The Rose White Horse Man

Two weeks before my sister Christine Rosamond, drowned, the Death card came up in her Tarot reading. Last night, in my dream, I roamed the earth as a Dead Man, who had risen – only to die again! Only one man has done this. His name is………Lazarus!

Armies are preparing to do battle for the city of Mosul. All the signs, have appeared. I am the rider on a pale horse. I am holding a banner……..with a rose! The two pyramid towers have appeared, and two arrows pointing to the two Eyes of the Needles. I have been in the cave of Life and Death. I overcame Death. I am………Death!

The hour is nigh! Death to the enemies of God-Allah! In horse there is a rose. Arose and Arise! The Seventh Seal is open! Every Caliphate has their day!

Jon ‘The Nazarite Rider and Seer’

Playing Chess With Death Again

The Needle’s Eye

http://www.tarotpassages.com/old_moonstruck/oneill/13.htm

“There appears to be a cave entrance in the background cliff – right above the ship. There also appears to be an arrow on that hillside, pointing to the cave. The arrow may be mistaken for a spur on the riders heel, except there is a gap between the arrow and the heel and it is not actually attached.”

Matthew 27:50-54
(50) And when Jesus had cried out again in a loud voice, he gave up his spirit.
(51) At that moment the curtain of the temple was torn in two from top to bottom. The earth shook and the rocks split.
(52) The tombs broke open and the bodies of many holy people who had died were raised to life.
(53) They came out of the tombs, went into the holy city, and appeared to many people.

