party – and President Trump – without the Turners. Are the Habsburgs at the epicenter of the Doomsday Countdown?
Jon Presco
https://en.wikipedia.org/wiki/Heinz-Christian_Strache
“The Austrian embassy declined to comment.”
On Wednesday, November 9, 2016 11:27 AM, Alex Notman <alex@eugeneweekly.com> wrote:
Hi John,
Thanks for reaching out. I’m going to have to reschedule this for next week. Can we meet Thursday or Friday of next week during working hours?
Thanks,
Alex
Nov 3 at 3:30 PM
your information was forwarded to the Austrian Consulate General. Please give us more details why you to your mind the mentioned canvas was smuggled out of Austria and who did that.
Josef Schwob
Since Dr. Robert Granitsch was married to a “half-Jew” after Nazi legislation, his three children, Susanne, born 1899, Dora, born 1904 and Lorle, born 1912, were persecuted in Austria after the Nazis’ Where Dr. Susan (!) Konirsch, née Granitsch, and Lorle Kornfeld, née Granitsch, had to flee to the USA,”
Greg Presco to Stefan Eins
Stefan; take note of the 3 sidewalks! If you do not include me in your Other Demenstions show, you leave me no other choice but to place your mortal soul on the Sidewalk to Hell.
Comments
Greg Presco I warned you! https://www.youtube.com/watch?v=Pu7yJqGcgQs
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Greg Presco There! Did you see it……your big nose and profile on the damaged wall? How long ago did the Ein’s Factor begin? Did I blow your mind?
Greg Presco You are The Third Dimension Man!
The Third Man is a 1949 British film noir directed by Carol Reed and written by Graham Greene. It stars Joseph Cotten, Valli (Alida Valli), Orson Welles, and Trevor Howard. The film takes place in post-World-War-II Vienna. It centres on Holly Martins, an American who is given a job in Vienna by his friend Harry Lime, but when Holly arrives in Vienna he gets the news that Lime is dead. Martins then meets with Lime’s acquaintances in an attempt to investigate what he considers a suspicious death.
The atmospheric use of black-and-white expressionist cinematography by Robert Krasker, with harsh lighting and distorted “Dutch angle” camera technique, is a major feature of The Third Man. Combined with the iconic theme music, seedy locations and acclaimed performances from the cast, the style evokes the atmosphere of an exhausted, cynical, post-war Vienna at the start of the Cold War.
Greene wrote the novella of the same name as preparation for the screenplay. Anton Karas wrote and performed the score, which featured only the zither. The title music “The Third Man Theme” topped the international music charts in 1950, bringing the previously unknown performer international fame. It is considered one of the greatest films of all time, celebrated for its acting, musical score and atmospheric cinematography.[4]
In 1999, the British Film Institute voted The Third Man the greatest British film of all time.
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Plot[edit]
Opportunistic racketeering thrives in a damaged and impoverished Allied-occupied Vienna, which is divided into four sectors, each controlled by one of the occupying forces: American, British, French, and Soviet. These powers share the duties of law enforcement in the city. American pulp Western writer Holly Martins (Joseph Cotten) comes to the city seeking his childhood friend, Harry Lime, who has offered him a job. Upon arrival he discovers that Lime was killed just hours earlier by a speeding truck while crossing the street. Martins attends Lime’s funeral, where he meets two British Army Police: Sergeant Paine (Bernard Lee), a fan of Martins’ pulp novels; and his superior, Major Calloway (Trevor Howard), who says Lime was a criminal and suggests Martins leave town.
An official of the British occupying forces (Wilfrid Hyde-White) subsequently approaches Martins, requesting that he give a lecture and offering to pay for his lodging. Viewing this as an opportunity to clear his friend’s name, Martins decides to remain in Vienna. He receives an invitation to meet from Lime’s friend, “Baron” Kurtz (Ernst Deutsch), who tells Martins that he, along with another friend, Popescu (Siegfried Breuer), carried Lime to the side of the street after the accident. Before dying, according to Kurtz, Lime asked Kurtz and Popescu to take care of Martins and Anna Schmidt (Alida Valli), Lime’s actress girlfriend.
