The Rose Lords of Wolf House

William_Morris wien24 wien25wolf-house wolf-house4 wolfswink44

When my grandson, Tyler Hunt, were doing a painting together, Patrice Hanson, looked on with disgust. This goes back to our conversation at the ruins of Jack London’s Wolf House where I told my wife to be my families creative legacy was falling into the hands of outsiders the same way London’s legacy came to be owned by hostile outsiders. I told Patrice I am authoring a biography, and my rivals are inventing lies in their biogrphy of my famous sister, Rosamond. All of a sudden, Patrice says;

“Are you saying our daughter got all her talent from you?”

I got angry, for this woman, who had two sons by two fathers, did not allow me to be a father for sixteen years, and did her damnedest to have Heather believe she got all her gufts from her utterly un-gifted mother, who never was an artist, poet, or, writer. Patrice and her family are the people the Seer saw that come into my being and take – via my newborn daughter who Patrice put in the arms of famous parasite convicted of impersonating Bob Weir – twice!

Patrice had taken a lot of LSD and owns visions of he being the angelic earth-goddess mother who brings angels to earth via the birth-process. Children are her creations, examples of her divine work. The fathers of these children do not matter because they are earth-bound brutes, like her alcoholic father who caused her schizophrenic mother to jump off a cliff and killer herself. Patrice’s sister and brother have no children due to the extreme abuse in their home.

In Chicago, Patrice fell in love with a Black Panther, and had a son by him. This son named his son after Malcome X. Malcome is my grandson’s half-cousin. This panther died in a fire. He was close with Angela Davis who spread the message that back people should arm themselves, and overthrow white tyranny.

Patrice, and thus Heather, was not impressed with my genealogical study, because my tree is full of white people. However both were extremely interested in the world famous artist, Rosamond, and her success, because heather was destined to be famous one day, and give her mother a million dollars so alas she could live the life-style she deserves. As for me living thru my only child in a vicarious manner, and being inspired to paint and write by my child, this was frowned upon. However, Tom Snyder, the rival biographer, is more then welcome to paint a beautiful portrait of the Madonna and Child – minus the shit-seed of the junk-filled hell-fathers!

When I received my first (typed) letter from my newfound sixteen year old daughter, I took it to my friend, Ed Corbin, who mastered in Literature at Harvard, and was an editor at Double Day. Seconds after reading The Good News, Ed said;

“Your daughter did not write this letter.”

Ed employed his high education to explain the examples of third party removed. I was in shock when I reread MY letter, that was not really mine. This narcissistic piece of shit could not allow her Star Child to fully by my child – too! There was THEIR HIDDEN AGENDA to be fulfilled that I am not privy to. I will always be THE OUTSIDER. However, Divine Mother and Child have got to get in BOTH books, and get all the wealth the Rosamond Gallery holds for them, because, it is THEIR DESTINY to own this wealth – minus the gross jack-off earth father who is guided by his sick penis, only!

Having read Grimm’s I saw my daughter’s mother as a evil green witch lurking in the dark, stirring her enmeshed pot of lost identities. Only Witch Patrice gets to be a whole person, the complete package. Only Patrice is worthy to CONTROL ALL THE INFORMATION. Here is the real RIVAL AUTHOR! When Belle Burch pulled the same witchy transference on me, and when Witch Valkyrie threatened to destroy me, and see that I am harmed if I fight back, I had to consider the two of them were in it together. CONSPIRACY!

That Belle and Alley empowered themselves via LOST THROWAWAY CHILDREN, is also out of a Fairytale. Consider Peter Pan – and Dickens. These homeless people who need SLEEP, do not want to grow up. They did not want to obey their parents or clean their rooms. They just wanted to TAKE what belongs to others, and, have others TAKE care of them – because we all OWE THEM. They DESERVE what we got. WE don’t deserve what we got. THEY WILL HURT US!

For the last several days, reporters all over the world are openly discussing how Muslims in Europe are feeling DISINFRANCHISED, and thus will become RADICALIZED, get a weapon, and MURDER UNARMED PEOPLE. These parasitical cowards do not want to go up against ARMED PEOPLE. Why is that? They want to stop average people from enjoying what they have, what they worked for. They want people to be afraid and think of the TERRORISTS all the time, and what they don’t have. These are not Robin Hoods. These are dangerous people whose prophet and god does not make them happy, like the prophet and god of those who HAVE!