1. The basic theme of the card is Death. However, Waite says in The Pictorial Key that it is “more fitly represented…by one of the apocalyptic visions than by the crude notion of the Reaping Skeleton.” He is possibly referring to Revelation 6:8, “another horse appeared, deadly pale, and its rider was called Plague.” The death theme explains the black color of armor and banner and the four figures: temporal and spiritual, male and female, old and young – death comes to everyone.
2. Atop the cliff in the background we see a path, towers, and a sun that silhouettes a city, i.e., the mystical journey to the New Jerusalem. Notice the similarities to the imagery on the Temperance card. In Renaissance art, the “new earth” (i.e. following the apocalypse) is typically represented as a city, the New Jerusalem. This representation appears on 15th-16th century World cards.In The Pictorial Key, Waite says: “Behind it lies the whole world of ascent in the spirit...between two pillars on the …horizon there shines the sun of immortality.” The image of the rising sun may come from the Golden Dawn Consecration ceremony for the Vault.Regardie p 264f: “I have passed through the gates of Darkness unto Light. I have fought upon Earth for good. I have finished my work. I have entered into the invisible. I am the Sun in his rising…the Opener of the day...I am the Lord of Life, triumphant over Death…I am the preparer of the Pathway, the Rescuer unto the Light! Out of the Darkness, let the Light arise.” This is essentially a Rosicrucian image of the mystical journey and notice the roses on the bishop’s cloak, the woman’s hair and the banner.
3. A number of other themes also come together in this card – the red plume from the Fool card and the fourth river from the Garden of Eden. The bishop wears the three crosses from the Hierophant card and also the crossed circles from that card. A vertical strip of cloth with three crosses appears in Masonic ritual attire. The crosses represent the 3 basic initiations that the wearer has experienced: Apprentice, Fellow Craft, and Master.The submissive kneeling woman resembles the Strength card, particularly the flowers in the hair. Besides the obvious cross-reference to the Moon card, the two towers may also hint at Boaz and Jachin, the pillars of Solomon’s Temple that appear on the High Priestess card. The pillars were situated in the west and so the rising sun would have been visible between them as one looked to the East. These pillars also appear in the rituals of Freemasonry and the Golden Dawn. There would also be a reference to the Knights Templars, also known as The Knights of Christ of the Temple of Jerusalem.
4. The rose on the banner is drawn in the manner of the Rosicrucian symbol. Examples of this same symbol can be found in Waite’s The Secret Tradition in Freemasonry (pp 227, 248, 550). In the background of the card, along the near shoreline there appear to be three black crosses. These may represent tombstones in keeping with the Death theme, but may also hint at the Cross, the second element of the “Rosy Cross” symbol. In The Real History of the Rosicrucians and The Brotherhood of the Rosy Cross, Waite depicts the Rosicrucians as an occult “church within the church” of Christianity.Into the cloth of Rosicrucianism, Waite weaves the Knights Templar, Alchemy, Kabballah, Levi, Papus, Masonry, and the Golden Dawn. The three founders of the Hermetic Order of the Golden Dawn were members of the Societas Rosicruciana in Anglia. The Higher or Inner Order of the Golden Dawn was known as Rosae Rubeae et Aureae Crucis. When the Golden Dawn broke up and Waite formed his own version of the society, he called it the Fellowship of the Rosy Cross.The rose is not a symbol commonly associated with the Templars; however, on the Gothic Cathedrals that they helped to design, there was a large rosette over the ogive archway. In the Adeptus Minor initiation of the Hermetic Order of the Golden Dawn, the initiate is introduced to the “Vault of the Adept.” This is a reconstruction of the tomb in which the mythical Christian Rosenkreutz was buried for 120 years, and from which he arose. On the ceiling of the “Vault” was a stylized white rose (same sort of rose as seen on the Death card but with 22 petals). It would be the first thing seen when the lid was removed from the coffin and the resurrected mystic opened his eyes. So its presence on the Death card may symbolize a note of optimism – there is a rebirth following the Death represented here. Waite may be suggesting that this is not the Death that comes at the end of life, but the Mystical Death.
5. The Bishop’s hat/crown is shaped like a long-nosed fish, such as a gar or pike. The Golden Dawn assigned this card to the Hebrew letter Nun which means fish. However, see The Fool,footnote 6 for a caveat about assuming that the Hebrew letters can be found in the Waite-Smith designs.
6. Many of the details on the card appear to be drawn from the advanced Templar orders of Freemasonry. There were a number of such advanced programs within the English lodges (e.g., Knight of the Red Cross, Knight Templar, and Knight of Malta), and the original Order of the Golden Dawn society was set up as a sort of advanced Masonic degree program. Two of the officials at the Templar initiation ceremonies are the Sovereign Master (enthroned and wearing a crown) and the Prelate in robes and bishop’s miter.There is a possible connection to the King and Bishop on Waite’s card. In addition, other officials wear gauntlet gloves with a cross (see pp 124 & 131 Knight Templarism Illustrated, C. A. Blanchard, 1911). As a part of their ceremonial garb, masons wear a sheepskin apron. The way the apron is worn and the symbols on the apron indicate the levels or degrees that the wearer has achieved.The apron of the Templar orders shows a Skull and Crossbones as seen on the reins of Death’s horse. The historical Knights Templars didn’t wear black armor but Waite says (A New Encyclopedia of Freemasonry Vol 1, p 114): “There are grades of Christican Chivalry which connect with Black, and in particular the Order of the Temple.” The “battle banner” of the Templars was divided into a black and white half by a vertical stripe. The banner on the Waite-Smith Death card is solid black, so the match with the Templar banner is questionable – but suggestive, nonetheless.The cross on the chest of the Death figure is made deliberately hard to see, perhaps to obscure the reference of the Templars. The Templars wore a red cross on white, their sergeants-at-arms wore red on Brown/Black. The representation on the Death card is closer to the uniform of the Teutonic Knights, an early offshoot from the Templars who wore a black mantle with a white cross. The Hierus, one of the officers in the Golden Dawn ceremonies, wore a black mantle with a white cross (Regardie p 349) – but the cross is over the heart, not centered.The advanced Masonic grade of Knight Commander of the Temple has the cross as one of its symbols (Waite The Secret Tradition in Freemasonry p 287) and the Sovereign Grand Inspector-General, a grade from the Masonic order of Teutonic Knights (Ibid. p 287) wears a Teutonic cross on the chest (Ibid. p 269),
7. There are also higher Masonic orders associated with Rosicrucianism. In the grade of the Red Cross of Rome and Constantine (Waite “The Secret Tradition in Freemasonry” p 239), the cubic stone (i.e., the ‘perfect ashlar’ suggested in the High Priestess throne and the cubic Chariot) now becomes the Rose, seen on Death’s banner. The initiation for the grade of Sovereign Prince Rose-Croix of Heredom includes a ceremony of Death: “Death must be tasted in its bitterness” (Waite The Secret Tradition in Freemasonry, pp 237 and 320).
8. The Templars had a fleet of ships, so the ship in the background may be another veiled reference. The Templar ships were probably merchant ships typical of the Mediterranean rather than the “Viking” style ship on the card. On the other hand, the Teutonic Knights ruled areas along the Baltic Sea and might well have had ships like those shown on the card. So Waite might also be making veiled reference to all of the warrior monks, not just the Knights Templar.
9. Although the image of Death on Horseback is found on older decks, the specific image on the Waite/Smith deck is from a Durer print: “The Knight, Death, and Time.” The horse is a close copy from the print. What I find interesting is that the Waite-Smith card does not represent the figure of “Death” from the Durer print, but the figure of the Knight!! Perhaps another Waite-esque reference to the Templars?
10. Directly below the ‘Viking Ship’ there is a black object that looks like an upside-down letter F. It’s a stretch, but this could be the Enochian letter Drun. The Golden Dawn assigned the Death card to Hebrew Nun = English N = Enochian Drun. The Enochian alphabet can be found on page 652 of Regardie: The Golden Dawn.
11. There appears to be a cave entrance in the background cliff – right above the ship. There also appears to be an arrow on that hillside, pointing to the cave. The arrow may be mistaken for a spur on the riders heel, except there is a gap between the arrow and the heel and it is not actually attached.The cave may be a hint at Dante’s journey into the underworld, the Mystic’s “dark night of the soul,” which may be the logical path from the Death card to the Moon, Sun, and New Jerusalem symbols at the top of the background cliff. At the beginning of the Divine Comedy, Dante finds himself is a dark wood, perhaps suggested on the Death card by the black trees near the cave entrance. Dante has become exhausted trying to scale the sheer mountain to reach God. His guide, Virgil, appears and tells him that he must “go another way” and leads him down into the Inferno, symbollizing the death of the self needed for the mystical journey. Only then can Dante climb the Mount Purgatory and reach Paradisio.This may be hinted at in Waite’s commentary on the Card (Pictorial Key) where he says: “transformation and passage from lower to higher,” that is, from the cave entrance to the top of the cliff. He also states: “the exotic and almost unknown entrance, while still in this life, into the state of mystical death.” In Waite’s Azoth or the Star in the East (p 190), we find: “It is the portentious darkness of initiation, the passage of the soul through Hades, the Kingdom of Pluto…which precedes the evolution of the inner light.”The reference to Dante’s mystical journey may also be hinted at by the rose on Death’s banner since Dante describes one of the levels of Paradisio as a great rose.
    
