Roza Mira and The Divine Feminine

Leonard DaVinci would enjoy the vision of Daniel Andreev, he perhaps rendering beautiful images to go with the idea of a Divine Feminine that was explored by Denis de Rougemont who envisioned a One World Government.

I found the Roza Mira oil and gas company. Are they associated with the Roza Mira Prophecy who has plans to unite all the religions of the world? My Bohemian Bank was calling for such a thing, we Bohemians anointing our own middle men in the oil game in order to fund the Arts.

” Monolit is, in turn, part of Roza Mira, a medium-sized independent Russian group trading oil products.”

Did the Roza Mira Training center try to employ super model Ruslana to help develop their brand name ‘Rose of the World’? If so, is Roza Mira looking at my blogs, and my famous sister, Rosamond?

Michell Bachman will endorse Mitt Romeny thus unite the Mormon and Evangelical cults that have transformed the Rebel Jesus Redeemer into a virginal feminine love object with a long white gown – and long hair! Loving and worshipping beautiful woman is a big taboo in this modern world – gone mad!

The idea of a Personal Jesus is about fifty years old. Billy Graham was intent on stopping Teen Love, and making Jesus the Love Object of teenagers so they will not make love to love music that worshipped beautiful women. Jesus was not born to be your personal savior, die on the cross FOR YOU, and you, and you, and you, and you! He never was your personal lover. Get over it! Not everyone gets a beautiful woman, or, a divine deity who knows everything about you. Not everyone get to be an Artist.

When Lover Jesus was turned into Political Killer Jesus by Tim LaHaye, the Christian Coalition, and Oil Billionaires, then American became home to a terrorist orginization whose divine leader gave this simple message;

“Love me! Worship only me – or I will destroy you!”

Sounds like Lucifer, the vain fallen angel to me!

Ruslana is a fallen angel, with long hair. We Nazarites take her into the Lord’s Fold.

Jon ‘The Nazarite’

The Rose of the World is envisioned in the development of the feminine nature in humanity: abhorrence for cruelty and violence, the expression of tenderness and love, the central concern for children, and the love of the beautiful. Women will assume positions of leadership, inspiration and wisdom. The current patriarchal order will be, at least partially, transformed under this empowered feminine influence in the Rose of the World.

Daniel Andreev and the Rose of the World
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‍Daniel Andreev and the Rose of the World
Table of Contents
Daniel Andreev and the Rose of the World
Biographical Note
The Rose of the World
Context and Terminology
The Vision of the Rose of the World
The Eternal Feminine
External Links
‍Biographical Note
Daniel Andreev (1906-1959) was a Russian visionary who, for much of his life, had experiences of spiritual realities, and in particular the reality he termed the Rose of the World (Roza Mira). As a mystic in Soviet Russia, he was faced with the great challenge of communicating his vision to others. He was refused entry to University due to the non-proletarian character of his father, Leonid Andreev, a famous writer. Daniel Andreev found work as a graphic artist. He studied history and literature and wrote at night. He formed a small circle of friends with whom he could share his work.

He was arrested in 1947 for reading his work to his circle of friends. Accused of anti-Soviet activities, he was sentenced to twenty five years in prison. His wife, Alla Andreeva, was sentenced to a labor camp. Andreev’s writings were destroyed.
Alla Andreeva and Daniel Andreev, 1959

While in prison, Andreev wrote the first drafts of the Rose of the World, as well as Russian Gods, a collection of poetry, and the Iron Mystery, a verse play. Andreev’s case was reviewed under Khrushchev, and his sentence was shortened to ten years. He was released in 1957, but having suffered a heart attack in 1954 his health was broken. It is remarkable, and indeed providential, that his works were not confiscated during his term in prison and that Alla Andreeva was able to get the manuscripts out of prison on his release.

Daniel Andreev died in 1959, having completed the Rose of the World in 1958. Alla Andreeva kept the manuscript hidden until Gorbachev’s time. Excerpts of the Russian text, Roza Mira, were published in the major literary magazine Novy Mir in 1989. The full text was published by Urania press in 1991, and the first edition of 100,000 copies quickly sold out.

The English edition of Roza Mira was published by Lindisfarne press as the Rose of the World. The English edition presents about three fifths of the Russian text, excluding sections of the book dealing with Russian history that are less relevant to anglophone readers.

