Finnegan – Wakes the Dead!

finn

luciaIn looking for a photo of James Joyce, I came upon a Rock Opera by Los Doggies based upon Finnigen’s Wake.

“He who laughs last, laughs best!”

Greg

The Wake naturally lends itself to a musical translation with its jabberwocky prose of multilingual puns and portmanteau words. It’s a twilight book, so it’s gonna need a twilight soundtrack.
Here is the ‘thunderword’ from page 1.
“Bababadalgharaghtakamminarronnkonnbronntonnerronntuonnthunntrovarr-hounawnskawntoohoohoordenenthurnuk!”
Thunderword. Pg.1
This thunderword contains the word for thunder in a dozen different languages. The musical translation follows some of the letter cues. The bass riff begins with the notes “B A B A D A G A” as in “Bababadalgharagh”.

http://weaverofthewind.blogspot.com/2010/11/accidental-music-providentially.html

http://www.finwake.com/1024chapter1/1024finn1.htm

Los Doggies envisions Finnegans Wake as a Rock Opera. Mátyás Seiber, Hungarian composer, wrote two (sadly, unrecorded) pieces taking Joyce as inspiration: “Ulysses” (based on the “Ithaca” episode) and “Three Fragments from A Portrait of the Artist as a Young Man”. The American premiere performance of Ulysses took place at Carnegie Hall this year, in October. Mason Jennings sings about Ulysses: “I went into twelve bookstores looking for Ulysses…” (Is he Hugh Kenner? I must say, I have never found obtaining a copy this difficult! Anyway, he continues, “Now I have it here sitting on the table.” Phew!) It’s actually a nice song and can be heard here. Basically, music is so often based on Joyce’s works that websites devote themselves to the subject.

But there are two musical Joyce projects going on right now that show how his works are still being used as artistic inspiration:

The James Joyce Quarterly blog (yes it’s true! don’t you wish all the academic journals you ever poured over had started writing awesome blogs?) recently wrote about the band Minus 3, who just recorded an album based on Ulysses. The album is titled North Strand, referencing Stephen’s walk on the strand in the “Proteus” episode, and includes a track titled “Adiaphane” (opaque), referencing one of Stephen’s topics of musing on this walk: “Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it, it is a gate, if not a door. Shut your eyes and see.”

Another track, titled “Yes”, is a more common Joyce reference – the first and last word of Molly’s monologue (and therefore the last word of the novel):

“…I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.”
Throughout the song you can faintly hear a woman’s singsong voice, but if you listen carefully, she the words are actually from “Finnegan’s Wake”.

