Stacey Pierrot hired another ghost writer who tells such a incredible lie that it could be considered a fairytale, but for the fact it is devoid of any magic. She says Christine’s kindergarten teacher gave a testimony about how talented this five year old was. How old would this teacher be? Did she write a letter, or make a recording. If a letter existed, why was it not scanned and put in this liar’s boiography? If she was thirty in 1952, she would be 90 today. How was she found? What school did she teach in? What city? Why are liars like this allowed around creative people?
Christine told me she rendered the image above in order to deal with Bill’s death. How did she deal with the Liars that surrounded her?
Jon
If Christine’s parents had embraced her talent, there might be existing works from her childhood, but this was not to be. Fearing that Christine would steal her brother’s spotlight as the family artist, Christine’s mother, Rosemary, forbade Christine to draw at home. The only time she could express herself was at school or in her closet, by flashlight, when everyone else was asleep. Though we don’t have images to prove it, Christine’s kindergarten teacher has said that, by age five, Christine was already drawing with adult skill. She can remember Christine’s pictures of animals having near perfect detail and perspective.
In addition to oppressing Christine artistically, Rosemary also dominated Christine with physical violence. Trying to support four children with only a high school education and little help from her alcoholic husband, Rosemary was often enraged. She took this rage out on Christine and Christine’s earliest known works reflect it. In Teenage Drawing II, her subject is reticent and withdrawn. In Teenage Drawing III, the woman looks shocked and angry.
OVERNIGHT SENSATION: Los Angeles, California
After a failed marriage and the birth of her daughter Shannon, Christine fell in love with Scott Hale, an ambitious and demanding lighting designer. Recognizing Christine’s talent, Scott invited her to move in with him so that she could concentrate on her art. Feeling encouraged for the first time, Christine was able to paint with a bold new energy. A year later, at Scott’s insistence, Christine showed a number of these portraits at the 1972 Westwood Art Fair. Recognizing a fresh voice, art dealer Ira Kaplan bought out the collection and commissioned Christine to create an additional painting for him every week thereafter.
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