


Harrison Ford looked – too white – to go forward, in what he and Alec Guinness called a German Fairy Tale. Are there African Fairy Tales? How about a black Godzilla? Do we need more Gay Asians? When is Black Disneyland going to go after the two billion Chinese, and lay them low?
Disney Studios is being compelled to be more INCLUSIVE of everyone. Why should they have to? Are they the Other US Government elected by the casting of votes, or, do box office reciets dictate change? How about they being hit with the charge they are “RACIST” by the Black Cultural Kangroo Court of America that came after me when I suggest Miss Oregon take of the Festival of Eugene from Krysta Albert who was making racist remarks? What the Holy Choir of God told me is only THEY get to pass judgement on white folks.
Carrie Fisher is in the Peerage because of Dame Elizabeth Rosemond Taylor, who was living Hollywood Royalty. Disney is wiping out this Hollywood Royal Tree, and ALL WHITE FOLKS are forbidden to say anything, forbidden to – PROTEST! I already got a death threat from the Black Board of Black Culture. What do I got to lose?
Black Evangelical Culturalists went for the Blackification of Donald Trump, threw their agenda in the political ring. They don’t get White Myths and Fairytales in their corner. They got Don King! I would have Don King appear in a Black Star Wars flick. Don would look great in a all back Darth Vader outfit. He could be the father of the Black Outerspace Princess that the Disney’s Dark Agents call for who tries to kill his daughter. Making White Fathers out to be Evil, is part of the Big Box Office Money Game, that The King loves to play.
“Kill Walt!”
WATCH THIS SPACE
Jon

They also made the principal character of Rogue One a woman in Felicity Jones’ Jyn Erso. They are now looking to cast a black woman (apart from Scott, who is of Indian and English descent) as one of the leads in the Han Solo spinoff movie. They certainly are trying to change things, which is a nice and welcome change. Now all they need to do is introduce Star Wars’ first openly gay character (we think that should be Poe Dameron, but they shouldn’t make a big deal out of it). Who would you like to see play the female lead in the Han Solo spinoff movie?

http://freepages.genealogy.rootsweb.ancestry.com/~cnoelldunc/Ancient/Tea/A1.htm
https://mic.com/articles/68219/6-disney-films-that-are-undeniably-racist-and-sexist#.kxlAq5kou
The whole narrative of The Little Mermaid is that a young girl disobeys her father and her family, sells her soul (and her voice) to the embodiment of evil, and goes from being a mermaid to a human being. The motivation for her complete change is her love for a man (who later get’s confused and almost marries someone else). This can’t possibly be a positive example of finding and being with someone who loves you for who you are, and isn’t the only example of Disney teaching young girls that a makeover can change your life.
To add insult to injury, there’s also the beloved song, “Under the Sea.” If youwatch the video again, you’ll see the Duke of Soul and Blackfish characters that are made to look and sound like popular black musicians and singers.
5. ‘Aladdin’, 1992

Aladdin is a bit of a double whammy, and it is sad that this popular movie from 1992 has a lot of sexist and racist moments. Jasmine’s entire wardrobe is socio-historically incorrect, even if you include the “weather” as a factor. Sadly, her costume has more to do with contemporary objectification of women than it does historical accuracy.
There’s also the fact that Aladdin’s skin color gets fairer when he wins the heart of Jasmine, defeats the evil Jafar, and let’s Genie go in the happily-ever-after-style conclusion.
6. ‘The Princess and the Frog’, 2011

This is where the sexist/racist lens gets a little foggy. The 2011 film was a huge step towards inclusiveness and intersectionality in Disney films by having a black princess named Tiana. However, there are still issues within the film that many argue do more harm than good for much of the viewing public.
The most prevalent of these issues is the fact that, despite Tiana being “obvious phenotypically” black — meaning that her skin tone and other features have been drawn to be “identifiably” black — her suitor, and later husband, Prince Naveen is not. In fact, for half the movie, you don’t even know where his home country, Maldonia, is, nor can you place his accent. Some viewers believe that Disney would not have made Naveen “identifiably” black because that would put a black male in a position of power in their films.
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