The Towers of Beauty

My beautiful sixteen year old daughter came into my life in 2000. Three years later Dan Brown’s ‘The Da Vinci Code’ came out. Members of Heather’s family have titled me deluded and dangerous because they were/are jealous of my study that just couldn’t be true. Scores of women have connected Mary Magdalene to Sleeping Beauty. To connect two mothers with the name Mary Magdalene to the Sleeping Beauty legend, drives my enemies to near madness in their need to defame me. I have been smeared and threatened by members of OCCUPY, and thus, OCCUPY itself. I have not seen my daughter and grandson in four years. A dozen woman authors can say this is the ongoing oppression of the teaching of Mary Magdalene, and I have to agree. Though destroyed wherever and whenever it surface, it will just not stay – oppressed! The surest way to oppress the source is let outsiders and pretender come in an rip-off the real people.
“Yesterday I discovered Virginia Hambley is related to Charlotte-Rose de Caumont de La Force who authored the fairy tale Persinette that the Grimm brothers turned into the story, Repunzel. Add to this the Grail and Knight Romances of Geoffrey de La Tour-Landry, and his relation to Rene de Anjou, and we are looking at one of the most literary Family Trees, not only of France, but of human history!
Charlotte-Rose could be the inventor of what she titles “histoires secrètes”, that has spawned a genre that launched a thousand books and several television shows. Add to this the Legend of Sleeping Beauty whom the Grimm bothers named, Rosamond – along with the countless literary works surrounding Fair Rosamond – then alas we behold the Heart and Rose of Western Culture, safe and secure in the Ivory Tower…….

Christine Friederike Auguste was an artist who had a famous salon in Berlin. She was the fifth child of Frederick William II of Prussia  whose father became involved with the Rosicrucians and Pietism that gave birth to the spiritual work of Jakob Bohme who wrote ‘Aurora’. The Grimm Brothers attended Christine’s salon and were helped by Frederick William IV of Prussia . Consider the names on the walls of the Stuttmeister tomb where a light come thru the tiffany window covered in roses. Here at rest are the ancestors of Christine Rosamond Benton, the world famous artist who signed her work by her middle mame ‘Rosamond’ the name the Grimm brothers gave their Sleeping Beauty who belonged to four Huguenot sisters who were the daughters of Mary Magdalene Hassenpflug. My mother was Rosemary Rosamond, the daughter of Mary Magdalene Rosamond. What are the odds?

The story of Mary Magdalene has lain under the sands of Egypt for over a thousand years. In some ways, her story is like that of Sleeping Beauty or Snow White, put into a trance-like sleep. Her bridegroom, grief-stricken because of her absence, finds her and awakens her with a sacred kiss.

http://revbonnietarwater.com/index.php/marry-magdalene/

http://www.davincilegacy.com/Infringement/private/PerdueBrown-The-heroines-are-the-Goddess.html

Disney as Pagan Worshipper
Perhaps the best example of Brown’s own “stretch” of logic and rationality is the contention, as evidenced by the following passage from Da Vinci Code, is the contention that Disney is a promoter and evangelist for Goddess/Magdalene worship. It should serve as a prime example why it is difficult to stretch our own conclusions about similarities as far as Brown.
Significantly, this passage was lifted almost intact from Margaret Starbird.
“Throughout his entire life, Disney had been hailed as “the Modern-Day Leonardo da Vinci.” Both men were generations ahead of their times, uniquely gifted artists, members of secret societies, and, most notably, avid pranksters. Like Leonardo, Walt Disney loved infusing hidden messages and symbolism in his art. For the trained symbologist, watching an early Disney movie was like being barraged by an avalanche of allusion and metaphor.
“Most of Disney’s hidden messages dealt with religion, pagan myth, and stories of the subjugated goddess. It was no mistake that Disney retold tales like Cinderella, Sleeping Beauty, and Snow White—all of which dealt with the incarceration of the sacred feminine. Nor did one need a background in symbolism to understand that Snow White—a princess who fell from grace after partaking of a poisoned apple—was a clear allusion to the downfall of Eve in the Garden of Eden. Or that Sleeping Beauty’s Princess Aurora—code-named “Rose” and hidden deep in the forest to protect her from the clutches of the evil witch— was the Grail story for children.
Despite its corporate image, Disney still had a savvy, playful element among its employees, and their artists still amused themselves by inserting hidden symbolism in Disney products. Langdon would never forget one of his students bringing in a DVD of The Lion King and pausing the film to reveal a freeze-frame in which the word SEX was clearly visible, spelled out by floating dust particles over Simba’s head. Although Langdon suspected this was more of a cartoonist’s sophomoric prank than any kind of enlightened allusion to pagan human sexuality, he had learned not to underestimate Disney’s grasp of symbolism. The Little Mermaid was a spellbinding tapestry of spiritual symbols so specifically goddess-related that they could not be coincidence.
When Langdon had first seen The Little Mermaid, he had actually gasped aloud when he noticed that the painting in Ariel’s underwater home was none other than seventeenth-century artist Georges de la Tour’s The Penitent Magdalene—a famous homage to the banished Mary Magdalene—fitting decor considering the movie turned out to be a ninety-minute collage of blatant symbolic references to the lost sanctity of Isis, Eve, Pisces the fish goddess, and, repeatedly, Mary Magdalene. The Little Mermaid’s name, Ariel, possessed powerful ties to the sacred feminine and, in the Book of Isaiah, was synonymous with “the Holy City besieged.” Of course, the Little Mermaid’s flowing red hair was certainly no coincidence either. (DVC:endCh61)

https://wakingbeautymystery.wordpress.com/tag/mary-magdalene/

In Jesus and the Lost Goddess Timothy Freke and Peter Gandy go on to say that “this gospel claims to be written by an unspecified ‘beloved disciple.’
“Modern research suggests that the ‘Beloved Disciple’ he makes the narrator of the story is not John, but Mary Magdalene.  Mary is clearly identified in other Gnostic sources as ‘the beloved disciple’, the disciple that Jesus loved’, the ‘companion of Jesus’, and so on.  As scholars have noted The Gospel of the Beloved Disciple has been modified, creating obvious structural flaws, in order to turn the ‘Beloved Disciple’ Mary into the male figure of John, who was more acceptable to misogynist Literalists.”

Magdalene can currently be seen rising out of a long, imposed sleep. Like the story of Sleeping Beauty, she and her people have been ‘drugged’ into unconsciousness for two thousand years, by an extraordinary effort to suppress ‘the other half of the story’,

http://aniwilliams.com/?p=5292

http://www.holycrossdryden.org/quest/DaVinci_Code.htm