*    *    *

Both my father and my childhood friend, Bill, emulated the author Jack London, whose writing appeared in the same periodicals as my grandfather, Royal Rosamond. The rival authors did not know this. They did not know ANYTHING, yet, they elected themselves THE MORE DESERVED! My brother allowed the takers to come and take from the Creative Family Pile because he thinks very little of Artists and Poets. His main concern is ‘The Parasites of the World’.  Almost everyone is a parasite, but Mark.

After Wolf House burned down, Jack and his wife struggled the keep ‘Beauty Ranch’ going. After Jack was dead, Charmain fought off the parasites who wanted to take Jack’s work that was in DEFAULT, and liquidate it. I had read plaques of this struggle. I was dismayed as I sat with Patrice and beheld the ruins of Wolf House and London’s Dream. I told Patrice how after Christine’s funeral, Stacey Pierrot got down on one knee in front of the Rosamond Gallery, took my mother’s hand, and said;

“Don’t let the Dream die!”

“It was not her Dream!” I told my fiancé, who looked distracted. I could not read what was going on her mind. I pressed her as we ate our packed lunch at a picnic table. This is when she accused me of excluding her CONTRIBUTIONS! I proposed to this mother of my daughter, who I wanted to own my name and not the name of a Infamous Imposter. I wanted them both to be in MY FAMILY TREE.  What I didn’t understand, was, I was dealing with a out of control Narcissist, that had to have it all, and, I had come between her and her NARCISSTIC SUPPLY. In two months Patrice would disappear our child – with the help of all members of her family, who could care less about MY FAMILY TREE.

What I had done wrong was MAKE IT REAL. I WOKE Patrice from her fantastic dream story that she wove around Heather. She saw that I owned all THE REAL POWER, and thus needed the rival author fully in her camp. This is why she tried to convince me in a e-mail that two books would be better. Do you see it? This DEMON typed a letter to me and had my daughter apply her name. Peirrot petitioned the Probate Court for an Estate Seal so she could apply it to unsigned Rosamond lithographs, and give them the same worth as the signed work. This is right out of Big Eyes, that exposes the narcissistic personality disorder of Walter Keane.

The Rosemondts owned Wolf House in Brambant, and were part of a restoration of Frankish rule in theat area, which suggests they might be descended from Merovingians. One author connects them to the Knight Templars and the Holy Grail in a speculative manner. J.R. Tolkein was inspired by the book Wolfen written by the Pre-Raphaelite William Morris. In 1969 I emulated the Pre-Raphaelite style and philosophy that in turn inspired my late sister, Christine Rosamond Benton. We were the New Pre-Raphaelite Brother and Sister, as well as Brother and Sister in Alcoholics Anonymous, where we shared out stories. I told Patrice no outsider can tell OUR SOBER STORY. I told this mother that I wrote the executor and told him he can not sell our Program to others so they can realized a prophet. Patrice could not see herself, and our daughter, as an INSIDER, because they had come for THE FREE FOR ALL!

In Snyder’s book he repeats the secret of Rosamond’s success. Rosamond cut out images of models in fashion magazines, and projected them on a canvas – without the permission of the model. When I discovered this projector Christine asked me for help – because she did not feel like a real artist. I will ask Lara Roozemond for permission to use her photos, and if she will model for me. She might do this for free in order to enrich her portfolio.

As a real artist, and as a man, father, and grandfather, I have formed complex bonds with real beautiful women. Christine did not. I am no longer going to let vain and selfish women near me and my work. I don’t need the heartbreak, and, the dark image they give me.

Jon Presco

Copyright 2014

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“Traditionally, AA members have always taken care to preserve their anonymity at the “public” level: press, radio, television, and films.

In the early days of AA, when more stigma was attached to the term “alcoholic” than is the case today, this reluctance to be identified – and publicised – was easy to understand.

As the Fellowship of AA grew, the positive values of anonymity soon became apparent.

First, we know from experience that many problem drinkers might hesitate to turn to AA for help if they thought their problem might be discussed publicly, even inadvertently, by others. People who are new to AA should be able to seek help with complete assurance that their identities will not be disclosed to anyone outside the Fellowship.

