Celebration at Big Sur

mimi-farina-wedding2

mimi-farina-wedding-23

mimi-farina-wedding-33

mimi-farina-wedding-44

mimi-farina-wedding-55

mimi-farina-wedding-66

I just discovered this film that may be the West Coast’s answer to Woodstock. Mimi farina got remarried for this event. It was filmed by Baird Bryant who filmed ‘Gimme Shelter’ a film about Altamont that was the Hippie Doomsday. I was Chris Wandel’s roommate when Peter Shapiro dropped in and asked me if I was going to see the Stones. I warned him not to go because I had a bad feeling. Consider my musical ‘Love Dance’
a.k.a.’My Beautiful Blue Bicycle’ Mimi was a dancer.

Jon Presco

Wenzell Baird Bryant (Columbus, Indiana, December 12, 1927 – Hemet, California, November 13, 2008) was an American filmmaker. He is best known as the cameraman on the Albert Maysles film Gimme Shelter who filmed the fatal stabbing of Rolling Stones concertgoer Meredith Hunter by Hells Angel Alan Passaro at the Altamont Free Concert in December 1969.

As a cinematographer, Bryant also worked on Easy Rider, filming the famous LSD scene with Dennis Hopper in a New Orleans cemetery. He was also a writer, living in 1950s Paris with William S. Burroughs, Allen Ginsberg, and Jack Kerouac and writing Play This Love With Me (1955) pseudonymously. He also wrote the first translation of Pauline Réage’s erotic novel Story of O.

He studied at Deep Springs College and Harvard University.[1][2]

Celebration at Big Sur

Celebration at Big Sur

Directed by
Baird Bryant, Johanna Demetrakas
Produced by
Ted Mann, Carl Gottlieb
Cinematography
Baird Bryant, Johanna Demetrakas, Gary Weis, Peter Smokler, Joan Churchill[1]
Distributed by
20th Century Fox
Release date(s)
1971
Running time
82:24[2]
Language
English
Celebration at Big Sur (also known simply as Celebration) is a film of the 1969 Big Sur Folk Festival in Big Sur, California, featuring Crosby, Stills, Nash and Young (CSNY), Joan Baez, Joni Mitchell and others.
Released in 1971, the film was directed by Baird Bryant and Johanna Demetrakas. A young Gary Weis was among the cinematographers;[3] other members of the camera and sound crew also went on to become famous in their fields, including Peter Smokler,[4] Peter Pilafian,[5] and Joan Churchill.[6]
As of 2011, the film has finally been released as at least a Region 1 DVD.
The festival, one in an annual series of concerts held on the grounds of the Esalen Institute in Big Sur from 1964 to 1971, was held on the weekend of September 13–14, 1969,[7] only one month after the famous and considerably larger Woodstock Music & Art Fair, which is referred to repeatedly. Celebration at Big Sur did not receive the same critical acclaim as the 1970 Woodstock film.[8]

Celebration at Big Sur (also known simply as Celebration) is a film of the 1969 Big Sur Folk Festival in Big Sur, California, featuring Crosby, Stills, Nash and Young (CSNY), Joan Baez, Joni Mitchell and others.
Released in 1971, the film was directed by Baird Bryant and Johanna Demetrakas. A young Gary Weis was among the cinematographers;[3] other members of the camera and sound crew also went on to become famous in their fields, including Peter Smokler,[4] Peter Pilafian,[5] and Joan Churchill.[6]
As of 2011, the film has finally been released as at least a Region 1 DVD.
The festival, one in an annual series of concerts held on the grounds of the Esalen Institute in Big Sur from 1964 to 1971, was held on the weekend of September 13–14, 1969,[7] only one month after the famous and considerably larger Woodstock Music & Art Fair, which is referred to repeatedly. Celebration at Big Sur did not receive the same critical acclaim as the 1970 Woodstock film.[8]