riverrun, past Eve and Adam’s, from swerve of shore to bend
of bay, brings us by a commodius vicus of recirculation back to
Howth Castle and Environs.
Sir Tristram, violer d’amores, fr’over the short sea, had passen-
core rearrived from North Armorica on this side the scraggy
isthmus of Europe Minor to wielderfight his penisolate war: nor
had topsawyer’s rocks by the stream Oconee exaggerated themselse
to Laurens County’s gorgios while they went doublin their mumper
all the time: nor avoice from afire bellowsed mishe mishe to
tauftauf thuartpeatrick: not yet, though venissoon after, had a
kidscad buttended a bland old isaac: not yet, though all’s fair in
vanessy, were sosie sesthers wroth with twone nathandjoe. Rot a
peck of pa’s malt had Jhem or Shen brewed by arclight and rory
end to the regginbrow was to be seen ringsome on the aquaface.
The fall (bababadalgharaghtakamminarronnkonnbronntonner-
ronntuonnthunntrovarrhounawnskawntoohoohoordenenthur-
nuk!) of a once wallstrait oldparr is retaled early in bed and later
on life down through all christian minstrelsy. The great fall of the
offwall entailed at such short notice the pftjschute of Finnegan,
erse solid man, that the humptyhillhead of humself prumptly sends
an unquiring one well to the west in quest of his tumptytumtoes:
and their upturnpikepointandplace is at the knock out in the park
where oranges have been laid to rust upon the green since dev-
linsfirst loved livvy.
4 UP
What clashes here of wills gen wonts, oystrygods gaggin fishy-
gods! Brékkek Kékkek Kékkek Kékkek! Kóax Kóax Kóax! Ualu
Ualu Ualu! Quaouauh! Where the Baddelaries partisans are still
out to mathmaster Malachus Micgranes and the Verdons cata-
pelting the camibalistics out of the Whoyteboyce of Hoodie
Head. Assiegates and boomeringstroms. Sod’s brood, be me fear!
Sanglorians, save! Arms apeal with larms, appalling. Killykill-
killy: a toll, a toll. What chance cuddleys, what cashels aired
and ventilated! What bidimetoloves sinduced by what tegotetab-
solvers! What true feeling for their’s hayair with what strawng
voice of false jiccup! O here here how hoth sprowled met the
duskt the father of fornicationists but, (O my shining stars and
body!) how hath fanespanned most high heaven the skysign of
soft advertisement! But was iz? Iseut? Ere were sewers? The oaks
of ald now they lie in peat yet elms leap where askes lay. Phall if
you but will, rise you must: and none so soon either shall the
pharce for the nunce come to a setdown secular phoenish.
Bygmester Finnegan, of the Stuttering Hand, freemen’s mau-
rer, lived in the broadest way immarginable in his rushlit toofar-
back for messuages before joshuan judges had given us numbers
or Helviticus committed deuteronomy (one yeastyday he sternely
struxk his tete in a tub for to watsch the future of his fates but ere
he swiftly stook it out again, by the might of moses, the very wat-
er was eviparated and all the guenneses had met their exodus so
that ought to show you what a pentschanjeuchy chap he was!)
and during mighty odd years this man of hod, cement and edi-
fices in Toper’s Thorp piled buildung supra buildung pon the
banks for the livers by the Soangso. He addle liddle phifie Annie
ugged the little craythur. Wither hayre in honds tuck up your part
inher. Oftwhile balbulous, mithre ahead, with goodly trowel in
grasp and ivoroiled overalls which he habitacularly fondseed, like
Haroun Childeric Eggeberth he would caligulate by multiplicab-
les the alltitude and malltitude until he seesaw by neatlight of the
liquor wheretwin ’twas born, his roundhead staple of other days
to rise in undress maisonry upstanded (joygrantit!), a waalworth
of a skyerscape of most eyeful hoyth entowerly, erigenating from
5 UP
next to nothing and celescalating the himals and all, hierarchitec-
titiptitoploftical, with a burning bush abob off its baubletop and
with larrons o’toolers clittering up and tombles a’buckets clotter-
ing down.
Of the first was he to bare arms and a name: Wassaily Boos-
laeugh of Riesengeborg. His crest of huroldry, in vert with
ancillars, troublant, argent, a hegoak, poursuivant, horrid, horned.
His scutschum fessed, with archers strung, helio, of the second.
Hootch is for husbandman handling his hoe. Hohohoho, Mister
Finn, you’re going to be Mister Finnagain! Comeday morm and,
O, you’re vine! Sendday’s eve and, ah, you’re vinegar! Hahahaha,
Mister Funn, you’re going to be fined again!
What then agentlike brought about that tragoady thundersday