Then, too, we believe that the concept of personal anonymity has a spiritual significance for us – that it discourages the drives for personal recognition, power, prestige, or profit that have caused difficulties in some societies. Much of our relative effectiveness in working with alcoholics might be impaired if we sought or accepted public recognition.

While each member of AA is free to make his or her own interpretations of AA tradition, no individual is ever recognised as a spokesperson for the Fellowship locally, nationally, or internationally. Each member speaks only for himself or herself.”

Charmian and Jack’s dream of parenthood never materialized.  Charmian became pregnant twice.  One child whom they named Joy survived only a few hours and the other child was lost due to a miscarriage.

After Jack’s death in 1916, Charmian committed herself to saving Beauty Ranch and promoting Jack’s legacy.  She sold his writings and worked with the movie industry to convert Jack’s books into films.  She travelled frequently to Europe to work with agents, publishers and translators. She became a well-known personality in her own right and never remarried.

Charmian died January 14, 1955 at the age of 83 and her ashes joined those of her beloved Jack  under the rock on a little knoll in Jack London State Park.  After her death, Irving Shepard, her heir, facilitated Charmian’s wishes to donate her House of Happy Walls and 39 acres to the State of California.  Her wishes were fulfilled in October of 1960 when Jack London State Park was officially opened to the public.

The Wolf House
“Jack and his second wife Charmian’s dream home was planned even before their marriage. Actual work on it began April 1911. Albert Farr of San Francisco was the architect who transferred Jack’s ideas into blueprints. For earthquake protection, the building was put on a huge floating slab large enough to support a forty-story building. Redwood trees, fully clothed in their own bark, deep chocolate-maroon volcanic rocks, blue slate, boulders and cement were chosen for primary building materials. The roof was of Spanish tile and came from the N. Clark and Sons Pottery, built on the old Davenport place in Alameda. Large redwood trees, with the bark still intact, formed the carriage entrance, the pergolas, and porches. The rafters were of rough-hewn, natural logs. Tree trunks in the gables and balconies were interlaced with fruit twigs for a beautiful effect.”

“Wolf House was not a castle in any sense of the term, though Jack and others referred to it as that. It was big, unpretentious, open, natural, and inviting, just like its builder. It was designed as a busy author’s workshop, and as a home big enough for the many needs of the Londons, and for the entertainment of their friends.

The Wolfswinkelse Water Mill was a watermill on the Dommel. The watermill is located in the municipality of Sint-Oedenrode Breugel Nijnselbetween and. This mill Shop mill may have ever known.

“Erhart de Rougemont who bought in 1495 “the house called Rebleuten-Zunft in Basle in the Freistrasse.’
Peter Rosemond had seen in print the letters from Erasmus to Gotschalk Rosemondt. He noticed that a seal used by a Rosemont in Holland, bearing a jumping fox, was like an emblem he had noticed in a wall of the house Rebleuten-Zunft in Basle. This seal
dated back to 1430,
This James (or Jacob, for these names were once interchangeable) was the son of Hans Ulrich
Rosemond, born 1623, a weaver; who was a son of Hans, a weaver, born
1581; who was a son of Fred Rosemond, born 1552, a weaver, member of
town council and a local captain; who was the son of another Hans
whose date of birth is not known, but he too, was a weaver and became
a citizen of Basle in 1534. His father was Erhart de Rougemont who
bought in 1495 “the house called Rebleuten-Zunft in Basle in the
Freistrasse.’ Peter Rosemond further reported information from the
Records Office in Basle that “before Basle the family resided in
Holland up to 1338, and it is said they descended from the estate
Rosemont, near Belfort, in France, where also the village Rougemont
is found.” A family coat-of-arms was registered in Basle about 1537
when the first Hans became a resident there. A reproduction of this
coat-of-arms in the writer’s possession shows a weaver’s crook
conspicuously, and it will be remembered that in Ireland our people
were linen weavers and farmers, and that Edward, the elder, was a
weaver in this country. Peter Rosemond had seen in print the letters
from Erasmus to Gotschalk Rosemondt. He noticed that a seal used by a
Rosemont in Holland, bearing a jumping fox, was like an emblem he had
noticed in a wall of the house Rebleuten-Zunft in Basle. This seal
dated back to 1430, whereas the coat-of-arms above mentioned dates
from 1534, it seems. Peter Rosemond died September 22, 1930. This is
but a sketch of what he wrote.”

