Rosemary of the Moulin Rouge

Mark and the Rosamond Gallery Gargoyles voted Rosemary off Tax Evader Island, and thus got rid of the most interesting person in the whole Rose of the World Saga. My third book of my Rose Trilogy will be titled ‘Rosemary – Queen of the Bohemians’. The truth that Rosemary was a porno star, and high class prostitute for the Mafia, is right out of the movie Moulin Rouge. The Rosemond family owned wind mills in Holland. This movie is about a mercenary woman who takes men like Mark for their money, but then falls in love with a broke Bohemian Poet, just like Mary Magdalene Rosamond did. Compare this movie to ‘Across the Universe’ which is my story, I a Bohemian Artist and Poet who was at the vanguard of the Hippie Peace Movement. This is the book and movie the A Team discarded, and got in goosestep with Emperor Mark, the hater of Blatant Feminine Emotionalism, he the finder and upholder of Reality! Did I tell you that Captain Samuel Rosamond was on the State Commission to build canals in South Carolina with tax payers money in order to promote commerce?

Back to the Real Rosy movie, or, Showtime series!.

Vicki told me about the skit Christine, Rosemary, and I did to frantic classical music. This was a silent drama, we making dramatic and emotional gestures, perhaps arguing, then making up.

Jon Presco

Moulin Rouge!

n]Moulin Rouge! (English pronunciation: /muːˈlɑn ˈruːʒ/, from French: [mulɛ̃ ʁuʒ]) is a 2001 romantic jukebox musical film directed, produced, and co-written by Baz Luhrmann. Following the Red Curtain Cinemaprinciples, the film is based on the Orphean myth, La Traviata, and La Bohème.[3]It tells the story of a young, British poet/writer, Christian, who falls in love with the terminally-ill star of the Moulin Rouge, cabaret actress and courtesanSatine. It uses the musical setting of the Montmartre Quarter of Paris, France. At the 74th Academy Awards, the film was nominated for eight Oscars, including Best Picture, Best Actressfor Nicole Kidman, and won two: for art direction and costume design. It was the first musical nominated for Best Picture in 22 years. It was filmed at Fox Studios in Sydney, Australia.

Max drops out of school and he and Jude move into a bohemianenclave in Greenwich Village, living with aspiring singer Sadie (Dana Fuchs) and her guitarist Jojo (Martin Luther McCoy) (“Let It Be”, “Come Together”). Max becomes a taxi driver while Jude finds work as a freelance artist. They are soon joined by Prudence, who has hitchhiked to New York and left an abusive boyfriend.
When Daniel is killed in Vietnam, Lucy decides to visit Max in New York before starting college (“Why Don’t We Do It in the Road?”). She and Jude fall in love (“If I Fell”), while Max is draftedinto the army (“I Want You (She’s So Heavy)”). Prudence is attracted to Sadie, and becomes depressed when Sadie and Jojo begin a relationship. Prudence locks herself in a closet and has to be coaxed out by her friends, then disappears after wandering off during a peace rally (“Dear Prudence”).
At a book function for existential drug guru Doctor Robert (Bono), Jude, Lucy, Jojo, and Max drink punch laced with LSD. They embark with Doctor Robert on his “Beyond” bus and end up stranded outside the compound of psychonautDr. Frank Geary (“I Am the Walrus”). They come across a strange circus led by Mr. Kite (Eddie Izzard) and are reunited with Prudence, who has become a circus performer (“Being for the Benefit of Mr. Kite!”, “Because”).
Back in New York, Sadie reluctantly agrees to her manager’s demand that she drop her backing band, leading to a bitter breakup and musical split between herself and Jojo (“Oh! Darling”). Max is deployed to Vietnam, leading Lucy to become increasingly involved in the anti-war movement. Jude remains comparatively apolitical but devoted to Lucy (“Something”), and dislikes the increasing amount of time that Lucy spends with the “Students for a Democratic Republic”. Jude suspects that their leader Paco (Logan Marshall-Green) is attempting to seduce Lucy, and this puts a strain on their relationship and affects Jude’s art (“Strawberry Fields Forever”). Finally, Jude storms into the SDR office and points out the hypocrisy of the group’s actions (“Revolution”), leading to an argument with Lucy in which she leaves him (“While My Guitar Gently Weeps”). When the police arrest protestors at an anti-war demonstration at Columbia University, Jude tries to help Lucy but winds up arrested (“Across the Universe”, “Helter Skelter”).

