Attack Upon The Creative Children

Above is the painting I did when I was twelve that toured the world in a Red Cross show. Rosemary has lined her four children up before this painting that is the first evidence the world, or a world origination, has taken note of any of the Presco Children. Of course this mother is proud, she a shingle Mom raising four children by herself. Vic never sent a dime in child support, as ordered by a court of law. Vic felt he was above the law. Vic admitted to me he had sexual intercourse with his grandchild, Shannon Benton, but it was she who came on to him. They had been drinking. Vic had two green lights that told him this was appropriate behavior.

Shannon’s version was that they were drinking, and Vic began to come on to her. Shannon ran into the bedroom where was staying at in Vic’s home,and locked the door. Her grandfather kicked down the door, and raped my niece. In the two biographies that Stacey Pierrot commissioned, she never mentions this rape,because this is what caused everything to go wrong for Christine who feared for Drew, who was nine when her mother drowned. Shannon was making their accusations, as was Christine, who refused to give her partners, Vic and Vicki Presco any proceeds from the family partnership they formed – before the rape. When Christine filed for Bankruptcy, Mark Presco was furious, because he lent his sister money, and now she did not have to pay him back. Vicki had invested $60,000 dollars. Other family members had made loans to jump start Rosamond’s waning career. There were shows in four cities at the time of Rosamond death. Caretaker, Jacci Belford, says those shows were doing well. How do we know this is true? The key word is the title ‘Caretaker’that would later be applied to Belford’s best friend who was sold our abused but creative family legacy by the executor.

The term caretaker can be applied to one who is hired by a parent to look after that parents children. This is how Pierrot played the Child Card when it came to the two Hiers. Shannon Benton, was 33 years of age, and Drew 9, when their mother left the planet. This would put Shannon in charge of Rosamond’s legacy. She was the rightful ‘Caretaker’. Why then was she arrested, he efforts to become the Executor, thwarted? The only answer can be everyone close to Christine blamed Shannon -THE VICTIM – for the family chaos, because she dare speak out about the sexual abuse in the family.

Two weeks after my sister was gone, it became cyrstalclear to me that CARETAKER meant TAKE CARE OF HER! Shannon was arrested in her mother’s home, and taken away in handcuffs. The possibility she could get a bond so as to serve as Executor, was nil – as planned!

Let us go back the photo above and study Christine’s body language, for according to Julie Lynch, the third ghost wirer that caretaker Stacey Pierrot has hired, Rosemary has forbidden my sister to draw or paint in our home, and has resorted to drawing in the closet by flashlight, lest she get caught competing with me as an artist recognized around the world.

Behold how anguished this fourteen year old genius is, as she is forced to sit there in her fifteen year old brother’s shadow. No artist has ever suffered like this, she beholding her carefully stashed works, in her mind, she fighting back the tears – knowing she is a much better artist then her brother, who is the Co-Abuser, and never the Caretaker he wanted to be in his many letters to probate executor. How old is Vicki in this photo. She is ten. Mark is sixteen. What do these children have in common? They are exploited CHILDREN whose REAL ABUSIVE HISTORY is being altered in order to protect and enrich adults – even OUTSIDERS!

The truth is, Christine did not take up art until she was twenty four. These lies are being told because I took Shannon’s side, after Caretaker, Jacci Belford said, “Shannon will destroy the estate. I have made ab off to pay off the creditors, and purchase everything.”

One of these creditors, is my brother, Mark Presco, who lurked, and lurks in the background – this very day!

When Bill Cornwell launched his attack against me, he did so by declaring;

“You ruined Tyler’s trip to the Grand Canyon!”

“How did I do that?”

“You got tired, and fell behind!” said Bill, he sincerely angry. I was dumbfounded!

“I’m 65. I was having trouble with the altitude!”

Later that evening I took out my cell phone and showed my two friends the video I took after being left a hundred yards behind. I wanted to be there when Tyler got his first glimpse of the canyon. You can clearly see Bill doses not want me there, and indeed, he looks real angry, and utterly ignores me. When would he like me – at the bottom of the canyon?

The next day Heather says I should seek emergency mental help because I keen accusing people of things they did not do. I did not ruin Tyler’s trip. Heather and Bill USED my six year old grandson to undermine my credibility in regards to how the back seat of the car got stained.

Above is a photo of my niece and nephew, Cean and Shannon. They are around Tyler’s age. Cean is Mark’s son who was the subject of a Rosamond poster. Christine gave me credit for teaching her all she knew about art, and was responsible for her success.

As the tragedy at Penn States unfolds, the world will see it is the coverup that does all the damage. To try to negate my pending autobiorgrpahy by publishing others, and to disapear Christine’s autobiogrpahy, constitutes a coverup. Here are the three family artists in my family whose cires of abuse were ruthlessly OPPRESSED!

Christine Rosamond Benton
John Gregory Presco
Shannon Benton

There is no firsthand accout of what happened at Rocky Point by Drew, who has been protected. Drew did not want to attend her mother’s funeral. I believe Lynch is referring to a minor when she falsley claims Christine did paintings as a teenager. This is exploitation of abused children – whose voices have been silenced!

http://rosamond.fineartstudioonline.com/about

THE BEGINNING: Oakland, California  
If Christine’s parents had embraced her talent, there might be existing works from her childhood, but this was not to be. Fearing that Christine would steal her brother’s spotlight as the family artist, Christine’s mother, Rosemary, forbade Christine to draw at home. The only time she could express herself was at school or in her closet, by flashlight, when everyone else was asleep. Though we don’t have images to prove it, Christine’s kindergarten teacher has said that, by age five, Christine was already drawing with adult skill. She can remember Christine’s pictures of animals having near perfect detail and perspective.
In addition to oppressing Christine artistically, Rosemary also dominated Christine with physical violence. Trying to support four children with only a high school education and little help from her alcoholic husband, Rosemary was often enraged. She took this rage out on Christine and Christine’s earliest known works reflect it. In Teenage Drawing II, her subject is reticent and withdrawn.  In Teenage Drawing III, the woman looks shocked and angry.