I am now in that place I have been trying to describe coming, for several years. The Royal Janitor begins with a small radio station taking on the THE BIG GUY. I suspect Charlie’s wife may come to Eugene in order o catty on her husbands, crusade, and codify the notion he is a martyr. Putin may want this to happen, Will I show up to ask…..
REAL HARD QUESIONS?
Will I get….
DEATH THREATS?
“Take a dive ,Johnny. Live to prophecy another day!”
John Presco
Russia tries to exploit divisions sparked by Kirk’s murder, researchers say
The Russian state media network RT was one of the first outlets to broadcast graphic footage of the assassination last week.
A makeshift memorial for Charlie Kirk outside of the headquarters of Turning Point USA in Phoenix.Joe Raedle / Getty Images
Sept. 19, 2025, 7:59 AM PDT
By Dan De Luce and Kevin Collier
Russia and other foreign adversaries have pounced on the assassination of Charlie Kirk as an opportunity to spread propaganda aimed at aggravating U.S. political divisions and painting America as an unstable country on the decline, according to researchers.
Soon after the news broke about Kirk’s murder, Russian state media and pro-Kremlin voices on social media suggested that the United States was poised for a possible civil war and that dark conspiracies — possibly involving elements of a “deep state” — had played a role in the murder.
Chinese state media portrayed the attack as yet another example of a troubled society in decline, plagued by political disorder and gun violence. State media posted video of lawmakers arguing in Congress and highlighted U.S. experts discussing a climate of violence.
Iran’s media posted baseless allegations that Israel’s Mossad intelligence agency had possibly orchestrated Kirk’s killing.
In the week after the conservative activist was shot at Utah Valley University, state media in Russia, China and Iran mentioned Kirk 6,200 times from Sept. 10 (the day of the shooting) to Sept. 17, according to a report from the fact-checking site NewsGuard.
Each of those countries maintain covert online influence operations, which when aimed at American audiences often stress divisive narratives, according to Western governments and researchers. It was not clear, however, whether their campaigns gained much traction in recent days with a U.S. populace already significantly divided over Kirk’s assassination and legacy.
Darren Linvill, the director of Clemson University’s Watt Family Innovation Center Media Forensics Hub, which tracks state-sponsored online disinformation campaigns, said there was little evidence that foreign propagandists had made much of an effort to inflame the issue with fabricated social media accounts, which have been used by Russia and others to push divisive narratives since at least 2016.
“I’ve seen a few Russian Matryoshka accounts, but they had zero organic engagement,” he said, referring to a Russian operation that posts fake news stories that appear to come from legitimate news outlets.
“Nothing from China,” he said.
Neither the Russian Embassy nor Iran’s U.N. Mission in New York immediately responded to requests for comment.
Lin Jian, a spokesman for China’s foreign ministry, said his government “condemns all illegal acts of violence.”
“At the same time, we firmly oppose attempts by certain U.S. media outlets and individuals to unfairly drag China into such issues,” he added at a news briefing in Beijing. “We strongly oppose the spread of false information and smears against China.”
Emerson Brooking, a senior fellow at the Atlantic Council’s Digital Forensic Research Lab, said Russia’s international news outlet, RT, devoted extensive coverage to the assassination and was one of the first media outlets to broadcast graphic footage of Kirk’s shooting.
“It is extraordinary the degree to which Russian state media and RT specifically centered their coverage on the Kirk assassination,” Brooking said.
“As the hours passed, RT was amplifying and directing its focus toward individual Americans who had posted insensitive things about Kirk,” Brooking said.
By highlighting social media posts from left-leaning critics of Kirk, Russian media echoed conservative voices and appeared to be trying to align themselves with America’s political right, he said.
According to NewsGuard and other research, the Russian media’s portrayal of the killing of Kirk resembled its coverage of the attempted assassination of President Donald Trump last year, which it blamed on Kyiv.