Contents
 [hide] 
1 Performances
1.1 Crosby, Stills, Nash & Young
1.2 Joni Mitchell
1.3 Joan Baez
1.4 Others
2 Songs performed
3 Notes
4 External links
Performances[edit]
The concert occurs on a low stage by the Pacific Ocean, which the audience faces. Musical performances dominate the film, with footage of surrounding occurrences interspersed and montaged into the music sequences.
Crosby, Stills, Nash & Young[edit]
The film includes early footage of Neil Young,[9] who had recently appeared at Woodstock with Crosby, Stills & Nash, but refused to be filmed. Here, fortified by session drummer Dallas Taylor and Motown bassist Greg Reeves, CSNY perform Young’s “Sea of Madness” and “Down by the River”. Perhaps the film’s most famous scene is an altercation between Stephen Stills and a heckler.[10]
Joni Mitchell[edit]
Mitchell, who did not appear at the Woodstock Festival, performs the song “Woodstock” prior to any album release, first attempting to teach the audience to sing the melodically complicated refrain. Ironically, Mitchell would later develop a well-known distaste for festival gigs, but in this performance her enthusiasm is evident. Mitchell talks about having spotted whales off the coast, and is generally seen with then-boyfriend Graham Nash of CSNY. She also sings “Get Together” with members of Crosby, Stills & Nash in a seemingly impromptu jam.
Although Mitchell had made earlier televised appearances, this may be her earliest filmed performance.[11]
Joan Baez[edit]
Baez was a Big Sur-festival regular whose folk-music workshop at Esalen in 1965 helped attract pop/rock acts later to the festival.[12][clarification needed] She is featured prominently throughout the film. Celebration begins with Baez opening the festival with Bob Dylan’s “I Shall Be Released” and closes with her leading a large crowd in singing “Oh Happy Day” in the event’s finale. She also sings two of her own compositions, “A Song for David” and “Sweet Sir Galahad”, during the course of the film.
Others[edit]
In addition to CSNY, Baez and Mitchell, other performers featured in Celebration included John Sebastian, Dorothy Combs Morrison and The Combs Sisters, Mimi Fariña, Carol Ann Cisneros, Julie Payne, Chris Ethridge and The Struggle Mountain Resistance Band.[8]
While Ruthann Friedman, The Flying Burrito Brothers and The Incredible String Band performed at this event,[7][13] they do not appear in the film.
In the opening scene the filmmakers attempt to interview local patrol police, but fail to get permission.
Songs performed[edit]
1. “I Shall Be Released” – Baez
2. “Mobile Line” – Sebastian with Stills
offstage
3. “Song for David” – Baez
shown rehearsing offstage, with stage performance of same song cut in
4. “All of God’s Children Got Soul” – Morrison and the Combs Sisters
5. “Sea of Madness” – CSNY
6. “4 + 20” – Stills solo performance
Stills introduces this number discussing his interaction with a heckler in the previous scene
7. “Get Together” – Mitchell with Crosby, Stills & Nash and Sebastian
8. “Put a Little Love in Your Heart” – Morrison and the Combs Sisters
incomplete
non-musical footage of nude sauna, audience happenings
9. “Swing Down Sweet Chariot” – various
offstage, incomplete
10. “Rainbows All Over Yours Blues” – Sebastian
11. “Woodstock” – Mitchell
non-musical footage of self-identified “freak” with Woodstock-themed bus
12. “Red-Eye Express” – Sebastian with Stills
13. “Changes” – Fariña and Payne with Stills
incomplete
14. “Malagueña Salerosa” – Cisneros
15. “Rise, Shine, and Give God the Glory” – The Struggle Mountain Resistance Band
incomplete
16. “Down By the River” – CSNY
incomplete, over 7 minutes
folk musician improvising outside the festival
17. “Sweet Sir Galahad” – Baez
18. “Oh Happy Day” – Morrison and the Combs Sisters with Baez
opens with Baez rehearsing same number with Morrison

One response to “Celebration at Big Sur”

  1. Reblogged this on rosamondpress and commented:

    Richard and Mimi lived in the Carmel Highlands in a house that overlooked the sea. Richard and Thomas Pynchon attended Cornell, and were good friends of my ex-wife, Mary Ann Tharaldsen, who did a life-size portrait of Mimi. https://rosamondpress.com/2014/11/23/mimi-the-muse/

    Celebration at Big Sur

    http://www.richardandmimi.com/

    http://www.richardandmimi.com/mimi-bio.html

    In the Spring of 1962 many folksingers happened to be in Paris for an overseas stomp–there was a brief vogue of expatriatism–so one day in early April they all went on a picnic together in the countryside and visited Chartres Cathedral. In attendance were Mimi, her friend Todd Stuart, John Cooke of the Charles River Valley Boys, English guitarist Alex Campbell, Texas folksinger Carolyn Hester, and Carolyn’s husband Richard Fariña, who had planned the picnic. Mimi was to learn later that Richard Fariña planned many picnics, parties, and happenings. He was a writer and poet, eight years older than Mimi, and like herself, he was half Hispanic and half Celtic: son of a Cuban father and Irish mother. Handsome, charming, and learned, Richard dazzled Mimi with stories about the saints and demons depicted in the Cathedral. Mimi, feeling very sophisticated at sixteen, celebrated with wine and cigarettes. She got drunk for the first time in her life and threw her up sandwich on Richard’s face. Soon they were in love. Days later, Fariña sent her a poem, “The Field Near the Cathedral at Chartres,” which he had written about their meeting–though with poetic license he tactfully omitted the part about Mimi throwing up on his face.

    Mimi and Richard moved in a one-room cabin near Joan’s home in Carmel Valley. Richard worked on his novel during the day, and at night they would entertain themselves by making music. They began composing songs based on a unique, polyrythmic and improvisational interplay of guitar and dulcimer, an unusual combination that opened up unknown musical territory as wild and beautiful as the Carmel countryside

    Richard Fariña is buried in the Monterey City Cemetery, which I view every morning over my right shoulder, while riding to work. His small, flat stone is emblazoned with a peace sign. Judy Collins sang at his funeral. Mimi Fariña died of cancer in 2001. Her sister, Joan Baez, built a home on Miramonte Road, not far from the spot where her brother-in-law died.
    Richard and Mimi Fariña’s house on Mount Devon Road is still there (and is shown on this page): a low, flat structure that’s unspectacular in comparison to the multi-million dollar estates that now surround it. It nonetheless still  commands a striking view of the rocky coast, and it’s easy to see how it would impel the writing of any book, as it did for Fariña.

Leave a reply to Royal Rosamond Press Cancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.