Paul Anderson wrote the screenplay for Thomas Pynchon’s ‘Inherent Vice’ which explains why Doc comes off as a goofy Adam Sandler jack-off guy who likes to watch two chicks go down on each other at the San Fernando porno shop, where the Swank Teen learned how to make films – with a roll of quarters clutched in his sweaty palm.
Anderson did ‘Boogie Nights’ and ‘Punch Drunk Love’ which is why Doc is a dysfunctional Hippie Porn Star Wanna-be who recites some of the most stupid and nasty innuendos ever written, that gives us more insight to how Paul, the Teen Jack-off Machine handled his boners while coming of age in the San Fernando Valley – while high on pot! This horny dude was born in Studio City in 1970. By the time he was ten, the hippie movement was over. This movement was not OPEN to just anyone. Just because you get a boner and smoke a joint, does not give you FREE ACCESS and carte blanche to do what you will with real people’s history. Now the wealthy whack-off Brat Pack is going after Snow White, and will grab hold of Cinderella as she is on all fours mopping the floor.
Paul and Robert have that – just stepped out of a dark cum-stained jack-off parlor look – that a lot of white women get off on. Then they get on FB and whine about how un-romantic men are – after they use Robert as a role model!
As King of the Bohemians and Hippies, I am closing it down! As Prince of the Fairytale Tellers, I will try to get an attorney to keep traditional family stories away from pornographic rich kids, who do not want to grow up, because they make millions being nasty little boys with boners. It appears Robert has been Paul’s muse for some time. Downey almost played Doc. Now the Master and Muse will team up to play an ex-rated Pinocchio, where every time our bad boy tell a lie his boner grows longer. Adam Sandler will play Pinocchio’s boner, that upon spotting a huge line of cocaine on the coffee table, breaks out of the confining zipper, and;
“Oh boy! Let me have some of this!”
The audience will roar with laughter as the bad boner inhales the whole line up its pee-hole while the jaw of the black drug dealer, drops!
“Are all you honkey MFers hung like that? No wonder you get all the white women. Can you teach my dick to do that?’
So this exploitation flick will not get a x-rating there will be a subplot, where the woman who shot THE ARTIST, Andy Warhol, escapes from prison, and is running around the West Village with a hatchet threatening to lop off Pinocchio’s nose, and castrate that well-hung little cricket. What a scream!
“All men are liars! They will say anything to get laid!” Hardy-har-har! “Mr. Pinocchio controlled me with lies! His bug buddy slipped me a Micky Finn, and jack-offed in my ear while I was out cold! His green bug-cum was in my hair!” Haha! Ho-ho! Ho-dee-ho!
My late sister, a world famous artist, was not dead for twelve hours, when the Sexploit Con-artists moved in. Christine Rosamond Benton was a original hippie, not like Pynchon, who let the Porno Pack have their way with our way of life – for money!
The real subplot hatched by OCCUPY, is that I have been accused of wanting to “capture” Belle and do fiendish things to her. As fate would have it, Emma Watson, who is starring in ‘Sleeping Beauty’ was not kidnapped. Apparently it was a hoax, a stunt!
Jon Presco
http://www.hollywoodreporter.com/heat-vision/paul-thomas-anderson-write-robert-783978
http://pdl.warnerbros.com/wbmovies/awards2014/pdf/iv.pdf
‘The Giver’ writer Michael Mitnick penned the most recent draft of the Warner Bros. film.
Disney is bringing Beauty and the Beast to the big screen in March 2017 with Emma Watson in the lead and Bill Condon directing. Jon Favreau is filming The Jungle Book, also for Disney, for an April 2016 release. Not to be outdone, Warners has its own Jungle Book in production that stars Benedict Cumberbatch, Christian Bale and Cate Blanchett. That version, which will be released Oct. 6, 2017, will be a mix of live-action and performance capture CGI.
Over at Universal, a live-action version of The Little Mermaid is in the works, though Sofia Coppola recently dropped out due to creative differences. Burton, who was initially attached to direct Pinocchio, will instead direct a live-action Dumbo for Disney.
Downey is onboard to play Geppetto in the tale about a wooden puppet who wants to become a human boy. Bryan Fuller and Jane Goldman wrote previous drafts of the story that is based on a novel by Carlo Collodi. Downey, who most recently starred in Ultron, has a long-standing relationship with Warners (he recently starred in The Judge for the studio). He will produce Pinocchio alongside Team Downey partner Susan Downey as well as Dan Jinks (Milk).
