Mary Magdalene Black Madonna

There are thousands of sites on the web about Black Madonnas, and two thousand sites about Mary Magdalene the wife of Jesus – being a Black Madonna! There are Big Secrets – galore!

Vicki Presco was the dark master of Family Secrets because she did not know anything, and was born with no gifts. There was nothing there to reveal. This is why she was sent off to the dark cloisters of Catholic school.

Vicki Presco was our Ugly Duckling. She would get her revenge on all the Beautiful Rosamond Women – and the men who adored them! She made an alliance with Dark Victor who was cast out of our family by Rosemary, born, Rosemary Rosamond, for beng cruel and brutal.

Vicki has buried us all. She is not welcome at my funeral!

After Lilian died, Vicki called me up and said we are the only ones left. Vicki had no one to share family secrets with. Then, Drew Benton came to live with Vicki, and – the master is back – I put in the dark once again. Who gives a rat’s ass anymore now that the fox, the Phantom of the Rosy Opera, has been unmasked!

Above is a photo of Our Lady that the Swan Brethren worhsipped. Erasmus titled her a heresy. Why? Pope Adrien was in Bosch’s painting ‘Wedding Feast at Cana’ but was removed. Why?

To not know how Rosamond died is to create a cult around her. How Jesus really died, is a mystery. There is no birth or death day for Saint Paul. Why? Was Paul alive when Jesus was alive? Hmmmm!

Holders of secrets call detectives of truth “insane” so they can keep owning the power some peope get by keeping many people in the dark. The more people they cast into the darkness – the better for these demons!

I do not have to apply my Rosy Family Seal to any of the theories or claims because I am at the epicenter of the Rose Labyrinth, and reveal as much as I can – for free! I am driving back the Darkness, one post at a time! Screw Vic & Vic, the Team of Dark Evil.

Jon Presco

https://rosamondpress.wordpress.com/2012/12/08/establishing-a-eternal-artistic-legacy/

Above are photos of Our Lady that the Swan Brethren worshipped. The Roover and Rosemondt family bowed down to her. She appears to be a Black Madonna that allegedly the Knight Templars worshipped. The Brethren wore a pen depicting a rose branch with thorns and a closed rose. Today, only members of the Royal family of Holland can be a member.
2:2. As the lily among thorns, so is my love among the daughters.
Sicut lilium inter spinas sic amica mea inter filias
There are more then ten books on the Black Madonnas, and hundreds of sites on the web that make fantastic suggestions. None of these authors are considered INSANE. This is because none of them claim a genealogical link to this history. Being “outsiders” it stands to reason these authors would be threatened, because these Holy Mothers are being associated with a Holy Blood Line that allegedly descends from Jesus and Mary Magdalene. To get near the idea one is kin to Jesus, will get you disqualified from the inner circle – and no one dare take you seriously. Indeed, many will go out of their way not to get along with you, and make you out to be the most disagreeable persons that ever walked to earth.
http://www.ecozoicstudies.org/vol-5-no-1/the-magdalene-and-the-madonna-the-restoration-of-the-divine-feminine

The Magdalene and the Madonna: The Restoration of the Divine Feminine

Written by Laura Dunham

Dan Brown’s popular novel, The DaVinci Code, touched a deep chord in the human psyche, making a major contribution to the restoration of the story of the Divine Feminine in history and in the human heart. Hidden for millennia, the story of Mary Magdalene as the Bride of Christ and Mother of Jesus’ child, her womb the Holy Grail, the sacred vessel for Christ’s blood, is now known to millions. Today people are finding the Divine within themselves, choosing spirituality over religion, experience over dogma and doctrine.