this municipal sin business? Our cubehouse still rocks as earwitness
to the thunder of his arafatas but we hear also through successive
ages that shebby choruysh of unkalified muzzlenimiissilehims that
would blackguardise the whitestone ever hurtleturtled out of
heaven. Stay us wherefore in our search for tighteousness, O Sus-
tainer, what time we rise and when we take up to toothmick and
before we lump down upown our leatherbed and in the night and
at the fading of the stars! For a nod to the nabir is better than wink
to the wabsanti. Otherways wesways like that provost scoffing
bedoueen the jebel and the jpysian sea. Cropherb the crunch-
bracken shall decide. Then we’ll know if the feast is a flyday. She
has a gift of seek on site and she allcasually ansars helpers, the
dreamydeary. Heed! Heed! It may half been a missfired brick, as
some say, or it mought have been due to a collupsus of his back
promises, as others looked at it. (There extand by now one thou-
sand and one stories, all told, of the same). But so sore did abe
ite ivvy’s holired abbles, (what with the wallhall’s horrors of rolls-
rights, carhacks, stonengens, kisstvanes, tramtrees, fargobawlers,
autokinotons, hippohobbilies, streetfleets, tournintaxes, mega-
phoggs, circuses and wardsmoats and basilikerks and aeropagods
and the hoyse and the jollybrool and the peeler in the coat and
the mecklenburk bitch bite at his ear and the merlinburrow bur-
rocks and his fore old porecourts, the bore the more, and his
6 UP
blightblack workingstacks at twelvepins a dozen and the noobi-
busses sleighding along Safetyfirst Street and the derryjellybies
snooping around Tell-No-Tailors’ Corner and the fumes and the
hopes and the strupithump of his ville’s indigenous romekeepers,
homesweepers, domecreepers, thurum and thurum in fancymud
murumd and all the uproor from all the aufroofs, a roof for may
and a reef for hugh butt under his bridge suits tony) wan warn-
ing Phill filt tippling full. His howd feeled heavy, his hoddit did
shake. (There was a wall of course in erection) Dimb! He stot-
tered from the latter. Damb! he was dud. Dumb! Mastabatoom,
mastabadtomm, when a mon merries his lute is all long. For
whole the world to see.
Shize? I should shee! Macool, Macool, orra whyi deed ye diie?
of a trying thirstay mournin? Sobs they sighdid at Fillagain’s
chrissormiss wake, all the hoolivans of the nation, prostrated in
their consternation and their duodisimally profusive plethora of
ululation. There was plumbs and grumes and cheriffs and citherers
and raiders and cinemen too. And the all gianed in with the shout-
most shoviality. Agog and magog and the round of them agrog.
To the continuation of that celebration until Hanandhunigan’s
extermination! Some in kinkin corass, more, kankan keening.
Belling him up and filling him down. He’s stiff but he’s steady is
Priam Olim! ‘Twas he was the dacent gaylabouring youth. Sharpen
his pillowscone, tap up his bier! E’erawhere in this whorl would ye
hear sich a din again? With their deepbrow fundigs and the dusty
fidelios. They laid him brawdawn alanglast bed. With a bockalips
of finisky fore his feet. And a barrowload of guenesis hoer his head.
Tee the tootal of the fluid hang the twoddle of the fuddled, O!
Hurrah, there is but young gleve for the owl globe wheels in
view which is tautaulogically the same thing. Well, Him a being
so on the flounder of his bulk like an overgrown babeling, let wee
peep, see, at Hom, well, see peegee ought he ought, platterplate.
Hum! From Shopalist to Bailywick or from ashtun to baronoath
or from Buythebanks to Roundthehead or from the foot of the
bill to ireglint’s eye he calmly extensolies. And all the way (a
horn!) from fiord to fjell his baywinds’ oboboes shall wail him
7 UP
rockbound (hoahoahoah!) in swimswamswum and all the livvy-
long night, the delldale dalppling night, the night of bluerybells,
her flittaflute in tricky trochees (O carina! O carina!) wake him.
With her issavan essavans and her patterjackmartins about all
them inns and ouses. Tilling a teel of a tum, telling a toll of a tea-
ry turty Taubling. Grace before Glutton. For what we are, gifs
a gross if we are, about to believe. So pool the begg and pass the
kish for crawsake. Omen. So sigh us. Grampupus is fallen down
but grinny sprids the boord. Whase on the joint of a desh? Fin-
foefom the Fush. Whase be his baken head? A loaf of Singpan-
try’s Kennedy bread. And whase hitched to the hop in his tayle?
A glass of Danu U’Dunnell’s foamous olde Dobbelin ayle. But,
