Occurrence at Owl Creek Bridge

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Ambrose Bierce wrote ‘Occurrence at Owl Creek Brigde’ that was featured on the ‘Twilight Zone’ . Rod Serling introduced this episode, but was cut out of the videos I have looked at. Here are the letters of Ambrose Bierce. He camped at Temescal where the Presco children went swimming.

http://www.gutenberg.org/files/36218/36218-h/36218-h.htm

But he found such visits both necessary and pleasant on occasion, and it was during one that he made in the summer of 1892 that I first made his acquaintance, while he was temporarily a guest at his brother Albert’s camp on a rocky, laurel-covered knoll on the eastern shore of Lake Temescal, a spot now crossed by the tracks of the Oakland, Antioch and Eastern Railway.

Jon Presco

https://en.wikipedia.org/wiki/An_Occurrence_at_Owl_Creek_Bridge_(film)

The episode’s introduction is notable for Rod Serling breaking the fourth wall even more than usual, as he explains how the film was shot overseas and later picked up to air as part of The Twilight Zone. The introduction by Rod Serling is as follows:

Tonight, a presentation so special and unique that for the first time in the five years we’ve been presenting The Twilight Zone, we’re offering a film shot in France by others. Winner of the Cannes Film Festival of 1962, as well as other international awards, here is a haunting study of the incredible from the past master of the incredible, Ambrose Bierce. Here is the French production of “An Occurrence at Owl Creek Bridge.”

Rod Serling even provided a closing narration for this adaptation:

An occurrence at Owl Creek Bridge: in two forms, as it was dreamed… and as it was lived and died. This is the stuff of fantasy, the thread of imagination… the ingredients of the Twilight Zone.

http://davesclassicfilms.blogspot.com/2011/09/twilight-zone-episode-142-occurrence-at.html

Born in Sag Harbor, Long Island, New York in 1869, George Sterling came from an old and respected family descended from the Puritans. His father wanted him to become a priest, so George at age 17 was sent to a Catholic college in Maryland. Fortunately, his studies included poetry — and the priesthood’s loss was literature’s gain.

     The father sent the wayward son to Oakland, California where the uncle — Frank C. Havens — was a leading real estate and insurance agent in the area. Here Sterling obtained an office job — little more than a sinecure that allowed him to continue reading and writing poetry.

In 1892, Sterling met the dominant literary figure on the west coast, Ambrose Bierce, at Lake Temescal and immediately fell under his spell. Bierce — to whom Sterling referred as “the Master” — guided the young poet in his writing as well as in his reading, pointing to the classics as model and inspiration. Bierce also published Sterling’s first poems in his “Prattle” column in the San Francisco Examiner.

Sterling also met adventure and science fiction writer Jack London, and his first wife Bess at their rented villa on Lake Merritt, and in time they became best of friends. In 1902 Sterling helped the Londons find a home closer to his own in Piedmont, near Oakland. In his letters London addressed Sterling as “Greek” owing to his aquiline nose and classical profile, and signed them as “Wolf.” London was later to depict Sterling as Russ Brissenden in his autobiographical novel Martin Eden (1908) and as Mark Hall in The Valley of the Moon (1913).

The Sterling-London friendship disturbed Bierce. London’s socialist leanings were sharply contrary to those of the great cynic, and also Bierce feared political philosophy would distract the young poet from his appointed task. After Bierce left for the east coast in 1896, the contest for Sterling’s soul was lost, though “the Master” continued to guide his steps from afar.

In November, 1903 W. E. Wood of San Francisco published The Testimony of the Suns, poems written prior to 1901; it was dedicated to Bierce. On first reading the title poem, Bierce had written to his protégé “you shall be the poet of the skies, the prophet of the suns” — then proceeded to suggest several revisions!

Also in 1903, Sterling completed what many consider his magnum opus, “A Wine of Wizardry,” though it was not to be published for four years.