In a world where information is instantly and widely available, and intuitive people routinely draw upon the universal field of energy for guidance and healing, our human and spiritual heritage will no longer remain hidden—whether purposely suppressed or lost through time. The Piscean Age of male, hierarchical control is giving way to the Aquarian Age of balance between the masculine and feminine principles. The world awaits a time of harmony, creativity, and peace that comes from this balance.
It is only fitting, then, that Mary Magdalene should become the iconic woman of this emerging age. Labeled a prostitute for centuries by a male hierarchy that denied a sexually active expression of divinity—making Jesus celibate and his mother a perpetual virgin—the Magdalene and her symbolic sister, the Black Madonna, are the first images of the sacred feminine in western culture to be reclaimed with full power given to their roles as wives and mothers.
In Egypt, the world’s most influential, advanced ancient culture, the role of the divine feminine was crucial to the primal story of cosmic order and disorder. When the god Osiris, brother-husband of the goddess Isis, was murdered by his brother, Set, the natural order was thrown into turmoil. To restore order, Isis searched for and reassembled Osiris’ essential body parts long enough to become pregnant, giving birth to the falcongod, Horus. The same mythic pattern, restoration of divine order by the male and female principles uniting to create new life, is repeated in the story of Mary Magdalene, Jesus, and their child. The figure of the Black Madonna, found in hundreds of churches and cathedrals in France and elsewhere in Europe, is typically a crowned queen seated on a throne, her child on her lap holding the scepter or globe of royal rule. Most often fashioned of dark wood, this representation is modeled on extant statues of Isis and Horus. While priests claim the Black Madonnas represent Mother Mary and Jesus, in France the legends of the people claim otherwise. To many it is Mary Magdalene, the Sacred Feminine, who sits on the throne, her child symbolizing the divine order restored.
In recent years I have seen and felt for myself representations of Mary Magdalene as Divine Bride and Mother. Her presence in the south of France is palpable, powerful, and deeply embedded in the culture. In Les Saintes-Maries-de-la-Mer, where Mary Magdalene, Jesus’ mother, aunt, and a dark child, supposedly an Egyptian servant, allegedly landed and remained for a time, the Black Madonna in the church crypt is named “Sarah,” the same name given in Brown’s novel and other sources to Jesus’ and Mary Magdalene’s daughter. I observed two women reverently dressing this Sarah in a new royal blue robe, kissing her cheek and offering prayers of petition to the heart of the feminine divine. While I watched, dozens of people lit candles, kissed the figure, and gazed on her with devotion.
Similar devotion is paid to each Black Madonna. The one in the Lady Chapel in Chartres Cathedral is one of the most beautiful and revered. I felt the strength and power of the loving energy around her, contained within this magnificent monument to Divine Love built by the Knights Templar, guardians for centuries of the Holy Grail, the secret of the Divine Feminine who one day would be restored to her rightful place, the Bride beside the Groom. When restored, the sacred, creative powers continually bless and renew life on Earth and throughout the cosmos. As long as they remain together, balancing their energy and offering it in love to the world, all is well. Rain falls, rivers flow, crops grow, animals and humans give birth—the cycles of creation continue undisturbed. But take away the Divine Mother, and the world becomes a desert wasteland, a violent expression of a domineering male principle. Wholeness and balance can only be restored when she is acknowledged and empowered as Queen and creates with her King new life that re-enchants the world.
As we acknowledge and honor the Divine Feminine, we give power not only to her but also to ourselves, contributing to the restoration of wholeness and well-being on the planet we call home.

This is “Miriam of Magdala,” more commonly known as Mary Magdalene. As I’ve alluded to before, I’ve been on a quest to find my own voice through art. Gradually the dream is manifesting after months and years of working through obstacles both tangible and intangible, real and imagined. Getting to the point of starting this piece represents something monumental–painting it was easily one of the most meaningful, healing and liberating experiences of my life–actually finishing the project was an absolute triumph!
Miriam was inspired by ancient Essene writings that present a different picture of Mary Magdalene. Traditionally viewed as a reclaimed prostitute, the Essene texts suggest that she was born in Ethiopia and every bit the female counterpart of the Lord Christ . . . the Lady Christ, the Mother Goddess incarnate. There’s actually quite of bit of interest in the Black Madonna these days. To those who thirst for her message, Miriam beckons:
“See me now in physical embodiment.
See me now in this black skin.
Always see me in all of my daughters;
I am the whore and the virgin;
I am the midwife and she who gives birth;
I am the daughter and the mother;
I am your barren sister;
I am the mother of your father and the daughter of your brother;
I am the Queen upon her throne and the beggar woman on her stool.
I am in every woman and have given birth to every man.
I am the one who gives life and is life: I am the Feminine Power.
I am Miriam.”
Miriam is both divine and earthy, regal and common. As she represents “Mother Earth,” every element is represented. Along with my typical mixed medium approach, I used actual leaves, stones, sticks, a gold chain and some tree bark to make this piece 3D.
Central to Essene concept is the “Tree of Life” found behind Miriam. This tree of life has seven branches (representing the unseen realms of the Heavenly Father), and seven roots (representing the visible realms of the Earthly Mother). To find out more about the tree of life and other stuff mentioned in this update, please find the link to The Essene Church of Christ in the LINKS section.
The DNA strand represents the Golden Ladder of evolution and ascension. The dove has long been a symbol of the feminine Holy Spirit. It carries the energies of peace, maternity and prophecy, and its cycle of power is at dawn and dusk. There are two astrological symbols near the top that capture this. The red color around Miriam’s body represents not only the blood that is shed when new life is brought into the world, but the pain and agony when life is violently sent out of it.
When I first started sketching Miriam, it just seemed like she needed to be holding something, and it ended up that I put a couple of sweet, vulnerable, baby rabbits in her tender embrace. I discovered how fitting this was after I read up on what rabbits represent. This is what “Animal-Speak” by Ted Andrews, published by Llewellyn Publications in 1994, says about rabbits:
http://teresenielsen.typepad.com/the_world_of_terese_niels/miriam-of-magdala-mary-ma.html

http://www.northernway.org/twm/mary/magdalene.html