Anderson is a six-time Oscar nominee who received a director mention for 2007’s There Will Be Blood. He most recently received a screenplay nomination this year for Inherent Vice.
Anderson is repped by CAA and Jackoway Tyerman. Mitnick is repped by WME, Grandview and Sloane Off
https://rosamondpress.com/2015/07/20/pynchons-rosamond-women/
Emma Watson is safe and sound.
The Sun reported Sunday that sometime last week, two studio workers had discussed plans to abduct the 25-year-old actress from the set of Walt Disney Pictures’ live-action adaptation of Beauty and the Beast. According to the British newspaper, a taxi driver overheard discussions between the employees and reported the conversation to his management, who in turn alerted studio staff.
“There was concern about her safety,” a source told The Sun.
However, it appears Watson was never in real danger.
Paul Thomas Anderson (born June 26, 1970) is an American film director, screenwriter and producer. Interested in film-making at a young age, Anderson was encouraged by his father Ernie Anderson (a disc jockey, and television and radio announcer/voiceover artist) to become a filmmaker. Anderson is a distinctive filmmaker of his generation, initially being praised as a wunderkind after the release of the dramas Boogie Nights and Magnolia.
In 1993, he wrote and directed a short film titled Cigarettes & Coffee on a budget of $20,000. After he attended the Sundance Institute, Anderson had a deal with Rysher Entertainment to direct his first feature film, a neo-noir crime thriller entitled Hard Eight, in 1996. Anderson received critical and commercial success for his film Boogie Nights (1997), set during the Golden Age of Porn in the 1970s and 1980s. His third feature, Magnolia (1999), received wide acclaim despite struggling at the box office.
In 2002, the romantic comedy-drama Punch-Drunk Love, Anderson’s fourth feature, was released to positive reviews. After a five-year absence, the epic drama There Will Be Blood was released to critical acclaim in 2007. It is Anderson’s highest-grossing film to date and is considered by some critics to be one of the most important films of the 21st century. In 2012, Anderson’s sixth film, the drama The Master, was released to critical acclaim. His seventh film, the crime comedy-drama Inherent Vice, based on the novel of the same name by Thomas Pynchon, was released in 2014, to general acclaim. Anderson has been nominated for six Academy Awards over the course of his career.
Boogie Nights is a 1997 American drama film written, produced and directed by Paul Thomas Anderson. It is set in Los Angeles‘ San Fernando Valley and focuses on a young nightclub dishwasher, Eddie Adams, who becomes a popular star of pornographic films, chronicling his rise in the Golden Age of Porn of the 1970s through to his fall during the excesses of the ’80s. The film also features cameos by porn actresses Nina Hartley (as Little Bill’s promiscuous wife) and Veronica Hart (as the custody hearing judge for Amber Waves’ court case). The film is an expansion of Anderson’s mockumentary short film The Dirk Diggler Story (1988).[3][4][5][6] In his audio commentary on the New Line DVD release of his film, Anderson cites reporter Mike Sager’s article from Rolling Stone, “The Devil and John Holmes”, as a major influence.[7
The Dirk Diggler Story is a 1988 mockumentary short film written and directed by Paul Thomas Anderson. It follows the rise and fall of Dirk Diggler, a well-endowed male porn star. The character was modeled on American porn actor John Holmes. The film was later expanded into Anderson’s successful 1997 breakout film Boogie Nights.
Horner slowly introduces Diggler to the business until Diggler becomes noticeable within the industry. Diggler becomes a prominent model and begins appearing in pornographic films. Diggler has critical and box office hits which leads him to stardom. The hits and publicity lead to fame and money, which lead Diggler to the world of drugs. With the amount of money Diggler is making he is able to support both his and Rothchild’s addictions. The drugs eventually cause a breakup between Diggler and Horner, since Diggler is having issues with his performance on set.