In the name means Wolfswinkel Shop an angle. The element can be in multiple ways, however, Wolf explained. Many think it first to the animal name, but it can also save on a field curvature . That seems like a meaningful declaration because such terrain shape in the environment explicitly to designate falls (namely a strikingly high steep banks along the Dommel, half a kilometre to the North).
[Edit] History
[Edit] Glory Wolfswinkel until 1604
The mill was around 1200 by Duke Henry I of Brabant donated to the Priory of Postel. Later it became a little glory, consisting of a omgrachte hofstede (the Water hoof), a farm and water mill. This area was by the Ducal couple Johanna van Brabant and Wenceslas I of Luxembourg in 1381 in leen issued to the nobleman Edmund d’Aquis. There would then also a padlock are built. The oldest known occupant, after which her son would Agnes van Wolfswinkel Colen of Dijnter has inherited the property, after which the owners were Emont of Geerke and Dijnter. In 1450 the glory was in possession of the family of Rosemont, and afterwards the families Coensborgh and Molenpas. The lock was already gone. In the 15th and 16th century followed by the families mentioned families, The Huyoel, Of Broekhoven, Bogaers Cocq and Thielemans.
[Edit] From 1604 to 1795
The mill was In 1604 , los of the estate, as a separate fief sold to Coenraedt Jan Adriaens. In 1628 the mill was in the possession of Jhr. Jeger 1650 a oil mill with the original corn mill had built. We Around 1720 was the mill in the possession of Lord Lambert, count of Berlo, and after his death the mill was sold to Johan Carel de Jeger, who was Lord of Eckart .
During the French period, at the end of the 18th century, the mill was burned by the English and German troops, in order in this way, the English army, that was contracted on the Nistelrooise Heide, to warn of the approaching French. The remnants were then sold in 1795 to Widow of schalkwijk, which the mill Raon 50 metres upstream left a rebuild.
[Edit] From 1795 to the present
After the rebuilding the mill has known many owners. She was under during the 19th century more used as the volmolen by Geldropse and the Tilburg textile manufacturers. Although the mill was still in operation in 1878 , she hit soon afterwards in decline. In 1928 the Dommel and fell the lock in the water mill was sold to waterboard De Dommel. After 1945 the watermill was demolished, despite efforts to preserve it.
Nowadays rest on this picturesque place only the Mill House. In addition, reminds the Water farm to the former glory. Furthermore, reminds a small monumentje to the water mill, as well as the path that leads there, which still bears the name Watermolen Street . The cycle path network along The Peel performs there.

Gerlach de Roovere, Knight, Lord of Waalwijk, Drunen, Vlijmen, “Honsoirde” (Onsenoort) Rixtel, Someren, Lierop and Wets. According to a manuscript of the genealogy of 1266 is Gerlach Arnold Son de Roovere (genus of Red) married Oda, daughter of Jan van Megen. One of their many children was Willem de Roovere.
The Brabantse noble genera that the 3 are all descendants of the mill irons, counts of Red. These old genera are named after the name of villages, Hamlets, neighbourhoods or estates under the old Taxandrie such as Asdonck, Stackenburgh, Van der van Vlierden, van Lierop, of Vladeracken, of, of, of Hove, Hersel, Breugel of Wette, Rinckveld, van Lieshout, of IJllingen, of veenhuizen, van den, van Wolfswinkel, Bolck of Broekhoven. But also Straeten, Kuysten, van Loon, of Orthen, van Mierlo, at Heerenhoven, of the fields, van den Heuvel and to d Boirschot ´ Erp.

When one wants to demonstrate that it has the right to a particular good or right, we need evidence. If they are missing, one can resort to falsifying or fabricating evidence itself that. Forgery is, however, not something today or yesterday. Certainly in times, which by war or fire more often than now, as in the middle ages pieces were lost, grabbed one to this medium.
We see, therefore, that ordinary people, noble families but also monasteries and abbeys not schroomden for den day to come up with the finest “evidence” of own fabrications. Such a collection of false or falsified documents can put a contemporary historian on the wrong leg and that is done repeatedly. The medieval family Stakenborch is an eloquent example. Purpose of the following is not to write a history of this interesting and for Lierop, Asten and Someren extremely important family, but to an old misunderstanding about to eliminate her.