[edit] Plot
In 1899, Christian moves to the Montmartredistrict of Paris to become a writer among the Bohemian culture. He encounters performers led by Toulouse-Lautrec; his writing skills allow them to finish their proposed show, “Spectacular Spectacular”, that they wish to sell to Harold Zidler, owner of the Moulin Rouge. Toulouse-Lautrec arranges for Christian to see Satine, the star courtesan, in her private quarters to present the work, unaware that Zidler is promising Satine to the wealthy and unscrupulous Duke of Monroth, a potential investor in the cabaret (“Sparkling Diamonds” medley).
Satine mistakes Christian for the Duke, but soon learns that he is just a writer; by this time Christian has fallen in love with her (“Your Song”). The Duke interrupts them; Christian and Satine claim they were practicing the lines for the Moulin Rouge’s new show, “Spectacular Spectacular”. With the help of Zidler, Toulouse-Lautrec and the rest of the troupe, they pitch the show to the Duke with an improvised plot about an evil maharajah attempting to woo an Indian courtesan who is in love with a poor sitarplayer (“The Pitch (Spectacular Spectacular)”). The Duke agrees to back the show on the condition that only he is allowed to see Satine. Christian later goes back to Satine to convince her that she loves him (“Elephant Love Medley”). As the cabaret is converted to a theater, Christian and Satine continue seeing each other under the pretense of rehearsing Satine’s lines. The Duke becomes jealous and warns Zidler that he may stop financing the show; Zidler arranges for Satine to dine with the Duke that evening, but during practice she falls ill. That night, Zidler makes excuses to the Duke, claiming that Satine has gone to confession (“Like a Virgin”). Zidler learns that Satine is dying from consumption. Satine tries to convince Christian that their relationship endangers the show, but he counters by writing a secret love song into the show to affirm their love (“Come What May”).

The process of Women sexually exploiting Men for a living was refined over the millennia to the point where the first law of Womenhood is never, ever, give it away, always demand compensation for sex. In Our culture especially, Men always pay Women for sex. The mainstay of the dating game is taking a Women to dinner. The more

elegantly, extravagantly and expensively a Man demonstrates to a Woman His ability to provision Her, the more sexually aroused She becomes. Women still judge a Man by what kind of provider He is. The current price for casual sex is at least three dinners and a movie, but this is only for starters. Women sell their sexuality like drug dealers sell drugs. It is relatively cheap at first, but as the user becomes addicted, the price goes up. Eventually She demands “total commitment”, which means His signature on a marriage contract which entitles Her to half of everything He owns just for starters. What She wants as payment for sex is lifetime financial security.
A classic example of this was depicted in the movie “Pretty Woman”. It has to be assumed that it’s extreme popularity was due to the fact that it appealed to today’s Women. It was a story of a whore who sold her body to anyone who met her price, but was reformed by love. At least that is the way Women saw it. What really happened is that She sensed that He was falling in love with her and she simply upped her price. She demanded the whole “fairy tale”. She wanted to be courted and wooed, but mostly, she wanted to see his signature on a marriage contract. If he didn’t meet her price she was going to go away and have nothing to do with him. The last thing she was going to do is make her own living, on her own two feet instead of on her back, and make love to this man openly, honestly and without compensation, simply because she loved him. This is the last thing you can expect from any Woman despite all Their screeching about sexual equality. The reason that the so called proper Female can’t abide prostitutes is that they don’t charge enough. Why should a Man sign up for a lifetime financial commitment if He can get sex on a pay as you go basis? The heroin’s reformation came because she began to charge the excepted price for sex.

Moulin Rouge

The Moulin Rouge
Type
Cabaret – Music Hall
Founded
October 6, 1889
Headquarters
Paris, France
82 Boulevard de Clichy, 75018 Paris
Moulin Rouge[1] (French pronunciation: [mulɛ̃ ʁuʒ], Red Mill) is a cabaret built in 1889 by Joseph Oller, who also owned the Paris Olympia. Close to Montmartrein the Parisdistrict of Pigalleon Boulevard de Clichy in the 18th arrondissement, it is marked by the red windmillon its roof. The closest métro station is Blanche.
The Moulin Rouge is best known as the spiritual birthplace of the modern form of the can-candance. Originally introduced as a seductive dance by the courtesanswho operated from the site, the can-can dance revueevolved into a form of entertainment of its own and led to the introduction of cabarets across Europe. Today the Moulin Rouge is a tourist destination, offering musical dance entertainment for visitors from around the world. Much of the romance of turn-of-the-century France is still present in the club’s decor.