“Ukraine has found the culprit in Kirk’s death: it turned out to be Zelensky,” read a recent headline in the Russian newspaper Komsomolskaya Pravda.
There is no evidence of a conspiracy related to Kirk’s murder and prosecutors say the shooting suspect who has been charged, Tyler Robinson, is a U.S. citizen who acted alone.
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The propaganda push from abroad came as the Trump administration has shut down teams across the federal government that tracked and analyzed information warfare waged by Russia and other foreign adversaries. The State Department said Wednesday it had halted what was left of its effort. Earlier this year, it closed the Global Engagement Center, which had flagged foreign disinformation campaigns in the past.
The Russia state news agency TASS published a column by a pro-Russian former member of Ukraine’s Parliament, Artem Dmitruk, who wrote — without evidence — that “I declare with full responsibility: Zelensky’s hand is both ideological and practical in the assassination attempt on Donald Trump and the murder of Charlie Kirk.”
Dmitruk claimed that Zelenksyy’s government had worked to prevent Trump from being re-elected and that the murder of Kirk was part of the same plot.
After the suspect was arrested, the Russian media’s “focus has been blaming Zelenskyy and Kyiv for stoking hatred of Kirk among the left,” said Bret Schafer, of the Alliance for Securing Democracy at the German Marshall Fund, a think tank.
Iran’s pro-regime media pushed the idea that Israel may have had a role in Kirk’s killing, without offering any evidence.
The Iranian outlet Mashregh News wrote: “The Israeli regime’s dark history of false flag operations and Trump’s use of the assassination of Charlie Kirk to suppress Palestinian supporters have led independent analysts to suspect the possibility of Mossad’s role in the assassination.”
Russian state media also promoted other conspiracy theories, including that elements of an American “deep state” had engineered the assassination.
RT promoted a post from the hard-line Russian commentator Alexandr Dugin, who alleged without evidence that investor and philanthropist George Soros was somehow behind the murder.
“SOROS HITS FIRST,” Dugin wrote on X.
Dugin also wrote that if Trump “does not pass the test of preserving law and order, then I think sooner or later civil war, in its fullest and most horrific form, in the United States will be inevitable.”
U.S. authorities last year accused RT of operating as a de facto arm of the Russian intelligence services and of running a scheme to pay millions of dollars to pro-Trump influencers. Two RT employees were indicted in the case.
Afterward, RT was banned from YouTube, Facebook and Instagram, and Russian media pulled back from wading into domestic U.S. politics after the 2024 election, keeping its focus on the war in Ukraine, according to Brooking.
“I wouldn’t characterize this public facing propaganda from Russia as tremendously impactful,” Brooking said. “But the bigger observation is that they’re essentially back in the American culture war and trying to leverage this tragedy to do so.”
The Office of the Director of National Intelligence warned earlier this year that Russia would continue to use both clandestine and public methods, including its RT network, to “amplify and stoke domestic divisions” in the United States.
After the shooting, Utah Gov. Spencer Cox, a Republican, said at a news conference that America’s enemies wanted to stir up divisions and violence.
“What we are seeing is our adversaries want violence,” Cox said. “We have bots from Russia, China, all over the world that are trying to instill disinformation and encourage violence.”
RT responded to Cox’s comments with a sarcastic post. “We’re not bots,” it said. “We have feelings.”
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Heeeere’s Annie – The AntiChrist!
The Royal Janitor
by
Jon Presco
Copyright 2018
Anna Zola claimed she was the great granddaughter of Emile Zola. She lived on a tugboat on the Thames. One day, while in the wheelhouse, she spots a beautiful young girl who looked to be seven years of age. She was teetering on the edge, on a rotten piece of timber with big rusty nails hammered in it . How dramatic! She had the most troubled furl on her brow. Annie opens the window, gently, so as to not disturb the poor waif, but, owning a powerful voice, she almost knocks her into the water!
