Capturing Beautiful Rosemary

A man, posing as a woman, captured my beautiful mother, Rosemary Rosamond. Before he did that, Christine Rosamond, captured my Art after beholding a photo of the painting I did of my beautiful Muse. It is alleged Mona Lisa was a man, Leonardo’s homosexual lover.

The three images of the woman with white scarf were done by Sara Moon – a man posing as a woman. Note how they resemble the photo of my mother with her two white doves. Note the ivy in the painting of my nephew, Cean, and in the bottom image of Rosemary. Bacchus carried a Thyrus covered with ivy. In the drunken orgy to make money, my genetic material and gifts were captured, held prisoner – until now! I set my beautiful women free – including Christine! Am I Dionysus?

Jon the Nazarite

https://rosamondpress.wordpress.com/2011/12/04/sara-moon-rosamon/

There is an old Iranian man who has been imitating Rosamond since 1976. He signs these knock-offs ‘Sara Moon’. Everyone thought he was a woman. He kept his true identity a secret for years. Some folks thought I was Moon. Last night I saw how similar the name SARA MOON is to the name ROSAMOND. Drop the D and you have seven of the letters that are in the name Sara Moon.

In Greek mythology, a thyrsus or thyrsos (Greek: θύρσος) was a staff of giant fennel (Ferula communis) covered with ivy vines and leaves, sometimes wound with taeniae and always topped with a pine cone. These staffs were carried by Dionysus and his followers. Euripides wrote that honey dripped from the thyrsos staves that the Bacchic maenads carried.[1] The thyrsus was a sacred instrument at religious rituals and fêtes.
https://rosamondpress.wordpress.com/2011/12/04/rose-selavy-sara-moon-2/

ROME—An Italian researcher says the main influence and model for the “Mona Lisa” was a male apprentice of the artist Leonardo da Vinci.
Gian Giacomo Caprotti, known as Salai, worked with Leonardo for years starting in 1490. Art historian Silvano Vinceti said Wednesday that several Leonardo works, including “St. John the Baptist,” were based on Salai and that similarities with the “Mona Lisa’s” nose and mouth were evident.

“For over 15 years he was totally oblivious to the ‘Where are you, Sara?’ calls that echoed around the world from the multitude of devoted fans he had unwittingly left behind.
With his absence and Red Baron Publishing gone too, his quiet ‘disappearance’ in retirement from Verkerke, the varied signatures on the artworks created much speculation over the years that followed. Did ‘Sara Moon’ ever exist? If so, where was this reclusive artist now?”
In 1973, Christine Rosamond offered to teach me her style so I could be rich and famous, too. I turned this offer down. In 1985 I sent some of my work to my old friend, Marilyn, so she could show them to Ira Cohen, the gallery owner who discovered Rosamond, and helped develop her style. Ten of the first paintings she did for Ira, were rejected.
Upon seeing my work, that included a portrait of my Muse, Rena Christiansen, he told Marilyn my work was “Too hard edge.” But, if I soften them up, he could sell them. I got his drift. Cohen wanted more decorative fashion art.
Sara The Man tailor made his art to sell. It’s like painting checks. Mr. Bijan could care less about owning an integral artistic identity, because he loved his bank! I just couldn’t do it! If I had I would be rolling in the doe and my daughter would not call me a Parasite?