Hoping to gather more information, Martins goes to see Anna at her theatre, where she suggests in passing that Harry’s death may not have been accidental. She then accompanies Martins to question the porter at Lime’s apartment building. The porter claims Lime was killed immediately and could not have given any instructions to his friends before dying. He also states that Kurtz and Popescu did not move the body out of the street alone, but were helped by a third man. Martins berates him for not being more forthcoming with the police about what he knows. Concerned for his family’s safety, the porter indignantly tells Martins not to involve him. Shortly afterwards the police, searching Anna’s flat for evidence, find and confiscate her forged passport and detain her. Anna tells Martins that she is of Czechoslovak nationality and will be deported from Austria by the Russian occupying forces if discovered.
Martins visits Lime’s “medical adviser”, Dr. Winkel (Erich Ponto), who says that he arrived at the accident after Lime was dead, and only two men were present. Later, the porter secretly offers Martins more information but is murdered before their arranged meeting. When Martins arrives, unaware of the murder, a young boy recognizes him as having argued with the porter earlier and points this out to the gathering bystanders, who become hostile, and then mob-like. Escaping from them, Martins returns to the hotel, and a cab whisks him away. He fears it is taking him to his death, but takes him to the book club. With no lecture prepared, he stumbles until Popescu, in the audience, asks him about his next book. Martins replies that it will be called The Third Man, “a murder story” inspired by facts. Popescu tells Martins that he should stick to fiction. Martins sees two thugs approaching and flees.
Wiener Riesenrad, one of many Viennese landmarks in the film
Calloway again advises Martins to leave Vienna, but Martins refuses and demands that Lime’s death be investigated. Calloway reluctantly reveals that Lime had been stealing penicillin from military hospitals, and selling it on the black market diluted so much that many patients died. In postwar Vienna, antibiotics were new and scarce outside military hospitals and commanded a very high price. Calloway’s evidence convinces Martins. Disillusioned, he agrees to leave Vienna.
Martins visits Anna to say good-bye and finds that she also knows of Lime’s misdeeds, but that her feelings toward him are unchanged. She tells him she is to be deported. Upon leaving her flat, he notices someone watching from a dark doorway; a neighbour’s lit window briefly reveals the person to be Lime (Orson Welles), who flees, ignoring Martins’s calls. Martins summons Calloway, who deduces that Lime has escaped through the sewers. The British police immediately exhume Lime’s coffin and discover that the body is that of Joseph Harbin, an orderly who stole penicillin for Lime and went missing after turning informant.
The next day, Martins goes to Kurtz and demands to see Lime. Lime comes out to meet him and they ride Vienna’s Ferris wheel, the Wiener Riesenrad. Lime obliquely threatens Martins’s life but relents when told that the police already know his death and funeral were faked. In a monologue on the insignificance of his victims, he reveals the full extent of his amorality. He again offers a job to Martins and leaves. Calloway asks Martins to help lure Lime out to capture him, and Martins agrees, asking for Anna’s safe conduct out of Vienna in exchange. However, Anna refuses to leave and remains loyal to Lime. Exasperated, Martins decides to leave but changes his mind after Calloway shows Martins the children who are victims of Lime’s diluted penicillin, brain-damaged as a result of meningitis.
Lime sneaks out for his rendezvous with Martins, but Anna, still loyal to Lime, arrives and warns him off just in time. He tries again to escape through the sewers, but the police are there in force. Lime shoots and kills Paine, but Calloway shoots and wounds Lime. Badly injured, Lime drags himself up a ladder to a street grating exit but cannot lift it. Martins picks up Paine’s revolver, follows Lime, reaches him, but hesitates. Lime looks at him and nods. A shot is heard. Later, Martins attends Lime’s second funeral. At the risk of missing his flight out of Vienna, Martins waits in the cemetery to speak to Anna. She approaches him from a distance and walks past, ignoring him.
Rosamond Press 
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