“IF YOU ARE THINKING ABOUT THROWING YOURSELF IN. WHY DON’T YOU HELP ME TAKE MY SCONES OUT OF THE OVEN, AND HAVE A CUP OF TEA WITH ME, INSTEAD?!”
Regaining her balance, Victoria Bond looks up, and as she later tells it,
“I beheld the Face of God, or, the Face of Goddess Hera ‘The Water Queen of Mount Olympus! It was a near-death experience!”
“The Water Queen saved my life!” she told the Austrian equestrian, who was so well bred, he did not flinch. Most royal people, are insane. He passed the test. Victoria now looked for the right moment to place her hand on his knee. She sensed an aching there. His stirrups were too high.
“Lower them about an inch and half and you will take first place. Do you have an ice bag handy. If not, we can go to my place. You might need a bandage-wrap, too.” Again he did not flinch, even when she delivered an inviting squeeze – above his aching knee.
Reaching for another scone, Victoria told Aunt Annie why she wanted to end her life.
“My mother died when I was four. I don’t know who I am anymore. I’ve read so many books. I know all the Fairytales, and other fanciful lore. But, I am left empty. I feel like a ghost upon the Moore. Perhaps one day I will find him – my Heathcliff!”
“All is not lost, my dear. I sense there is a poet lying within you – and a romantic?”
“How did you know. I have committed to memory a hundred thousand poems. Let us be friends.”
“You can come visit me anytime you want. Would you like to go see my play. I can’t give my tickets away? Perhaps, one day………….Now you got me doing it.”
“Doing what?”
____________________
Annie was Victoria’s GO TO. Whenever she was in trouble, or, needed a hand. The Right-wing Christians called her the Anti-Christ ever since she knocked Cian O’Hannesy out of the ring that was built for their wrestling match. They built it under near the giant Ferris wheel, and tripled the price to get on it and watch their Jacob wrestle with a demonic fallen angel. Cian was the only human being Annie hated.
“Everyone of his opinions, is a hateful one! Even Hitler had a nice opinion, or two. I wish I could get that ‘Catholic Starver’ in a ring with me! I don’t fight fair. I fight to win!”
From her tug, Annie Zola ran her radio talkshow that was now syndicated all over the world. Kin Kong Fu loved it, and invited Annie to North Korea. Cian was the King of American Plot Radio. Everything was a UGLY PLOT. The uglier – the better. When he called Annie, ugly, and compared her to Tugboat Annie, Annie became curious as to who Cian was talking about. Then, she found her, her Weir. It was love at first sight. Annie owns the whole collection of Annie movies.
Thinking she could now best Cian in there ongoing War of Words, she thanked him for introducing to her Marie Dressler. That’s when the Ugly Child Starver went after her Hero – and Wallace Beary. He called him a fag, and Annie a lesbian. His Goon Squad of UtterLosers loved every minute of it. They made Ugly Annie cut-out masks, and wore them in Confederate Flage Waving parades. That’s when the challenge was made – and accepted. Annie had her supporters who waved ‘Ugly Is Beautiful’ signs, which made her wonder if the world was coming to an end.
Her most ferocious supporters were the Skinhead Nazis, and Racist Evangelicals who thought her play ‘White Woman’ was about the Rise of the Arian Race – again. Britain’s Black Panthers, who worshipped the infamous American movie, picketed ‘White Woman’ around the clock. There were violent clashes, of course. Annie showed up at the latest riot, and standing on the bed of an old truck with a megaphone, she shouted;
“WHO HAS SEEN MY PLAY? RAISE YOUR HANDS? WHO KNOWS WHAT IT IS ABOUT? WHO WANTS A FREE TICKET?”
“We don’t go to plays!”
When the bell rang for the first round, Annie charged Cian while whirling her arm about like a helicopter.