lo, as you would quaffoff his fraudstuff and sink teeth through
that pyth of a flowerwhite bodey behold of him as behemoth for
he is noewhemoe. Finiche! Only a fadograph of a yestern scene.
Almost rubicund Salmosalar, ancient fromout the ages of the Ag-
apemonides, he is smolten in our mist, woebecanned and packt
away. So that meal’s dead off for summan, schlook, schlice and
goodridhirring.
Yet may we not see still the brontoichthyan form outlined a-
slumbered, even in our own nighttime by the sedge of the trout-
ling stream that Bronto loved and Brunto has a lean on. Hiccubat
edilis. Apud libertinam parvulam. Whatif she be in flags or flitters,
reekierags or sundyechosies, with a mint of mines or beggar a
pinnyweight. Arrah, sure, we all love little Anny Ruiny, or, we
mean to say, lovelittle Anna Rayiny, when unda her brella, mid
piddle med puddle, she ninnygoes nannygoes nancing by. Yoh!
Brontolone slaaps, yoh snoores. Upon Benn Heather, in Seeple
Isout too. The cranic head on him, caster of his reasons, peer yu-
thner in yondmist. Whooth? His clay feet, swarded in verdigrass,
stick up starck where he last fellonem, by the mund of the maga-
zine wall, where our maggy seen all, with her sisterin shawl.
While over against this belles’ alliance beyind Ill Sixty, ollol-
lowed ill! bagsides of the fort, bom, tarabom, tarabom, lurk the
ombushes, the site of the lyffing-in-wait of the upjock and hock-
ums. Hence when the clouds roll by, jamey, a proudseye view is
8 UP
enjoyable of our mounding’s mass, now Wallinstone national
museum, with, in some greenish distance, the charmful water-
loose country and the two quitewhite villagettes who hear show
of themselves so gigglesomes minxt the follyages, the prettilees!
Penetrators are permitted into the museomound free. Welsh and
the Paddy Patkinses, one shelenk! Redismembers invalids of old
guard find poussepousse pousseypram to sate the sort of their butt.
For her passkey supply to the janitrix, the mistress Kathe. Tip.
This the way to the museyroom. Mind your hats goan in!
Now yiz are in the Willingdone Museyroom. This is a Prooshi-
ous gunn. This is a ffrinch. Tip. This is the flag of the Prooshi-
ous, the Cap and Soracer. This is the bullet that byng the flag of
the Prooshious. This is the ffrinch that fire on the Bull that bang
the flag of the Prooshious. Saloos the Crossgunn! Up with your
pike and fork! Tip. (Bullsfoot! Fine!) This is the triplewon hat of
Lipoleum. Tip. Lipoleumhat. This is the Willingdone on his
same white harse, the Cokenhape. This is the big Sraughter Wil-
lingdone, grand and magentic in his goldtin spurs and his ironed
dux and his quarterbrass woodyshoes and his magnate’s gharters
and his bangkok’s best and goliar’s goloshes and his pullupon-
easyan wartrews. This is his big wide harse. Tip. This is the three
lipoleum boyne grouching down in the living detch. This is an
inimyskilling inglis, this is a scotcher grey, this is a davy, stoop-
ing. This is the bog lipoleum mordering the lipoleum beg. A
Gallawghurs argaumunt. This is the petty lipoleum boy that
was nayther bag nor bug. Assaye, assaye! Touchole Fitz Tuo-
mush. Dirty MacDyke. And Hairy O’Hurry. All of them
arminus-varminus. This is Delian alps. This is Mont Tivel,
this is Mont Tipsey, this is the Grand Mons Injun. This is the
crimealine of the alps hooping to sheltershock the three lipoleums.
This is the jinnies with their legahorns feinting to read in their
handmade’s book of stralegy while making their war undisides
the Willingdone. The jinnies is a cooin her hand and the jinnies is
a ravin her hair and the Willingdone git the band up. This is big
Willingdone mormorial tallowscoop Wounderworker obscides
on the flanks of the jinnies. Sexcaliber hrosspower. Tip. This
9 UP
is me Belchum sneaking his phillippy out of his most Awful
Grimmest Sunshat Cromwelly. Looted. This is the jinnies’ hast-
ings dispatch for to irrigate the Willingdone. Dispatch in thin
red lines cross the shortfront of me Belchum. Yaw, yaw, yaw!
Leaper Orthor. Fear siecken! Fieldgaze thy tiny frow. Hugact-
ing. Nap. That was the tictacs of the jinnies for to fontannoy the
Willingdone. Shee, shee, shee! The jinnies is jillous agincourting
all the lipoleums. And the lipoleums is gonn boycottoncrezy onto
the one Willingdone. And the Willingdone git the band up. This
is bode Belchum, bonnet to busby, breaking his secred word with a
ball up his ear to the Willingdone. This is the Willingdone’s hur-
old dispitchback. Dispitch desployed on the regions rare of me