Sterling’s wife Carrie (Carolyn Rand) later told journalist and writer Joseph Noel that the poet had experimented with opium during the poem’s composition, having obtained it from his brother, a physician. In the meantime Bierce campaigned on its behalf, finally arranging for its publication in his employer William Randolph Hearst’s newly acquired magazine, Cosmopolitan, in the September 1907 issue. In an introductory note Bierce proclaimed: “no poem in English of equal length has so bewildering a wealth of imagination. Nor Spenser himself has flung such a profusion of jewels into so small a casket. . . it takes away the breath!” Such hyperbolic praise could not go unchallenged, and a counter-wave of deprecation followed, to which Bierce replied in the December issue with “An Insurrection of the Peasantry” with such further bold claims as “Sterling is a very great poet — incomparably the greatest that we have on this side of the Atlantic” and “[the poem] has all the imagination of ‘Comus’ and all the fancy of ‘The Faery Queen’.” Bierce thought so highly of this defense he included it in his collected works. A. M. Robertson published A Wine of Wizardry and other Poems in 1908.

In 1905 Sterling and his wife moved from Piedmont to the sleepy village of Carmel-by-the-Sea, south of Monterey. Here they built a cottage to escape city life; but other poets, writers, and artists soon followed them. An artist colony developed over which Sterling presided, including Mary Austin, photographer Arnold Genthe (whose portrait of Sterling is pictured above), poet Nora May French, James Hopper, John Hilliard, and others.

Sterling also maintained a room at the Bohemian Club in San Francisco, to whose exclusive fold Bierce had given him entrée. This Club (founded in 1872, it was the first in the U.S.) sponsored summer outings on the Russian River, north of San Francisco, which were called “High Jinks” and were attended by Sterling, London, Stewart Edward White, and many others. Sterling wrote and directed a number of plays for these events, including The Triumph of Bohemia: A Forest Play and Truth; A Grove Play.

Isolated from most men by the exalted and austere habit of his thought, Bierce finally suffered a corresponding exile of the body, and was forced to live in high altitudes, which of necessity are lonely. This latter banishment was on account of chronic and utterly incurable asthma, an ailment contracted in what might almost be termed a characteristic manner. Bierce had no fear of the dead folk and their marble city. From occasional strollings by night in Laurel Hill Cemetery, in San Francisco, his spirit “drank repose,” and was able to attain a serenity in which the cares of daytime existence faded to nothingness. It was on one of those strolls that he elected to lie for awhile in the moonlight on a flat tombstone, and awakening late in the night, found himself thoroughly chilled, and a subsequent victim of the diseasexxxvi that was to cast so dark a shadow over his following years. For his sufferings from asthma were terrible, arising often to a height that required that he be put under the influence of chloroform.

So afflicted, he found visits to the lowlands a thing not to be indulged in with impunity. For many years such trips terminated invariably in a severe attack of his ailment, and he was driven back to his heights shaken and harassed. But he found such visits both necessary and pleasant on occasion, and it was during one that he made in the summer of 1892 that I first made his acquaintance, while he was temporarily a guest at his brother Albert’s camp on a rocky, laurel-covered knoll on the eastern shore of Lake Temescal, a spot now crossed by the tracks of the Oakland, Antioch and Eastern Railway.

I am not likely to forget his first night among us. A tent being, for his ailment, insufficiently ventilated, he decided to sleep by the campfire, and I, carried away by my youthful hero-worship, must partially gratify it by occupying the side of the fire opposite to him. I had a comfortable cot in my tent, and was unaccustomed at the time to sleeping on the ground, the consequence being that I awoke at least every half-hour. But awake as often as I might, always I found Bierce lying on his back in the dim light of the embers, his gaze fixed on the stars of the zenith. I shall not forget the gaze of those eyes, the most piercingly blue, under yellow shaggy brows, that I have ever seen.

After that, I saw him at his brother’s home in Berkeley, atxxxvii irregular intervals, and once paid him a visit at his own temporary home at Skylands, above Wrights, in Santa Clara County, whither he had moved from Howell Mountain, in Napa County. It was on this visit that I was emboldened to ask his opinion on certain verses of mine, the ambition to become a poet having infected me at the scandalously mature age of twenty-six. He was hospitable to my wish, and I was fortunate enough to be his pupil almost to the year of his going forth from among us. During the greater part of that time he was a resident of Washington, D. C., whither he had gone in behalf of the San Francisco Examiner, to aid in defeating (as was successfully accomplished) the Funding Bill proposed by the Southern Pacific Company. It was on this occasion that he electrified the Senate’s committee by repeatedly refusing to shake the hand of the proponent of that measure, no less formidable an individual than Collis P. Huntington.

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