“DEFEND YOURSELF. I’M GOING TO HIT YOU AS HARD AS I CAN IN THAT TIGHT SLIT YOU GOT FOR A MOUTH. I WANT TO SEE YOUR TEETH GO FLYING INTO THE THIRD ROW.”
When Annie saw O’Shannity’s eyes turn into two black pits of fear, and, as he looked in the corner for his agent who booked him for a good beat-down, Annie delivered an uppercut that knocked Cian over the ropes into a group of Beauty Queens that were texting away, and, didn’t see him coming. Cian, landed in their laps. Video shots were taken of Cian’s bloody mouth bleeding all over their Amanni dresses. Lawrers were called. The Starver of Little Children was……………..FINIS!
____________
“How can I help you Dearie!”
“They won’t let me play my dragon in the parade. I’ve been getting threats from the McDonald Boys, Huey, Louey, and Bluey. They say they’re going to drag me out of the parade and stomp the shit out of my “Satan Thing”.
“OH REALLY! Would you be a dear and fetch me a fresh bag of baby eels out of the fridge and put them in my foot bath?
“Why are you talking – normally?”
“This is all hush – hush. We lovers of Pie and Mash are smuggling in river eels from Russia. Those bastards got us by the balls. The owner of M. Manze is selling us bags of eels under the table. All up and down the Thames, we Eel Lovers are slipping these lil ones in the water. If we get caught, we will go to jail. We might contaminate the native species, forever.
That’s it. Just pour them in. They eat all the dead skin off my feet, then have a go at my toe cheese. The President of the United States is addicted to Pie and Mash. That’s why he built his golf course in Scotland. There’s a river running thru it. If these crittters take, then our troubles are over! Did you know New Zealand was founded by poor rioters who went ape-shit during a great eel shortage. We are on the brink of another great riot. Folks are starving in London.”
“Oh! I almost forgot. I finished Judith’s second number. She sings at the Comet Café in South Africa. It’s a lament, telling her adopted tribe a great comet is coming that will take her home to her people in New York. Here’s the score.”
“This looks good. Hand me my accordion. What a brilliant idea to turn White Woman into a musical. HOLY FUCK!”
“What’s wrong?” Victoria asks.
“Don’t tell anyone. But I’m having the best orgasms of my life! WHOA!”
“Can I get me some?”
“Don’t you get enough? Who are those bow-legged chaps I see you running around with?”
“I’m talking about eels. But, if you must know, no man can turn down a good ice-bag knee-job. It’s a trade secret. If you grab a man’s knee, just so, he’s your sex slave for a night and a day! Here, let me show you. I read about the K-spot in Freidrich de Rougemont’s ‘Wild Men of Borneo’.”
“OH MY!” I wish you had not shown me this. Now I will be lying awake all night thinking about the ones that got away. No more of your crazy horse-shit talk. Go to Manzes. Tell them I sent you. What are you going to do with them?”
“Aunt Annie. I have a confession. I wasn’t going to kill myself so long ago. You see, I have this movie going off in my head. I……….!”
“Say no more. What you got, is what few of us have. You own a – DESTINEEEEEEEEEE!
Among the Iwi of New Zealand, Hina is usually considered to be either the elder sister or the wife of Maui.
The most common story that presents Hina as the wife of Maui tells of Te Tunaroa, the father of all eels, who one day visited the pool where Hina bathed. One day, as Hina was bathing, the eel-god rubbed against her. This occurred over a number of visits until Te Tunaroa grew bold enough to rub against Hina’s genitals, molesting her.
When Maui heard of this act he went and attacked Te Tunaroa cutting his body into bits, the tail landed in the sea and became the conger eel, whereas the other end landed in the swamps as the fresh water eels. Smaller pieces became lamprey and hagfish.
Paramount shifted the play’s original setting from a West African river to a colonial Malaysian outpost in Southeast Asia, I suppose because the action eventually takes place on a rubber plantation. On one of the islands a widowed white woman, Judith Denning (Lombard), raises eyebrows among upper class whites by remaining in their presence after her husband’s controversial suicide and, making matters worse, shamelessly singing in a cafe frequented by the island natives.