Belchum. Salamangra! Ayi, ayi, ayi! Cherry jinnies. Figtreeyou!
Damn fairy ann, Voutre. Willingdone. That was the first joke of
Willingdone, tic for tac. Hee, hee, hee! This is me Belchum in
his twelvemile cowchooks, weet, tweet and stampforth foremost,
footing the camp for the jinnies. Drink a sip, drankasup, for he’s
as sooner buy a guinness than he’d stale store stout. This is Roo-
shious balls. This is a ttrinch. This is mistletropes. This is Canon
Futter with the popynose. After his hundred days’ indulgence.
This is the blessed. Tarra’s widdars! This is jinnies in the bonny
bawn blooches. This is lipoleums in the rowdy howses. This is the
Willingdone, by the splinters of Cork, order fire. Tonnerre!
(Bullsear! Play!) This is camelry, this is floodens, this is the
solphereens in action, this is their mobbily, this is panickburns.
Almeidagad! Arthiz too loose! This is Willingdone cry. Brum!
Brum! Cumbrum! This is jinnies cry. Underwetter! Goat
strip Finnlambs! This is jinnies rinning away to their ouster-
lists dowan a bunkersheels. With a nip nippy nip and a trip trip-
py trip so airy. For their heart’s right there. Tip. This is me Bel-
chum’s tinkyou tankyou silvoor plate for citchin the crapes in
the cool of his canister. Poor the pay! This is the bissmark of the
marathon merry of the jinnies they left behind them. This is the
Willingdone branlish his same marmorial tallowscoop Sophy-
Key-Po for his royal divorsion on the rinnaway jinnies. Gam-
bariste della porca! Dalaveras fimmieras! This is the pettiest
10 UP
of the lipoleums, Toffeethief, that spy on the Willingdone from
his big white harse, the Capeinhope. Stonewall Willingdone
is an old maxy montrumeny. Lipoleums is nice hung bushel-
lors. This is hiena hinnessy laughing alout at the Willing-
done. This is lipsyg dooley krieging the funk from the hinnessy.
This is the hinndoo Shimar Shin between the dooley boy and the
hinnessy. Tip. This is the wixy old Willingdone picket up the
half of the threefoiled hat of lipoleums fromoud of the bluddle
filth. This is the hinndoo waxing ranjymad for a bombshoob.
This is the Willingdone hanking the half of the hat of lipoleums
up the tail on the buckside of his big white harse. Tip. That was
the last joke of Willingdone. Hit, hit, hit! This is the same white
harse of the Willingdone, Culpenhelp, waggling his tailoscrupp
with the half of a hat of lipoleums to insoult on the hinndoo see-
boy. Hney, hney, hney! (Bullsrag! Foul!) This is the seeboy,
madrashattaras, upjump and pumpim, cry to the Willingdone:
Ap Pukkaru! Pukka Yurap! This is the Willingdone, bornstable
ghentleman, tinders his maxbotch to the cursigan Shimar Shin.
Basucker youstead! This is the dooforhim seeboy blow the whole
of the half of the hat of lipoleums off of the top of the tail on the
back of his big wide harse. Tip (Bullseye! Game!) How Copen-
hagen ended. This way the museyroom. Mind your boots goan
out.
Phew!
What a warm time we were in there but how keling is here the
airabouts! We nowhere she lives but you mussna tell annaone for
the lamp of Jig-a-Lanthern! It’s a candlelittle houthse of a month
and one windies. Downadown, High Downadown. And num-
mered quaintlymine. And such reasonable weather too! The wa-
grant wind’s awalt’zaround the piltdowns and on every blasted
knollyrock (if you can spot fifty I spy four more) there’s that
gnarlybird ygathering, a runalittle, doalittle, preealittle, pouralittle,
wipealittle, kicksalittle, severalittle, eatalittle, whinealittle, kenalittle,
helfalittle, pelfalittle gnarlybird. A verytableland of bleakbardfields!
Under his seven wrothschields lies one, Lumproar. His glav toside
him. Skud ontorsed. Our pigeons pair are flewn for northcliffs.

One response to “Finnegan – Wakes the Dead!”

  1. Reblogged this on rosamondpress and commented:

    What I suggested on Gwendolyn’s group was a Labyrinth Walk in Kesey Square. This is when she banned me after sicking her goon, Osun, on me. https://rosamondpress.com/2014/01/13/lucia-and-artaud/

    “Here I am!”
    The Phantom of the Opera is my favorite movie. The Angel-Muse of Music was subjected to emotional and physical cruelty that as a Phoenix Bird he attempts to rise above. When I saw this movie, I wondered what was in a name Christine and Christensen. I inspired two women with Christ in their name, and they rendered images of beautiful women reciting poetry, and giving unto the world……….a rose!

Leave a comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.