    https://rosamondpress.com/2014/10/03/death-is-a-rose/ I am going to raise the Knights Templar and Teutonic Knights from the dead so that their spirits may come to Kobani to rescue the Warrior Maidens who are so awake, who have killed the butchers of women and children, and who beg for the world to come fight alongside them. I suspect there is politics here, because the Iraqis and Turks do not like the Kurds and fear arming them. I suspect America stopped bombing ISIS in hope the Kurds will lose and retreat into Turkey, who may send I ground forces. Don’t let politics destroy God/Allah’s Warriors!

    Mt Stuttmeister ancestors were Teutonic Knights. This surname means ‘Horse Master’.  They ride to Rose Mountain. Win or lose this battle, they will not lose the war, for they have overcome the world. They bring death, they apply the Hand of God/Allah to His enemies. Their doors have been marked with the blood of the children they have slain. The Black Knight will take no prisoners. In the end, he will prevail!

    I have watched my friends and family desert me, and I wonder, knowing how to see the future, and read prophecy.  Am I John, born yet again, to prepare ‘The Way’?

    “Behold, an hour is coming, and has already come, for you to be scattered, each to his own home, and to leave Me alone; and yet I am not alone, because the Father is with Me.33“These things I have spoken to you, so that in Me you may have peace. In the world you have tribulation, but take courage; I have overcome the world.”

    For every rose that is taken from this BRANCH, three will grow in its place. These roses will be as white as snow, and as bright as the Light of God/Allah who gazes upon his beloved champions, as they behold Him.

    https://rosamondpress.com/2013/02/15/templars-asleep-in-abbey-bellevaux/

    I just found the Abbey Bellevaux where the Lords of Rougemont, and the Bishops of Besançon are buried. The Rougemonts were Knights Templar and owners of the Shroud of Turin as were the Lords of La Roche. Pons La Roche was the founder of Bellevaux where very possibley my Rougemont ancestors are buried. Pons is close kindred of the De Bar and Habsburg family. Why would the Habsburg keep their connection to the Knights Templar and Shroud of Turin a secret? The Habsburgs were ‘defenders of the Catholic faith’.