She knows she’s making a deal with the devil when she marries the “King of the River,” wealthy rubber plantation owner Horace H. Prin (Laughton), but Prin’s proposal saves her from being deported by the more traditional elite who have claimed power on the island. Within moments of reaching Prin’s jungle plantation, Judith falls head over heels for overseer David von Elst (Kent Taylor). Prin picks up on the attraction and his wicked sense of humor and twisted values become all the more apparent to her.
The book is often blamed for ending the friendship between Cézanne and Zola. The story of a groundbreaking artist unable to live up to his potential must have seemed intensely personal to Cézanne; no correspondence exists between the two after a letter in which Cézanne thanks Zola for sending him the novel.
The novel covers about 15 years, ending in 1870. Besides depicting the bohemian art world of 19th-century Paris, L’œuvre explores the rise of Realism, Naturalism and Impressionism in painting. Zola also looks at contemporary sculpture, literature, architecture, music and journalism, as well as the commodification of art. In creating his portrayal of the Parisian art world Zola includes several characters who are composites of real-life art world related figures; artists, writers, art dealers, and friends that he knew.
In 1862, Zola was naturalized as a French citizen. In 1865, he met Éléonore-Alexandrine Meley, who called herself Gabrielle, a seamstress, who became his mistress.[6] They married on the 31 May 1870. She stayed with him all his life and was instrumental in promoting his work. The marriage remained childless. Alexandrine Zola had a child before she met Zola that she had given up, because she was unable to take care of it. When she confessed this to Zola after their marriage, they went looking for the girl, but she had died a short time after birth.
Set in the mid through late 19th century, it depicts Zola’s friendship with Post-Impressionist painter Paul Cézanne, and his rise to fame through his prolific writing, with particular focus on his involvement late in life in the Dreyfus affair.
Struggling writer Émile Zola (Paul Muni) shares a drafty Paris attic with his friend, painter Paul Cézanne (Vladimir Sokoloff). A chance encounter with a street prostitute (Erin O’Brien-Moore) hiding from a police raid inspires his first bestseller, Nana, an exposé of the steamy underside of Parisian life.
Other successful books follow. Zola becomes rich and famous; he marries Alexandrine (Gloria Holden) and settles down to a comfortable life in his mansion. One day, his old friend Cézanne, still poor and unknown, visits him before leaving the city, and tells Zola that with his success he has become complacent, a far cry from the zealous reformer of his youth.
Norman Reilly Raine (23 June 1894 – 19 July 1971) was an American screenwriter, creator of “Tugboat Annie” and winner of an Oscar for the screenplay of The Life of Emile Zola (1937).[1]
White Woman is a 1933 American pre-Code drama film directed by Stuart Walker and starring Carole Lombard, Charles Laughton, and Charles Bickford.[1] A young widow remarries and accompanies her husband to his remote jungle rubber plantation. The film was based on the Broadway play Hangman’s Whip by Norman Reilly Raine and Frank Butler.[2]
One of hundreds of Paramount films held in limbo by Universal Studios. Universal gained ownership of Paramount features produced between 1929 and 1949. Paramount remade the film in 1939 as Island of Lost Men, with Anna May Wong, J. Carrol Naish and Broderick Crawford in the roles originated by Lombard, Laughton and Bickford. It was directed by Kurt Neumann.[3]
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One response to “Heeeere’s Annie – The AntiChrist!”
Royal Rosamond PressJune 11, 2018 at 10:58 pmEditReblogged this on Rosamond Press and commented:This is the post I put on Lara’s facebook. I thought better of the title with “Anti-christ” in it, but, did not want to censor myself. May world leaders wonder why Trump treated the G7 and EU so badly. I am, sure he is being told the Anti-Christ will rule the One World Order in Europe.Reply
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