Historical is of the family of Stakenborch the following known with certainty. Circa 1350 was Willem van Someren Stakenborch substantial man in inter alia, Asten and Lierop. He and his family owned, as owner or tenant, as many real estate throughout Brabant, including the good Vladeracken or Vlerken under Someren. William was also lessee of important goods of the Priory of Postel, namely the Windmill in Someren and water mill of Strip donk under Lierop. A mill was a huge source of income and Willem van Stakenborch and his brothers Henry I, Jan and Mathijs also to great success and brought it great prestige. Henry was even prior or prosiver (head) of the godshuis in Postel. Because this monastery with financial problems faced, borrowed it from the Stakenborch family of considerable sums of money. Postel gave them tithes and goods as collateral. For any goods it went, evidenced by a document from 1401. It says that Henry II of Stakenborch, son of William, inherited from his father all the rights on the goods pledged by the Priory of Postel to William, namely four farms in Someren, the tithes and the Windmill van Someren and goods Moorsel, Dot donk and Lierop.

In addition, did Henry I of Stakenborch, prior of Postel, some donations to the monastery. However, when he died in or before 1359 there arose a conflict. The only remaining brother, Willem, apparently, found that he was disadvantaged by Hendriks donations. Recalling also the large debts which Postel had to the family. There was, however, a referee and enabled 1359 legden Willem van Stakenborch on 10 January and the Priory of Postel in their dispute. Mathijs van Asten ceased In 1364 of Boescot, also of William of Stakenborch, for its part, intensify the process nephews against the then prior of Postel.

The descendants of the Brothers Of Stakenborch however showed sit at. Because according to them had not repaid the loan Postel and they therefore still entitled to the pledged goods, flared again in 1426 the fight in all vehemence. Jan van Stakenborch meeting and threatened to strip the possessions of the monastery in Postel even fire. The Duke of Brabant issued an arrest warrant against him and Jan had to leave the country. Thirty years later, in 1456, it came to a process, when John’s heir, weather of a claim made on all Mathijs Bois shot, Someren, tithing, the Windmill to van Someren in Someren and the mill law and four hooves to Someren Lierop. He did this on the basis of old usage rights, arising from the pecuniary obligations (debts) which Postel had towards the family. Mathijs claimed goods and rights that were around 1350 by the Priory of pledged to his ancestor William of Postel Stakenborch.

The Priory had been clean enough of Postel. Around 1360 the had acknowledged that all goods and rights of Stakenborchs still in Someren Postel were, but one nutrok and Lierop this fact again in doubt! The monks therefore decided to manufacture a number of effective evidence. A cumbersome procedure, but not directly on the basis of real instruments would always weather can lead to evidentiary again in doubt pull of the ownership rights of Priory Postel. Therefore the monks arrived in 1456 up with three instruments from 1243, 1266 and false 1311. These were to prove that the early Stakenborchs Of all their rights on tithes, a mill and four farms in Someren and the mill law in Lierop Postel to the monastery had donated and that they therefore had no rights more on. In the three forged charters is a very sex to emerge of the aforementioned brothers William, Henry trooped, Jan and Mathijs. Apparently it was the family of Stakenborch, formerly leaseholders of the monastery, in the fifteenth century the Premonstratensians grown above the head, such that even the clergy saw no other way out than Postel more counterfeiting. In the pedigree of the family of Stakenborch we come in the forged charters as forefathers souped-up Gerlach and Willem de Rover often against. It is quite possible that the fact of them descended but the false Stakenborchs Of instruments should not serve as proof. Also, Gerlach and Willem instruments in the “Lord of Stakenborch in Someren” and that is in the real pieces never the case.

The Stakenborchs Of their pretensions towards Postel gave after 1456 on but the story is not yet out. A smart descendant has the counterfeits of Postel in the seventeenth century once used and even supplemented with still a forgery. In 1656 namely claimed French of Bois shot of noble descent. He wanted to prove this by pointing to his descent from the chivalrous Of the noble Stakenborchs and the robbers. But he had not enough to the false Postelse charters. That is why a Charter, which was produced from 1308, on the one hand, the relationship between Of Bois shot and Of the Lords of Stakenborch and of Stakenborchs to Asten and Lierop and escharen were promoted. Names of actual gentlemen of Asten (and Lierop?), members of the family of Cuijk, were incorporated in the pedigree. All this was, of course, completely false, but like Postel in 1456, reached the forger also this time the desired result: his claims to nobility was recognized.