The English text is available on-line at

‍The Rose of the World
‍Context and Terminology
Andreev is one of the great spiritual or apocalyptic visionaries, comparable to Dante, Swedenborg, and Rudolf Steiner. He is part of the same Sophianic tradition as Solovyov. For Andreev, the physical Earth we inhabit is one plane within a complex hierarchy of planes, some of darkness and some of light, which together make up the full metaphysical reality of the Earth. His book, the Rose of the World, is a guide to this metaphysical reality. His understanding of metaphysical reality is consistent with the universal vision of the Sophia Perennis. Each person is ultimately a pure spiritual being, a monad, created by Dea and existing eternally completely untouched by evil. In descending into the worlds of creation, the monad puts on bodies or garments of progressively more material form, and in doing so becomes subject to good and evil. Evil is understood in Luciferian terms as originating in the cosmic rebellion of some created beings against Dea.

In presenting his vision, Andreev introduces a range of new terms, received in his visions, to describe these realities. He provides names for the types of planes, for specific planes and for the beings active on those planes. Much of his imagery is quite specific and his vision of the planes of darkness are shocking. He leaves the sympathetic reader with no doubt about the reality of metaphysical evil. We may be hesitant to take Andreev’s vision literally, although some of his imagery correspond to visions of the ethereal planes found in the literature on the near-death experience as well as traditional imagery. In addition to his visions of planes of light and darkness, he also reports blissful experiences of communion with the spiritual or elemental beings active in nature during camping trips with friends in the Russian countryside in the 1930s.

In his commentary Andreev is a man of his times. He reflects progressive Russian thinking of his day. His political and cultural views can be considered his own.

Some of the key terms in his text include:

Bramfatura: A system of connected planes of reality that together encompass a planetary reality. Bramfaturas also exist at other scales of reality, including the atomic level. The Bramfatura of Earth is called Shadanakar.

Enrof: The cosmic plane of physical reality. Enrof corresponds to the universe of physical science.

The Pit: The lowest level of the planes of darkness within Shadanakar. The Earthly Pit is connected to the Galactic Pit at Antares.

Sakwala: Two or more planes within a Bramfatura that are closely connected and influence each other.

Zatomis: The highest planes or heavens of human meta-cultures. The abode of the creative beings guiding cultural development through meta-history. Andreev identifies thirty four Zatomis.

Synclite: The communion of enlightened souls within a Zatomis. The world Synclites are active in meta-history.

A more extensive glossary is available at

‍The Vision of the Rose of the World
Andreev’s Rose of the World is a spiritual reality that is promised to manifest as a historical reality. The spiritual reality is the descent into the world Bramfatura of a cosmic being called Zventa-Sventana, the Holy of Holies. Zventa-Sventana is an expression of the Eternal Feminine and She can readily be identified as Sophia. The descent of Zventa-Sventana into the highest planes of Shadanakar began to manifest in history approximately 150 years ago. She is destined to descend into the Zatomis of one meta-culture. Andreev identifies the Slavonic Zatomis as her abode, but recognizes this is not fixed.

The historical manifestation of the Rose of the World is seen as the joining of authentic world religions into a new union. The union will not be the dissolution of the great religions, but a harmonization. The five petals of the Rose of the World are the five great world religions joining together. The Rose of the World will be a moral and spiritual authority rather than a political power, but the influence of the Rose on the world’s political, economic and cultural life will lead to a transformation of human society across the world. Harmony, justice, peace and spiritual life will flower under the guidance of the Rose. The historical development of the Rose will be led by that culture that accepts Zventa-Sventana’s guidance, and Andreev sees that task falling to Russia and the Slavonic world.

The Rose of the World will also lead to the metaphysical construction of a new world Zatomis, representing the highest development of world spiritual culture. Andreev believes this new Zatomis is already being created, as well as a set of planes at the pinnacle of the world tentatively called the World Salvaterra.

The planetary Logos is the Christ, the expression of the Divine Logos. Zventa-Sventana is the Bride of Christ, the expression of the Divine Feminine. This is the nuptial image of the New Jerusalem descending as the Bride of the Logos from the Revelation of St John. Her descent however is not the end of history, but in a sense the beginning of the end. The Rose of the World is a preparation for the end of the current world age, which will require the separation of the world from the powers of metaphysical evil.

Andreev’s vision corresponds to Rudolf Steiner’s vision of the seven stages of the current world era. In Steiner’s vision, the current age, dominated by the Germanic peoples and western culture, will be succeeded by a sixth age, led by the Slavonic peoples. The sixth age will be a time of great spiritual development, preceeding the struggles against metaphysical evil in the seventh age of the present world era.