The film was Anderson’s first real production having experimented with what he called “standard fare”.[1][2] Anderson conceived the film when he was 17 years old[3][4] and a senior at Montclair College Preparatory School.[1] Anderson called his friend Michael Stein, telling him to come over for a production meeting, and told Stein his idea: “John Holmes”.[5] Stein loved the idea and was cast to play the role of Dirk Diggler; he selected his own wardrobe.[5] Stein showed Anderson some video of his friend Eddie Dalcour, who was a professional body builder, which Anderson loved and cast him in the role of Reed Rothchild.[5] Anderson’s father, Ernie Anderson, narrated the film and Robert Ridgely, a friend of Anderson’s father, played the role of Jack Horner.[5]
https://en.wikipedia.org/wiki/Paul_Thomas_Anderson
After the release of Magnolia, Anderson stated that he would like to work with Adam Sandler in the future and that he was determined to make his next film 90 minutes long.[18][27] His next feature was the comedy/romance film Punch-Drunk Love (2002), partly based on David Phillips (also called The Pudding Guy). The film starred Adam Sandler with Emily Watson portraying his love interest.[33] The story centers on a beleaguered small-business owner (Sandler) with anger issues and seven emasculating sisters.[33] Sandler received critical praise for his role in his first major departure from the mainstream comedies that had made him a star.[21][34] At the 2002 Cannes Film Festival, the film won the best director and was nominated for the Palme d’Or.[35]
Anderson is known for films set in the San Fernando Valley with realistically flawed and desperate characters.[9][70] Among the themes dealt with in Anderson’s films are dysfunctional familial relationships,[19][69][71] alienation,[69] surrogate families,[72] regret,[69] loneliness,[19] destiny,[5] the power of forgiveness,[4] and ghosts of the past.[19] Anderson makes frequent use of repetition to build emphasis and thematic consistency. In Boogie Nights, Magnolia, Punch Drunk Love, and The Master, the phrase “I didn’t do anything” is used at least once, developing themes of responsibility and denial.[73][74][75][76] Anderson’s films are known for their bold visual style[70] which includes stylistic trademarks such as constantly moving camera,[32][70] steadicam-based long takes,[11][19][77] memorable use of music,[11][32][70] and multilayered audiovisual imagery.[11][77] Anderson also tends to reference the Book of Exodus, either explicitly or subtly, such as in recurring references to Exodus 8:2 in Magnolia,[78] which chronicles the Plague of frogs, culminating with the literal raining of frogs in the film’s climax, or the title and themes in There will be blood, a phrase that can be found in Exodus 7:19, which details the Plague of blood.[79][80]
http://www.hollywoodreporter.com/heat-vision/paul-thomas-anderson-write-robert-783978
https://www.youtube.com/watch?v=EYsmtwcrp2Q
The Brat Pack is a nickname given to a group of young actors who frequently appeared together in teen-oriented coming-of-age films in the 1980s. First mentioned in a 1985 New York magazine article, it is now usually defined as the cast members of two specific films released in 1985 — The Breakfast Club and St. Elmo’s Fire — although other actors are sometimes included. The “core” members are considered to be Emilio Estevez, Anthony Michael Hall, Rob Lowe, Andrew McCarthy, Demi Moore, Judd Nelson, Molly Ringwald, and Ally Sheedy.
https://en.wikipedia.org/wiki/Robert_Downey,_Jr.
Downey was born in New York City, the son of Elizabeth (née McLoughlin), a model, and Robert Elias Sr., who worked in management of motels and restaurants.[1] His paternal grandparents were Romanian Jews, while his mother was of half Irish and half Hungarian Jewish ancestry.[4][5][6][7] Downey was born Robert Elias; but he changed his last name to Downey for his stepfather, James Downey, when he wanted to enlist in the United States Army but was underage at the time.[8][9]
From 1996 through 2001, Downey was arrested numerous times on drug-related charges including cocaine, heroin and marijuana[30] and went several times through drug treatment programs unsuccessfully, explaining in 1999 to a judge: “It’s like I’ve got a shotgun in my mouth with my finger on the trigger, and I like the taste of the gun metal.” He explained his relapses by claiming to have been addicted to drugs since the age of eight, due to the fact that his father, also an addict, had been giving them to him.[31]
In April 1996, Downey was arrested for possession of heroin, cocaine and an unloaded .357 Magnum handgun while he was speeding down Sunset Boulevard. A month later, while on parole, he trespassed into a neighbor’s home while under the influence of a controlled substance and fell asleep in one of the beds.[32][33] He was sentenced to three years of probation and required to undergo compulsory drug testing. In 1997, he missed one of the court-ordered drug tests and had to spend six months in the Los Angeles County jail.[34]
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