Later chroniclers made the matter still further complicated by the pedigree to fill in fanciful. Result, interesting but volsterkt unhistorical pedigrees. So Stakenborchs on the basis of the counterfeits were Of considerable leaseholders in Someren, Lierop and upgraded from Asten to gentlemen of Asten and Lierop, which they never been. Coppens and Schutjes know even to report that Henry of Stakenborch, before if Postel “Norbertijner the white habit” provisor, the Lordships Lierop, Stakenborch, Someren, Asten and escharen sold to the Duke of Brabant. It has therefore thought that his municipality weapon, the three mill Lierop irons, to the identical coat of arms of this family. The Priory would have this weapon also postel inherited from Henry of Stakenborch, which was around 1350 prior Postel. Whom the weapon is now the question of whom took over to the chicken and the egg. The most obvious, however, that it is and that it is both the oldest Postelse weapon by Lierop if by Stakenborchs is inherited.


Source: “Lierop ‘n image of a village”

1. the following is almost entirely based on the diplomatic considerations of H.P.H. in the instruments at the Camps Camps on ONB, ONB, nr 199 d.d. p. 277; No. 305 pp. 917-920 dated; No. 863 dated 1052-1055 pp.
2. a. j. stakenburg Teychiné, “The Brabantse genus stakenburg in the XIVe – XVIIIth century”, Yearbook of the Centraal Bureau voor Genealogie 15 (1961) 118-146, m.n. 120-121 (= idem, the family stakenburg (Rotterdam1961). See for his further studies on this family the footnotes 4 and 7
3. Henry amused in 1401 these goods in turn to his sister Margriet (the archives of Th.L.Welvaarts, Zomeren Postel’s Abbey (Helmond/Turnhout 1892) 65-66)
4. Notarized deed dated 1364 July 20 (RANB, old 1885/27bis/g, temporarily: dossier Church Asten deed g), mentioned in Camps, ONB p. 1054; Teychiné stakenburg facsmile: A.J., the oldest generations der family stakenburg (Rotterdam 1980) 15.
5. In the beginning of the 17th century one manufactured a false deed in Postel, yet supposedly from the year 1357, which a defence work recorded against the so-called claims of Willem van Lierop and Stakenborch on the mills of Someren (Someren 9bis Abbey-archive Postel, charters; see Camps, ONB, p. 1054 and n. 1)
6. J.A. Coppens, New description of the Diocese of ‘s-Hertogenbosch in response to the Meijerijsch in his book of a. Kath Pleading van Gils, (4 din; “s-Hertogenbosch 1840-1844) III. 1 302-303: Schutjes, history of the Diocese of ‘s-Hertogenbosch l.h.c., (5din; St. Michiels-Gestel 1870-1876) III, 144; IV, 669; A.F.O. Sasse van Ysselt, of “the glory Asten”, Taxandria 22 (1915) 3-9, 65-73, 121-129.
7. Unfortunately is also the serious researcher of the family of Teychiné, Stakenborch, A.J. stakenburg in this trap cases. This is the case in his study from 1961, “The Brabantse genus stakenburg”, pp. 118-122, in which he mainly based on a manuscript of the nineteenth-century Archivist of Postel, Th.L.Welvaarts, “the family of Stakenborch 1343-1626 to the archives of the Abbey of Postel” still vooert “Willem de Rovere in 1980 he Stakenborch, Lord of Asten and escharen (and Lierop?)”, which therefore never existed, as ancestor of the genus (see Teychiné, “the oldest generations stakenburg”, 5; and idem “The Brabantse genus stakenburg” complements the genealogy, the Brabant Lion 31 (1982) 85-86
8. see e.g. f. Prince, the onze-Lieve-Vrouwe-Norbertine Postel Abbey der to (Antwerp 1935) 46-47.

About Royal Rosamond Press

I am an artist, a writer, and a theologian.
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2 Responses to The Rose Lords of Wolf House

  1. Sr. Presco, You are being read in San Francisco. GOOGLE is giving MILLIONS to “Je suis Charlie”
    …perhaps your DAILY LITERARY JOURNAL & commentaries could be VC FUNDED and thus SYNDICATED?

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