The realization of the Rose of the World will require the work of many people ascending to the state of sancity. Andreev understands sanctity as a state in which a person is in communion with the world of spirit. The sanctified person is open to the love and wisdom of Dea in heart, reason and conscience, and expresses that love and wisdom in all facets of life. Sanctity is the highest state of moral development. Sanctity can be reached by the narrow path of asceticism, but also, and primarily, by the broad path of devotion and loving service.

‍The Eternal Feminine
The concluding chapter in the English edition of the Rose of the World concerns the spiritual meaning of femininity. What Andreev calls the Universal Feminine or the Eternal Feminine is an essential aspect of God that seeks expression. In Christianity, it appears in the form of the Mother Church, the Madonna, the Mother of God and as Sophia. Andreev experiences the Eternal Feminine as a universal spiritual reality that is inadequately expressed in these images. It is interesting that after presenting a startling vision of metaphysical realities, he states he finds it particularly difficult to discuss the idea of the Eternal Feminine within the context of Christian theology.

The Universal Feminine has its images within the metaphysical structures of the Bramfatura in which Andreev sees the earth as resting. The spiritual beings that are realized on earth as states are primarily demonic, while the collective souls of nations are feminine. The leading collective souls of nations are called the Great Sisters, and are themselves God-Born rather than created monads.. The angelic guardians and guides of the metacultures of the world he calls the demiurges. Above the planes on which reside the Great Sisters and the demiurges, are a group of feminine planes, a sakwala, that Andreev tentatively calls the Waves of Universal Femininity. One of these regions is called Limnarna, the feminine Synclite of humanity, while the second, Bayushmi, is the present abode of Zventa-Sventana. He names three other planes or regions within this Sakwala.

Andreev defends the distinctness of the feminine nature in human culture, as reflecting Divine reality, against the modernist tendency to treat men and women as interchangeable or as interchangeable if women aren’t oppressed. He also defends the primacy of feminine nature over the masculine. The masculine nature in humanity is seen as out of control, manifesting in terms of violence, heartlessness and egoism, with disastrous consequences for humanity. The Rose of the World is envisioned in the development of the feminine nature in humanity: abhorrence for cruelty and violence, the expression of tenderness and love, the central concern for children, and the love of the beautiful. Women will assume positions of leadership, inspiration and wisdom. The current patriarchal order will be, at least partially, transformed under this empowered feminine influence in the Rose of the World.

The EBRD is advancing an eight-year “A” loan of $55 million for this project while a five-year “B” loan of $32 million has been syndicated to Italy’s Unicredit group. The EBRD will remain the lender of record for the full amount of $87 million.
The borrower, ZAO UgraGasProcessing, is fully-owned by OOO Monolit, the only independent Russian company employing new technologies to provide economically viable solutions for using associated gas. Monolit is, in turn, part of Roza Mira, a medium-sized independent Russian group trading oil products.
Part of the EBRD funding will finance the construction of a gas processing plant on the Zapadnoe-Salymskoe oil and gas field, jointly controlled by Royal Dutch Shell and Russia’s state-owned OAO Gazpromneft. The Salym field will deliver associated gas. In exchange, Monolit will supply Dry Stripped Gas for an existing gas turbine power plant.
The rest of the EBRD loan will fund a 44 MW gas piston power plant to be built at the Nizhne-Shapinskoe field. This will use Dry Stripped Gas produced by the gas processing plant in the Salym field pumped through a pipeline which will connect the two oilfields. Nizhne-Shapshinskoe field will also supply associated gas to the project.
The energy thus produced will be supplied under long-term off-take contracts to the production facilities of both Salym Petroleum and of Russneft, a private Russian oil group which operates the Nizhne-Shapinskoe field. The liquid petroleum gas will be off-taken by Roza Mira.
EBRD is assisting Monolit in the possibility of monetising the carbon credits generated by this project via the Joint Implementation (JI) mechanism under the Kyoto Protocol.

About Royal Rosamond Press

I am an artist, a writer, and a theologian.
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1 Response to Roza Mira and The Divine Feminine

  1. Reblogged this on rosamondpress and commented:

    I just came upon these posts about Ruslana and the Rose of the World made in 2012, two years before I beheld Belle. No wonder I was enthralled, especially after she told me her name.

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